Liberty Wrestling Entertainment

04/03/2026

The good news is, that we will be running some shows.

The bad news is that it is not being run with LWE.

Behold the Pro Wrestling Experiment called Trials By Fire, made in junction with NEEM TV!

We will be starting streaming on April 1st and will be doing weekly shows from there. We are still looking for wrestlers to participate in this experiment, so please e-mail Paul Baker at [email protected] for information!

Check out Sarah Whitaker’s video.

18/02/2026

Heyo! Sarah here!

I’ll be switching most of my posts about wrestling the world and just about everything into my business page. I’m going to start posting a lot of stuff soon and don’t want you guys to get too flooded.

03/02/2026

LWE is now under Mad Madame Media!

Still trying to figure out this streaming thing, but you’ll hear about it up here when it happens!

Stay tuned for some shenanigans!

15/01/2026

Hey there! It's Sarah again!

I've been diving into crowd psychology and how it pertains to professional wrestling. He's a hard read, but I have been looking at Gustave Le Bon's work about crowd psychology. This is a quote of his that I think resonates as to why pro wrestling fans are the way they are.

The people in charge of professional wrestling were the ones who took down the curtain, and the fan base has never psychologically forgiven us for it. I talked to Josh Jerry on Bob Evan's Skool group about it and when it comes to reinstating the curtain of kayfabe or making a product that doesn't insult the intelligence of the fans, he still thinks that we can keep the certain.

Then I asked myself about the internet, where a lot of wrestling fans like to play with dirt sheets, forums, and memes. Is it a Crowd psychology like Le Bon talks about? Or is it an individual matter since we're usually by ourselves on the computer? I had a hard time finding a straight answer to that one, but I think it shifts from community to community. It's one thing to respond to a post, but sometimes things dogpile into a mess. It's millions of groups interacting at the same time.

This is why it's hard to translate pro wrestling to the internet, because crowd manipulation is key to a pro wrestling performance. Everyone is an armchair hero about pro wrestling, and finding how to translate a live show to the internet is its own beast. A man who worked the crowd seamlessly through the internet was Bray Wyatt. He rewarded fans with secrets based on continuity in his career. People ate it up like crazy.

Sometimes I see kayfabe comments on promotion posts, but how... do we work kayfabe on this platform as Bray did? Rosemary is another one who does excellent online kayfabe.

Many blame the Information Age for the destruction of kayfabe, but not many have tried to play with it to their advantage.
.. I have some ideas... but I'm still looking for a job to pay the bills first.

Someone has to think about these things. In the very least it keeps my brain engaged while I rebuild my life after mom died. If I can find the answer to this question, I can open a lot of doors in how pro wrestling is presented. Better yet, if I can get other people to think as deeply into this as I do, we might find a solution together.

03/01/2026

Hey everyone! Sarah here.

I’ve been going back and forth in my head about what role a promoter should actually play in modern professional wrestling.

I don’t ever want LWE to turn into a vanity project. The wrestlers should always be the focus, and I’ve seen firsthand what happens when writers or promoters make everything about themselves. That said… I also think something got lost along the way when we decided promoters had to be invisible.

Wrestling has always lived in that weird space between real life and kayfabe. Fans know more now. They follow wrestlers as people, not just characters, and I don’t think pretending that promoters don’t exist, or don’t matter, really works anymore either.

What doesn’t work, though, is “larger than life” without relatability. We’ve all seen what happens when something feels too manufactured; people sniff it out fast. Authenticity and quality matter more than ever.

So instead of pretending I have all the answers, I’m going to do something a little different. I’m going to keep studying wrestling, asking questions, and sharing what I’m learning. This is not to push an agenda, but because I genuinely want to hear how others think wrestling fits into today’s world of changing tech, media, and fan culture.

If LWE moves forward in any form, I want it to come from conversation, not ego.

I’d really love to hear your thoughts. What do you think professional wrestling needs right now, and what actually makes it connect? Let’s dig into the sociology and psychology of it and see if there’s room to try something new.

26/12/2025

As we celebrate the holidays, we want to invite some deeper reflection around professional wrestling.

Why professional wrestling?

Whether you’re on the inside or a lifelong fan, we’d love to hear why it mattered to you. What did it give you when you needed it most?

Was it in the big leagues or the indies? The characters, the community, the spectacle, or the escape?

If we’re going to bring wrestling to people who may not have experienced it yet, we need to understand what made it meaningful to you.

Please share your thoughts in the comments!

17/12/2025

Hi! Sarah here!

Been sitting with myself trying to figure out how exactly to reach my goals.

Particularly after seeing Cena retire, I am realizing that the ones considered the previous guard of professional wrestling is slowly fading.

No matter how you feel about Cena, we shouldn’t be standing there going “wow” we need to be figuring out how to capture that magic in a bottle ourselves.

Well, let’s start with what’s keeping it from happening.

Our world is in a never-never land between wanting someone we can relate to and wanting to see something larger than life. You get too much or too little on either side and it doesn’t stick. Particularly with the indies, we have a harder time cranking out something larger than life because not every wrestler takes themselves seriously enough to raise themselves to something awe-inspiring.

The last time I have really been awe-inspired by a performance in the Indies was Jaysin Strife VS. Nick Aldis in Magnum Pro..

Neither of them needed to be The Undertaker to make their struggle larger than life.

The only way that Indie Wrestling is going to be able to do this on a constant basis is not only to up the wrestlers skill level, but to make them realize that they can present themselves online and to those outside the normal wrestling circles.

The wrestlers need to be the draw again, not just the show.

Here in lies the problem… how do I do this without losing a lot money?

That’s why I will be making the move of owning a Media Company that happens to run shows. If it’s media first, with LWE as a product, then I can sell my services to fund the building process. In between, I make promotion neutral content for professional wrestlers to keep my skills up and build a portfolio while showing wrestlers off to those who don’t know about the Indies.

Will it work? No clue.

But simply running a wrestling promotion is not going to bring the magic of it. I have to give to the industry in order to get the quality that I want to see again. Not only that, but I have to give in a way that makes me money or else I’m going to have too many holes in my bucket to give.

Thanks for letting me ramble! I hope to have more of my musings soon!

11/12/2025

Yes, I am crazy…

Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube.

11/12/2025

You know an indie band that would make great entrance music? Post them in the comments!

08/02/2024

Today, LWE is saddened to announce that our very own “Madame Promoter” Helena Whitaker has passed away at the age of 70. We want to thank everybody who reached out to us during this difficult time, we appreciate everything you’ve done for us. We will miss you!