DJ PERC

DJ PERC Club DJ, Mobile Dj, Remixer, Gamer, Been Djing since '99.self thought since '93

30/06/2023

Homegrown Music No. 9
Title: Inosente Lang Ang Nagtataka
Artist: Wuds
Genre: Punk Rock
Year: 1994

30/06/2023

Homegrown Music No. 8
Title: Mukha Ng Pera
Artist: The Youth
Genre: Post-Punk
Year: 1994

30/06/2023

Homegrown Music No. 7
Title: Dreams
Artist: The Dawn
Genre: Rock / New Wave
Year: 1987

30/06/2023

Homegrown Music No. 6
Title: Enveloped Ideas
Artist: The Dawn
Genre: Rock / New Wave
Year: 1987

"Enveloped Ideas" is the debut single by Filipino rock/new wave band the Dawn, from their 1987 eponymous debut album. The song was written by guitarist Teddy Diaz and C. Fineza, and produced by Jose Mari Gonzales. It was engineered by Oscar Mallari, and mixed by Joseph Roxas and Bob Guzman.

Background

"Enveloped Ideas" is the band's signature song along with "Salamat" and "Iisang Bangka Tayo". The lyrics in the first verse are: "Trying pointlessly to understand, having nothing to say, just shadows, what remained boxed inside, this is what i call my enveloped ideas".

The independently released single was initially played as a demo at the Manila-based radio station DWXB. Listener reaction to the single was so positive, that the Dawn became a byword in Pinoy rock music. The song has been certified gold by OctoArts International.

This song won over a large and loyal following for the band in 1986 when the demo version was played on the seminal radio station DWXB 102.7, and on the strength of that, they managed to snag a recording contract with OctoArts International. It seemed like they did not have to suffer too much through the requisite period as starving artists as the band's manager Martin Galan recalls: "There was that year", but all things considered, a year seems inconsequential, given that the band went from small venues and house parties to playing the Metropolitan Theater in about that amount of time.

David Gonzales of AllMusic described this song as "enigmatic". The song started with Pablo Molina singing a slow melodic line in an operatic manner, accompanied by funereal organ chords. Peppy, spirited keyboard lines jump in, and the song is kickstarted to a lively, highly melodic tune, with a synthesizer riff. The song also features a guitar solo by Teddy Diaz.

30/06/2023

Homegrown Music No. 5
Title: Open Road
Artist: The Ransom Collective
Genre: Indie Folk Pop / Alternative
Year: 2017

29/06/2023

Homegrown Music No. 4
Title: Golden Boy
Artist: Ethnic Faces
Genre: Alternative Rock / New Wave
Year: 1986

28/06/2023

Homegrown Music No. 3
Title: Imagining Oktober
Artist: Identity Crisis
Genre: Goth Rock / New Wave
Year: 1987

28/06/2023

1ST POST! ☺️

Homegrown Music No. 1
Title: Salamat
Artist: The Dawn
Genre: Rock /New Wave
Year: 1989

"Salamat" ("Thank you") is a song released by the Filipino rock band the Dawn in 1989. It was the lead single on their third album Beyond the Bend. It was written by Teddy Diaz, JB Leonor, Jett Pangan and Carlos Balcells. In its instrumental break, the guitar solo was played by Diaz.

Erwin Castillo calls it "an inspired collaboration among The Dawn, our writer Bonnie Melocoton, and our producers."The song's original music video features their new Japanese guitarist Atsushi Matsuura.

David Gonzales of AllMusic commented: "It starts with a mysterious-sounding chord progression played on keyboards; a fiery guitar line explodes and the song becomes a fast-paced, tuneful outing, punctuated by spirited keyboard and guitar lines. The song also contains an interlude where a searing guitar solo is played over hard-edged guitar chords."

It was re-recorded by the Dawn in 2001 for their first album since 1994, Prodigal Sun.

27/06/2023

The Classics No. 233
Title: Happy Birthday
Artist: Altered Images
Genre: New Wave
Year: 1981

"Happy Birthday" is a song by Scottish band Altered Images, released as a single from their 1981 album of the same name. The song entered the UK charts in September 1981 and peaked at number two the following month, holding that position for three weeks. It was the 15th-best-selling single in the UK in 1981 and has been certified silver by the BPI for sales in excess of 250,000 copies.

