John Bongo

John Bongo As a quiet kid, drawing pictures of birds was about as exciting as things got. He'd never seen anything like it. The switch was thrown forever.
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Established, multi-genre DJ, specialising in the iconic pop genres: Funk & Soul, Disco, Post-disco & Boogie, Classic Rock, Classic House & Trance, Swamp Funk, '80s Electro, UK Pub Rock & New Wave, '60 Pop, Mod, Groove & Beat, Reggae, Ska & Dub, Worldbeat Not a lot changed until, at the tender and impressionable age of 14, John Bongo finally arrived at the weekly teens disco at the local pub - a pl

ace he figured he'd have zero interest in - and had been vigorously trying to duck out of being dragged to for months - much to his mates frustrations. So, on this hot Tuesday night in June 1979, the doors burst open, and a solid wall of unbelievably loud music and strobe lights almost knocking him to the floor, and a crazy, hot 'n' sweaty crowd filling the dance floor. The shock to the system almost made him turn on his heel and make an escape - but the sheer excitement kept him there. It was at that moment all the elements in the musical cosmos came together, fusing the nervous excitement, the teenage energy, the thumping music and synchronised dance floor disco lights. In that instant, he became totally hooked on the energy of this place, the dancers, and the music that fuelled it all. The quiet kid was instantly intoxicated by the vibe, and the DJ, a very cool-looking guy by the stage name of Buddie Holley, who sat at the helm of this incredible Disco Starship, high up, overlooking the dance floor. He played the records that generated the energy, and - in that moment - that's what John Bongo realised he wanted to do. He stood with eyes on stalks, watching the dancers - these were top movers - surrounded by a densely-packed wall of other kids watching in awe, their faces illuminated by the 'Saturday Night Fever'-style dance floor; Kev S and Rocker Rowsell with their hops and 'drops' borrowed from energetic northern soul moves, giving it all to Arthur Conley's Funky Street; disco 'smoothies' with magic black slip-on shoes and white socks, gliding effortlessly across the floor to Earth Wind & Fire's Boogie Wonderland or Jackson's Don't Stop 'til You Get Enough. He loved it all and couldn't get enough. From that point on, needless to say, a Tuesday night was never missed. Since then, he's been lucky enough to have played this beautiful form of dance music at all kinds of amazing events, including celebrations, festivals, corporate bashes, and private parties. He still gets the same buzz that he got when he first tumbled through that door into that hot, sweaty teenage disco. There's a simple equation... music with rhythm and groove is the fuel that ignites a primitive urge causing people to relax, let themselves go, and move their bodies to the music. This is what JB strives to recreate when he plays - whether it's a handful of people on a tiny dance-floor, or a field-full of festival-goers. There's little doubt that nostalgia has to play a big part of his love for soul, funk and disco, but it's artistry and connection with dance and togetherness is the big pull. It's never more powerful or vibrant than when you see it accompanied by dance, the two working together, influencing the DJ's track choices, or a band's energy. There's no other genre of music that can create such a powerful electric buzz at a party. It's high production values and the talents of the vocalists and musicians involved, ensure not only that it survives, but continues to thrive, with new artists emerging, creating exciting new sounds. It's influence on modern music has never been stronger than now. So that’s how John Bongo came to do this crazy thing. To be able to give as much fun and good vibes, and get the same back, is certainly a great trade, and a blessing. And finally... his dream is for clubs to be opened (and reopened) throughout the country, where young guys and gals can enjoy this uplifting music once again, burn off their energy on the dance floor and create that exciting vibe that's been missing for so long from our entertainment culture. "Dance is healthy, fun, exciting, totally infectious, and it promotes confidence, well-being, and long-term happiness" he says... "in a world where young people can focus all too easily on negativity, this surely can't be a bad thing." John Bongo's Devon Funk & Soul Club page: facebook.com/DevonFunkSoul

Join our Devon Funk & Soul Club group: facebook.com/groups/780285268769600

It's a beautiful day, and it's gonna be a beautiful night πŸŽΆπŸ’ƒπŸ•ΊπŸ•›πŸ’₯
31/12/2025

It's a beautiful day, and it's gonna be a beautiful night πŸŽΆπŸ’ƒπŸ•ΊπŸ•›πŸ’₯

🎢 The world's biggest band, a Devon Cinema, and a fish 'n' chips diversion...Did you know The Beatles played in Exeter a...
29/12/2025

🎢 The world's biggest band, a Devon Cinema, and a fish 'n' chips diversion...

Did you know The Beatles played in Exeter at the height of their fame? In fact, they played at the ABC Cinema on 3 dates in 1963 and 1964.

Their first Exeter gig on 28th March '63 was the 18th concert on their 1963 tour with Tommy Roe and Chris Montez. In the same month, the LP 'Please Please Me' was released, becoming the first of 11 consecutive albums they released in the UK to reach number one.

Later in August 1963 (3 months before their next Exeter gig), their 4th single, 'She Loves You' became the fastest selling record in the UK up to that time.

