26/05/2022
๐๐/๐๐ ๐ข๐ฌ ๐ ๐๐จ๐ง๐๐๐ซ๐๐ฎ๐ฅ ๐๐๐๐. ๐๐ฎ๐ญ ๐๐๐ฒ ๐๐๐ฏ๐๐ซ ๐๐จ๐ซ๐ค ๐๐๐๐๐ฎ๐ฌ๐... (๐ ๐๐๐ข๐ง ๐๐๐๐ฌ๐จ๐ง๐ฌ)
One thing you seem to not have taken note of is that everything surrounding the 80/20 idea is influenced by Nigerian music alone. Songs of other nations are of little importance when this talk comes up.
And Nigeria being the only country targeted with the 80/20 policy, make things more difficult for that policy to be effective.
There's a saying in business strategy that, if you wish to be 'worshipped' in whatever brand of business you do, ๐๐๐๐ ๐๐๐ ๐๐
๐๐๐๐๐๐๐๐๐๐๐!
That's ironical right?
Well, it isn't.
I understand that competition defines the very essence of every business plan including the music business. But for a brand to stand out - for an industry to stand out, it must stay out of competition. This is exactly what Nigeria is doing.
She's acclaimed the giant of African entertainment not because she does not have competitors but because she's placed herself in a non-competitive position vis-ร -vis the others, including Cameroon.
Take this as an example. In a science class of 40 students, MBULI, MBENDA & TOHNJI are always among the top 3 students in class. But at the end of every school term, MBULI comes out with an average of between 18.8 -19.1 while MBENDA & TOHNJI though at the 2nd and the 3rd positions, would find themselves with 14.65 and 14.5 Averages respectively.
In this instance, MBENDA & TOHNJI are in high competition but MBULI stays out of that competition because he's placed himself above their bar. Trying to compete with MBULI (someone who isn't in competition with you) would be kind of worthless.
Nigeria has understood this and is not leaving any stone unturned to stay out of competition when it comes to entertainment in Africa.
Cameroon and Congo DR found themselves in this non-competitive position at some point, when Makossa was the face of African Music with Manu Dibango, Wes Madiko, Petit Pays, Richard Bona, etc making tours here and there.
Why did they fail to maintain that spot?
This takes us to our second point - ๐๐๐๐ค ๐จ๐ ๐ซ๐๐๐ข๐ง๐๐ฆ๐๐ง๐ญ!
When a Cameroonian Artiste gets on the "Mangosi" instrumentals to say, "๐ด๐๐๐๐๐๐: ๐๐ ๐๐๐ ๐๐๐๐!" what comes to your mind? Is that not a fact? What point can you give to dispute what he said?
Truly it is dead - it can't stand any form of competition again, thoughtless of staying out of it. (unless we refine it)
Refinement rejuvenates, it advances & send competitors to 'hell'. Rigidity is what kills and that's what has happened with Makossa. And may still happen to our contemporary sound because we're copying without embedding any form of novelty into what we copy.
So, let's assume that the Cameroonian audience decides to embrace the idea of 80/20. Our environment being one where even the stakeholders resent the risk of testing new sounds or general refinement itself, do you think it'd last? Before you realize it, they (the audience) would be running back to stream and push the more refined music coming from the other side.
Motorola shouldn't blame it's customers going for the new iPhone or Samsung, because it chose to remain rigid.
Continuous refinement is key to having a grip of the entire market. Something Nigeria seems to be a master of.
She has outdone herself, continues to do so daily through refinement of sound to stay out of continental competition.
And if there must be an industry to second and/or third Nigeria in Africa, the relationship would be same as that of MBENDA & TOHNJI in the science class example above - leaving Nigeria at the apex.
To beat her or even compete for this spot, you'd better belt up tight.
Just for the Record,
Google, facebook, Netflix, SpaceX are all business brands that are staying out of competition because they've placed their value so high that prevents the other competitors from meeting them on the same stage.
Nigeria has succeeded in creating such value for her entertainment industry in this contemporary state of the art, from which she reaps a lot - getting many youths established, financially free and contributing greatly to their National GDP.
So I think, we have 2 things to do for 80/20 to ever hold some grounds - refine our sounds relentlessly - not just copy blindly (if we must copy) but with a unique novelty identifiable with us embedded into it. Then, when we succeed in doing this, our audience won't have a choice but push for the effectiveness of the policy.
In essence, you can't force a customer to remain loyal to a product that refuses to refine - meanwhile its competitors are refining continuously. OLD Pancho Cy international work is needed and not just talk - and the whole industry must be fully involved in this work.
If nobi so, like we fit just continue di boil wa beans on top candle we!
cc: ๐ต๐๐๐๐๐ ๐ณ๐ถ๐ด๐ผ๐ซ๐ฌ, Music Content Strategist
Pic: Blanche Bailly, Cameroonian Artiste