"Happy Birthday" is the only song on the album that was produced by Martin Rushent, who had already scored major success that year producing for the Human League and would win the Producer of the Year award for 1981 at the BPI Awards. Accordingly, the band chose Rushent to produce their next album, Pinky Blue (1982), in its entirety.

27/06/2023

The Classics No. 232
Title: Happy Birthday
Artist: Concrete Blonde
Genre: New Wave
Year: 1989

"Happy Birthday" is a song from American alternative rock band Concrete Blonde, which was released in 1989 as the second single from their second studio album Free. The song was written and produced by the band.

Critical reception

On its release in the UK, Robert Sloman of the Staines & Ashford News described "Happy Birthday" as "original and hummable" and praised Concrete Blonde as "one of Los Angeles' finest rock bands".[2] Chris Willman of the Los Angeles Times wrote, "This cheerful-sounding song, one of the year's catchiest, is really about an unhappy birthday, but Napolitano – writing about spending the night of her own 30th at home alone – is following in the great rock 'n' roll tradition of making feeling bad sound good. It's the best pop birthday song since the Beatles took a crack at it, and a little more substantive, too."[1]

In a review of Free, Steve Hochman of the Los Angeles Times described the song as "guilelessly Beatlesque" and a song about "remembering and/or looking forward to better times".[3] David Okamoto of the St. Petersburg Times commented, "Napolitano shows a playful sense of irony on 'Happy Birthday,' a deceivingly tuneful ditty about a poor woman who celebrates her birthday in a tenement apartment by listening to the radio and the cats in the alley."[4] Mark Lepage of The Montreal Gazette wrote, "The music [on Free] has a particularly L.A. feel, half beauty and half grit that sticks to you in the heat, typified by 'Happy Birthday,' one of those perfect marriages of melody and rock 'n' roll consummated in just over two minutes."

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27/06/2023

The Classics No. 231
Title: Birthday Girl
Artist: Microdisney
Genre: New Wave
Year: 1985

27/06/2023

The Classics No. 229
Title: I Fought The Law
Artist: The Clash
Genre: Punk Rock
Year: 1979

In mid-1978, the Clash were working on their second album, Give 'Em Enough Rope. Singer Joe Strummer and guitarist Mick Jones flew to San Francisco to record overdubs in September–October at the Automatt studio. The owner of the Automatt kept his collection of classic jukeboxes distributed around the various rooms of the studio complex. Strummer and Jones heard the Bobby Fuller version of "I Fought the Law" for the first time on one of the jukeboxes.[12] Their version first appeared on the EP The Cost of Living in May 1979 in the UK, and later that year was made part of the American edition of the Clash's eponymous album. This cover version helped gain the Clash their first taste of airplay in the States, and is one of the best-known cover versions of the song. The live recording of the song, performed at the Lyceum Theatre, West End, London, on December 28, 1978, features as the last piece of the 1980 film Rude Boy directed by Jack Hazan and David Mingay. The Clash were dressed all in black for that gig, and the song, at that stage, was considered the film's title song.[13][14][15][16] On July 26, 1979, "I Fought the Law" was the first single by the band to be released in the United States.

In 1988, CBS Records re-issued the single (catalog number) in CD, 12-inch and 7-inch vinyl formats, with "City of the Dead" (2:24) and "1977" (1:40) as its 7-inch B-side. The song is featured as a downloadable track in the music video game series Rock Band.[17]

In 1989, during Operation Just Cause, the U.S. military surrounded the Apostolic Nunciature in Panama while trying to capture Manuel Noriega, the strongman of Panama. U.S. forces blasted loud rock music—including "I Fought the Law" by the Clash—to put pressure on Noriega to give himself up.[18]

In 2012, the Clash's version of the song was featured in the video game Sleeping Dogs, as part of a karaoke mini-game.

The song appears during the end credits of the 2014 film RoboCop, the 2016 film War on Everyone and the 2018 video game Lego DC Super-Villains.

Recording

Some of the percussive noises on the record were made by hitting the pipes on a urinal. Jones told Uncut magazine in 2015, "Yeah, we went into the toilets and banged on the pipes with hammers to make it sound like a chain gang. Y’know, that “clang! clang!” at the end? And then at the very end you can hear a “sssszzhhh!” That’s it flushing!"