The band's second Exeter ABC concert on the 14th November '63 was the 11th date of The Beatles’ 1963 Autumn Tour. A fan recalls "It was an amazing night, but I mostly remember constant screaming".

On 9th February 1964, the Beatles made their first live US TV appearance on The Ed Sullivan Show, watched by around 73 million viewers in over 23 million households, or 34% of the US population. According to one rating system, it was "the largest audience that had ever been recorded for an American television programme". Two days later they played their first US concert at the Washington Coliseum. Only 3 months after their 2nd Exeter gig, Beatlemania ignited in America.

On October 28th 1964 as part of their Autumn Tour, the Beatles played their last 2 gigs at the ABC, selling out 8 weeks before. En route to the ABC for the 8 o'clock show, the band's transport got lost, missing a rendezvous with a decoy van at Honiton. Ringo said the driver had taken the wrong turning, but they had found a "very nice fish and chip shop". They arrived for the show with only minutes to spare, going on stage to face a theatre full of screaming fans. While in Exeter, the boys took their chauffeur and good friend Alf Bicknell out in the city for his 36th birthday celebration. Alf often joked that he was the inspiration for the song 'Drive My Car'.

So what's all this about?? πŸ‘‰ ...if you love The Beatles, or just '60s pop culture in general, then you'll wanna be at The Marine Theatre in Lyme Regis this New Year's Eve, where The Zoots and myself will be celebrating the absolute cream of swingin' sixties music. Tickets are selling fast - grab yours now while they're still on 2nd tier pricing... we don't want you to miss out on a fantastic night! 🎢 πŸ’₯

Tickets: www.marinetheatre.com/the-1960s-new-years-eve-party

Farewell Brigitte Bardot. Here she is in 1968 with Serge Gainsbourg singing "Bonnie and Clyde", the song telling the sto...
28/12/2025

Farewell Brigitte Bardot. Here she is in 1968 with Serge Gainsbourg singing "Bonnie and Clyde", the song telling the story of the outlaw couple Bonnie and Clyde. It's a 'smouldering' performance, apart from Gainsbourg's apparent trapped wind problem towards the end.

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

27/12/2025

The amazing Livvy & Bob... Livvy, the local vocal superstar, and Bob, the very seasoned guitar-artist, returning tonight to the first place she performed at - the Bicton Inn, Exmouth. Perfect live music for Christmas - they even knocked out a lovely soulful version of Gwen McCrae's 'All This Love That I'm Givin' (Liv is a-educatin' Bob in funky soul tunes πŸ‘)'.

This is a pairing made in the heavenly department known as 'Sublime Musical Chemistry'. Why isn't she a national Soul star? Just a matter of time... πŸ˜‰

Chris Rea's Blues-rock classic which became his biggest success in the UK, peaking at number 10 on the UK Singles Chart.
26/12/2025

Chris Rea's Blues-rock classic which became his biggest success in the UK, peaking at number 10 on the UK Singles Chart.

Full version part 1 & 2

25/12/2025
Happy Christmas y'all! πŸŽ„πŸŽΆπŸͺ©βœ¨πŸ•―️🌟β™₯️
25/12/2025

Happy Christmas y'all! πŸŽ„πŸŽΆπŸͺ©βœ¨πŸ•―️🌟β™₯️

Farewell to Chris Rea who's only gawn 'n' died just before Christmas at the age of 74. What a time to check out. Hearing...
22/12/2025

Farewell to Chris Rea who's only gawn 'n' died just before Christmas at the age of 74. What a time to check out. Hearing any further plays of 'Driving Home' will have extra poignancy now πŸ’œ

Remembering the amazing Maurice White on his birthday - founder, leader, main songwriter, and chief producer of Earth Wi...
19/12/2025

Remembering the amazing Maurice White on his birthday - founder, leader, main songwriter, and chief producer of Earth Wind & Fire. A great man, visionary, spiritualist, positive force, and creator of my favourite band. His boundless energy helped create not only a band, but a unique and vibrant jazz-funk wall of sound, a theatrical live show concept, and enabled him to share an ethos for 'Good' that still reverberates through this world (and any other world he may currently be inhabiting πŸ˜‰).

Today we celebrate the birthday of the visionary founder and guiding light behind Earth, Wind & Fire, Mr. Maurice White.

Happy Birthday Maurice! RIH

Maurice:
I applaud all the fans for supporting the music, coming to the concerts, buying the records, and taking the message of the music into their hearts and minds. Those of you who have gone out of your way to let me know that the music touched you, you have brought so much sunshine into my life.

- Maurice White. My Life With Earth, Wind & Fire, by Maurice White with Herb Powell, 2016.

Walk with me, when the stormy nights are cold,
In your hand lies all control.
Master, then when my final song is sung,
With your mercy, I pray that you’ll say well done.
Help them see the light.

- β€œSee The Light,” That’s The Way Of The World, 1975.

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Exmouth

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