Stanford wit: a gender conscious theater company

05/11/2019

Tonight is your last chance to see [wit]'s New Works Festival from 7-8pm! Congrats to the whole team for a fabulous performance last night.

[wit] presents…
Spring 2019 New Works Festival
featuring a staged reading of Morning After,
an original play by Bella Miranda (’19).

GET YOUR FREE TIX HERE: https://www.eventbrite.com/e/wits-spring-2019-new-works-festival-tickets-61144518902?fbclid=IwAR3F0H-2BZTvdb1eYDyLrT_JCfydliF_o-hq8WHzAWQHHq2uC1BCUgkV0LU

DATE & TIME: Friday, May 10 & Saturday, May 11 @ 7pm
LOCATION: Roble Arts Gym, RM 136

*SHOW CONTENT WARNING: SEXUAL ASSAULT*

In the playwright's own words, Morning After "asks what happens when no one knows what happened on the night of a sexual assault. It battles questions of forgiveness, blame, and how one assault can lead to a long period of trauma in friend groups and individuals."

[wit] presents a staged reading of Morning After, an original play by Bella Miranda ('19).

03/09/2019

Last chance to see Stop Kiss! Shows at 2:00pm and 8:00pm today.

03/03/2019

Check out our brand new trailer and be sure to get your tickets soon at bit.ly/SKwit so you can see for yourself how this love story ends!

03/02/2019

[wit]: a gender conscious theater company presents Stop Kiss by Diana Son in the Nitery Theater March 7-9!

"A poignant and funny play about the ways, both sudden and slow, that lives can change irrevocably”-Variety.

After Callie and Sara meet, their fast friendship leads to an unexpected attraction. Their first kiss provokes a violent attack that transforms their lives in a way they could never anticipate.

Get your tickets now at: bit.ly/SKwit

“A poignant and funny play about the ways, both sudden and slow, that lives can change irrevocably”-Variety. After Callie and Sara meet, their fast friendship leads to an unexpected attraction. Their first kiss provokes a violent attack that transforms their lives in a way they could never antic...

05/13/2018

In case you missed it, here are the fabulous Lili Lim and Lexi Stein in a trailer made by Eve La Puma! Make sure to watch in HD to enjoy the full effect

05/12/2018

Photos from [wit]'s production of Doctor Voynich and Her Children by Leanna Keyes. Photo credit: Meilan Steimle

11/16/2017

When you realize opens tonight and you still don’t have a ticket!
Ticket link in the description.

pc: Frank Chen

11/12/2017

11/11/2017

Look What You Made Me Do / Hamlet

tickets at bit.do/hamletwit

11/08/2017

Coming to Hamlet is a no-brainer.
November 16-19. ticket link in the description.

11/06/2017

A year ago, we were moving into EPC for The Merchant of Venice. Now, we’re about to return to EPC for . get tickets at bit.do/hamletwit

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05/12/2017

will you be a stanford student next year? does helping facilitate the creation of gender-critical theater art sound like your jam? apply for 2017-2018 w*it board by may 18!

Applications are due at 11:59pm on Thursday, May 18 and elections will be conducted online from Thursday, May 19 through Sunday, May 21. Email Lillian Bornstein ([email protected]) with any questions, concerns, or non-electronic voting needs. Feel free to fill out multiple forms if you are runni...

04/28/2017

activities fair!! come to white plaza for revelry, information, and approximately four packets of fruit snacks

04/22/2017

Stanford Women* in Theater is seeking actors and stage managers for the New Works Festival, a series of staged readings week 8.

Audition tomorrow or coordinate a time with producer Dan Holland!

Sign-up with this doodle form: http://bit.do/nwfdoodle and this google drive: http://bit.do/nwfgoogle

04/06/2017

let's fix this

(though maybe with a slightly less binary perspective)

Today is and, though we've come a long way, women are still under-represented in the theatre industry. Are you surprised? What are your ideas to close the gap?

04/02/2017

"If theatre is necessary—it must actively fight against systems that dehumanize and criminalize and it must do so by doing work that is necessary, pulled from somewhere deep inside, too far back for any of us to remember and yet we recognize it, feel it in our own bodies when we see it, when we hear it... My body, my words, my only weapon in a war that I believe is being waged on culture, on memory, on history."

Tracing the family she's created artistically and socially, Virginia Grise writes about art-making as a process of survival, self-actualization, and community building.

03/04/2017

Jenny Lyn Bader looks at theatre’s gender parity movement.