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23/06/2023
Good Job!Sabi Ng Client (Father Ng nag Debut) at Manager Kong Babae😊)Partida - di pa Ako masyadong recovered sa trangkas...
23/06/2023

Good Job!

Sabi Ng Client (Father Ng nag Debut) at Manager Kong Babae😊)

Partida - di pa Ako masyadong recovered sa trangkaso😁

23/06/2023

062323
Debut Gig with Night Swimming

22/06/2023

The Classics No. 228
Title: Nowhere Girl
Artist: B-Movie
Genre: New Wave
Year: 1980 / 1982

22/06/2023

The Classics No. 226
Title: Some People
Artist: Fra Lippo Lippi
Genre: New Wave
Year: 1987

22/06/2023

The Classics No. 225
Title: Thinking of You
Artist: The Colourfield
Genre: New Wave
Year: 1985

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22/06/2023

The Classics No. 224
Title: C. R E E. P
Artist: The Fall
Genre: Post-punk / New Wave
Year: 1984

22/06/2023

The Classics No. 224
Title: One
Artist: U2
Genre: Dark Wave / New Wave
Year: 1992

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22/06/2023

A Taste of Modern Music No. 22
Title: Beautiful Day
Artist: U2
Genre: New Wave
Year: 2000

"Beautiful Day" is a song by Irish rock band U2. It is the first track on their tenth studio album, All That You Can't Leave Behind (2000), and was released as the album's lead single on 9 October 2000. The song was a commercial success, helping launch the album to multi-platinum status, and is one of U2's biggest hits to date.

Like many tracks from All That You Can't Leave Behind, "Beautiful Day" harkens back to the group's past sound. The tone of the Edge's guitar was a subject of debate among the band members, as they disagreed on whether he should use a sound similar to that from their early career in the 1980s. The band's lead vocalist Bono explained that the upbeat track is about losing everything but still finding joy in what one has.

The song received positive reviews, and it became the band's 14th number-one single in their native Ireland, fourth number-one in the United Kingdom, and their first number-one in the Netherlands. It also topped the charts in Australia, Canada, Finland, Italy, Norway, Portugal, Scotland and Spain and reached the top 10 in Austria, Belgium, Germany, New Zealand, Sweden and Switzerland. The song peaked at number 21 on the Billboard Hot 100 in the United States, the band's highest position since "Discothèque" in 1997.

In 2001, the song won three Grammy Awards for Song of the Year, Record of the Year, and Best Rock Performance by a Duo or Group with Vocal at the 43rd Annual Grammy Awards ceremony. The group has played "Beautiful Day" at every one of their concerts since the song's live debut on the Elevation Tour in 2001.

Writing and recording

"Beautiful Day" originated from recording sessions held by U2 in a small room at Hanover Quay Studio in Dublin in the winter of 1999.[1][2] In its earliest permutation, "Beautiful Day" was a different song called "Always", which was later released as a B-side.[3] The song's genesis came from a chord sequence that lead vocalist Bono composed and that guitarist the Edge subsequently adapted. The group worked on the song for several days in the studio, but were unable to make much progress with it.[4] The Edge said, "As a straight rock song, it was pretty ho-hum."[1] Co-producer Daniel Lanois said: "the sound of it was a bit stuck in the barroom, and as usual our expectations were high. We wanted to feel the future and not just the past."[4]

Co-producer Brian Eno was frustrated with the lack of progress on the song, and early one morning, he and Lanois arrived in the studio before U2 to prepare some musical ideas. Eno created a rhythm on a drum machine, over which he added a piano part and synthesised strings.[4][1] Lanois played a guitar part on a Fender Telecaster that was a third above the root of the Edge's guitar sequence, providing what he described as a "choral quality, like harmony singing". The producers' ideas proved to be musically inspiring to the band when they arrived and resumed work on the song. Lanois described the Edge's resulting guitar playing as "sounding like shattered, splintered metal coming at you like a meteor storm". Near the end of a 20-minute jam of the song, Bono sang, "It's a beautiful day, don't let it get away".[4] After taking a lunch break, the producers thought that Bono's improptu vocal from the outro could be made into the song's chorus.[5] They quickly edited the vocal part into earlier sections of the jam, turning it into what would be the chorus of "Beautiful Day".[4]

Before leaving the studio one day, the Edge listened to the chorus vocals, and thinking they sounded bare, he picked up a microphone and improvised a backing vocal,[6] singing a high fifth.[4] At the same time, Lanois harmonised a lower doo-wop style vocal that he described as similar to those in "The Lion Sleeps Tonight". Their voices were then doubled and processed by Eno.[4] The Edge called the backing vocals a "beautiful counterpoint" to Bono's singing and "the final key element that the song needed".[6]

During the recording process for the All That You Can't Leave Behind album, the band decided to distance themselves from their 1990s experimentation with electronic dance music in favour of a "return to the traditional U2 sound". At the same time, the band was looking for a more forward looking sound.[1] This led to debate amongst the band when the Edge was playing the song on his Gibson Explorer guitar with a tone used in much of their early material up to their 1983 album War. Bono was particularly resistant to the guitar tone the Edge was playing with, but the Edge ultimately won the disagreement. As he explained, "It was because we were coming up with some innovative music that I felt a license to use some signature guitar sounds."[1]

The mixing process proved difficult, lasting two weeks.[1] Long-time U2 producer Steve Lillywhite was hired to help complete the final mix.[2] Several changes were made during this period; Bono added a guitar part that played the song's chord progression to double the bass, an addition that "solidified everything", according to the Edge. The Edge also changed the bass line in the chorus and converted a keyboard idea of Bono's into a guitar part that added a "sour quality" to balance the track's positivity.[1] Lanois described the completed song as "one of those little gifts where you think, my god, we've got it!"

Composition

"Beautiful Day" is played at a tempo of 136 beats per minute in a 4
4 time signature.[8] The song opens with a reverberating electric piano playing over a string synthesiser, introducing the chord progression of A–Bm7–D–G–D9–A.[9] This progression continues throughout the verses and chorus, the changes not always one to a bar.[9] After the opening line, "The heart is a bloom", the rhythm enters, comprising repeated eighth notes on bass guitar and a drum machine.[9] In the first verse, Bono's vocals are in the front of the mix and their production is dry.[9] At 0:29, a guitar arpeggio pattern by the Edge first appears, echoing across channels.[9] The verses are relatively quiet until the chorus, when the Edge begins playing the song's guitar riff and Mullen's drums enter. During the chorus, Bono sings in a restrained manner, contrasting with the Edge's "loud, bellowing" background vocals, a sustained cry of "day".[9]

After the second chorus, a bridge section begins at 1:55, playing the chord progression F♯m–G–D–A, heightening the track's emotion as Bono sings "Touch me / Take me to that other place".[9] The bridge links to the middle eight with a section in which the Edge repeats a modulated two note phrase on guitar, beginning at 2:08. After seven seconds, the rhythm breaks and the middle eight begins. The chords in this section follow a progression of Em–D–Em–G–D–Em–G–D–A, implying a key of D major.[9] The bass plays a G note beneath the Em chord, implying a chord change does not occur.[9] The lyrics for this section are set in space above Earth and describe the sights that one witnesses, including China, the Grand Canyon, tuna fleets, and Bedouin fires.[10] After the third chorus and a return of the bridge section, the song suddenly ends in a "low-key" fashion; most of the instrumentation stops and a regeneration of a guitar signal drifts back and forth between channels before fading out.[9]

According to Bono, "Beautiful Day" is about "a man who has lost everything, but finds joy in what he still has."[11] Blender interpreted the song and the line "it's a beautiful day" as "a vision of abandoning material things and finding grace in the world itself".[7] In his 2001 book Inside Classic Rock Tracks, Rikki Rooksby described the lyrics as having a "fuzzy" quality and covering an "ambiguous subject area between religion and romance". He found "grace and salvation" in the verses' lyrics and believed that despite not explicitly explaining how to emotionally persevere, the song has "so many suggestive images that it's enough".[9]

In an episode of the Sundance Channel's Iconoclast, R.E.M.'s lead singer Michael Stipe said, "I love that song. I wish I'd written it, and they know I wish I'd written it. It makes me dance; it makes me angry that I didn't write it."

Release

"Beautiful Day" was the first single released from the album All That You Can't Leave Behind. It was serviced to US rock radio on 19 September 2000 and was issued in the UK on 9 October 2000 as a CD and cassette single.[12][13] The following day, on 10 October, the single was issued in Canada.[14] The song reached number one on the singles charts in Australia, Canada, the United Kingdom and Ireland, and also boosted sales of All That You Can't Leave Behind.[citation needed] "Beautiful Day" is included on the compilations The Best of 1990-2000 and U218 Singles and was reworked and re-recorded for Songs of Surrender (2023).[15]. A version of the song known as the Quincy and Sonance Mix appears on U2's EP 7.

Critical reception

"Beautiful Day" received mostly positive reviews from critics. Olaf Tyaransen of Hot Press called the song "surprisingly straightforward but still infectiously catchy",[10] while the magazine's Peter Murphy said the track broke the band's trend of releasing lead singles that broke new sonic ground but were not the best songs from their respective albums. Murphy called the song a "patented U2 cavalry charge from U2 3 through The Joshua Tree to Jubilee 2000".[22] The Guardian said the song "strikes an appropriate note of putting the past behind you and getting on with the rest of your life". The review praised the track for its "bustling beat", "contagious chorus and vintage guitar chimes from Edge".[23] Robert Hilburn of the Los Angeles Times called the track proof that the band's music had once again been "graced by the glorious textures of Edge's guitar, and [that] Bono has dropped the masks".[24] Rolling Stone called the song "poised, then pouncing" and said it was one of many from the album that has a "resonance that doesn't fade with repeated listening".[25] The Philadelphia Inquirer was critical of the song, saying it was not "driven by the fire of true believers", but rather by the band's need for a hit, and that it was "a move to solidify a base that may already have slipped away".[26]

David Browne of Entertainment Weekly was very receptive to "Beautiful Day", noting that the chorus "erupts into a euphoric bellow so uplifting" that it was played during a television broadcast of the 2000 Summer Olympics. Browne called the "classic U2 arrangement" of the song "corny", but said, "damn if it isn't effective". He said the song made him reminiscent of the band's glory days in the late 1980s when so much popular music sought to be "sonically and emotionally uplifting".[27] Edna Gundersen of USA Today was enthusiastic about the song, calling it "euphoric" and suggesting it was "breathing fresh air into playlists choking on synthetic pop and seething rap-rock".[28] The Detroit Free Press was critical of the album for being pedestrian but called "Beautiful Day" one of the album's "flashes of triumph", describing it as "a gloriously busy, layered song that recalls Bono's lyrically astute Achtung Baby days".[29] NME published a negative review of the song after its single release that suggested John Lennon's assassin, Mark David Chapman, should be released from prison to shoot Bono, a statement that Hot Press called "poisonous" and "tasteless".[10] The publication was more receptive to the song after the release of All That You Can't Leave Behind, saying the album "eas[es] in with the heat-hazy optimism" of the track.

Accolades and legacy

"Beautiful Day" finished in fourth place on the "Best Singles" list from The Village Voice's 2000 Pazz & Jop critics' poll.[31] The song won three Grammy Awards in 2001—Record of the Year, Song of the Year, and Best Rock Performance by a Duo or Group with Vocal.[32] In 2003, a special edition issue of Q, titled "1001 Best Songs Ever", placed "Beautiful Day" at number 747 on its list of the greatest songs.[33] In 2005, Blender ranked the song at number 63 on its list of "The 500 Greatest Songs Since You Were Born".[7] The Labour Party subsequently made extensive use of the song during its successful re election campaign in 2005, though an unresolved dispute with and within the band prevented it being used in party political broadcasts.[34] In 2009, in an end of decade rankings list, Rolling Stone listed "Beautiful Day" as the ninth-best song and readers ranked it as the third-best single for the decade of the 2000s.[35] In 2010, Rolling Stone updated its list of "The 500 Greatest Songs of All Time" and placed "Beautiful Day" at number 345, making it one of eight U2 songs on the list.[36] In 2011, VH1 listed "Beautiful Day" at number 15 on its list of The 100 Greatest Songs of '00s.[37] Rolling Stone's 2018 list of the "100 Greatest Songs of the Century – So Far" ranked the song 40th.[38]

A version of the song was used as the theme tune to the ITV football highlights television shows The Premiership broadcast from 2001 to 2004 and The Championship from 2004 to 2009.[39] Kurt Nilsen, the Norwegian Idol winner sang it during the World Idol competition[40] on 25 December 2003 and won the competition with the song. This was the only World Idol title and was not repeated in consequent years.

In 2004, Sanctus Real recorded a version on the album In the Name of Love: Artists United for Africa. In 2007, the German guitarist Axel Rudi Pell recorded his version on his album Diamonds Unlocked. In 2008, the song was chosen to play over the end titles of the children's film Nim's Island, starring Abigail Breslin, Jodie Foster and Gerard Butler. The song was also played after John Kerry gave his acceptance speech at the 2004 Democratic National Convention in July 2004.

The song was used by Barack Obama's 2008 and 2012 presidential campaigns, together with the band's song "City of Blinding Lights". In 2020, Obama listed "Beautiful Day" in a playlist of "memorable songs" from his presidency.[41]

In 2010, a cover of "Beautiful Day" was released by Lee DeWyze as his first single following his victory in the ninth season of American Idol. DeWyze commented "I like that song a lot (...) Is it something that is necessarily in my genre? No. There were songs on the table, and I went with the one I thought would represent the moment the best."[42] The cover reached number 24 on the US Billboard Hot 100[43] and number 13 on the Canadian Hot 100. "Beautiful Day" was also covered by 2010 X Factor Australia winner Altiyan Childs for his self-titled debut album. For the band's 2023 album Songs of Surrender, U2 re-recorded the song with alternate lyrics during the bridge.

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A Week of having FluRecovering...But that doesn't stop me for giving free new wave mixes😊 🔥🔥🔥🔥FREE DOWNLOAD 🔥🔥🔥🔥My New W...
22/06/2023

A Week of having Flu

Recovering...

But that doesn't stop me for giving free new wave mixes😊



🔥🔥🔥🔥FREE DOWNLOAD 🔥🔥🔥🔥

My New Wave / Wave Classifiable 1 Hour Non-Stop Mix.

All Tracks Are From The Year 2000's And So On..

HITWAVE V5 TRACKLIST_051621

1. JOY - HOWARD JONES [2015]
2. NEWHAVEN DIEPPE - THE DEVILS [2002]
3. FOR ALL CENTURIES - FINE CHINA [2000]
4. MORE THAN SILENCE - CULTURE CLUB [2014]
5. ME AND MICHAEL - MGMT [2018]
6. EVERY BREAKING WAVE - U2 [2014]
7. COOL - GWEN STEFANI [2005]
8. ON MELANCHOLY HILL - GORILLAZ [2010]
9. FEBRUARY AIR - LIGHTS [2009]
10.NIGHT CAFE - ORCHESTRAL MANOEUVRES IN THE DARK [2013]
11.UNDER THE WAVE - ERASURE [2014]
12.SHINE - CAMOUFLAGE [2015]
13. PLEASURE'S WHEREVER YOU ARE - MARC ALMOND [2015]
14.SYNTH LOVE - IGO [2007]
15.PUMPED-UP KICKS - FOSTER THE PEOLPE [2011]
16.POMPEII - BASTILLE [2013]

ALL TRACKS ARE XCLUSIVLY MIXED BY DEEJAYPERC™

🔥🔥🔥🔥DROPBOX LINK 🔥🔥🔥🔥

https://www.dropbox.com/s/ljeglu09oalp7aa/HITWAVE%20V5_XCLUSIVLY%20MIXED%20BY%20DEEJAYPERC%E2%84%A2_051621..mp3?dl=0

https://www.dropbox.com/s/4dav4pw3876sh0g/HITWAVE%20V5%20TRACKLIST_051621_.txt?dl=0

🔥🔥🔥🔥MEDIAFIRE LINK 🔥🔥🔥🔥

https://www.mediafire.com/file/z8gof1o32wyr2kz/HITWAVE+V5+TRACKLIST_051621_.txt/file

https://www.mediafire.com/file/whx38ykq0miinkq/HITWAVE+V5_XCLUSIVLY+MIXED+BY+DEEJAYPERC™_051621..mp3/file

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20/06/2023

Hello

Sorry for not posting any new content
for the past 5 days not feeling well due to over fatigue

Struck by flu 🤧🤒

18/06/2023

I've received 3,300 reactions to my posts in the past 30 days. Thanks for your support. 🙏🤗🎉

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