Owned By Others

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Owned By Others Owned by Others is an artistic endeavor uncovering narratives, places, and artifacts from, around, a

Coming Sunday, December 12th, the Nomadic Festival Center of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 will be driving around Museum Island servin...
08/12/2021

Coming Sunday, December 12th, the Nomadic Festival Center of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 will be driving around Museum Island serving as a starting point to discover the island from a contemporary artistic perspective for the last time this year. Get some maps and postcards, take a stroll, follow a tour, and revisit the sites of several interventions and installations:

Come to Schinkelplatz at 2-3:30 pm for the audio tour Walk with Ngonnso by Sylvie Vernyuy Njobati and ZoΓ« Claire Miller .c.miller. The tour is a recorded, solo walk, without a fixed starting time. Please bring your own headphones and media player or smartphone if possible. (A limited amount of media players and headphones will be available to borrow. The audio tour will be available after 3:30 pm at Spreeufer 6 as well.)

Furthermore, Guerilla Architects developed a public exhibition and tour titled 'Spotted' to support your dΓ©rive around the island. A map to guide you can be picked up at the Nomadic Festival Center throughout the day.

At 3:30 pm meet us at Spreeufer 6, on the corner of Nikolaiviertel to pick up Aram Bartholl ’s postcard edition Greetings from Berlin! and try out the AR-Instagram filter Dark Clouds at Humboldt Forum. A limited edition poster from the Bauensemble series by Andreas Gehrke will also be available to take home!

From 5 pm on we will project the video work ApariciΓ³n by , summarizing her performances on Museum Island, and temporarily unveil a sculpture by Fernando SΓ‘nchez Castillo .

In addition, more works by & , Raul Walch, Mischa Leinkauf, and others will be present on the island for the closing weekend.

All activities are designed to work under pandemic circumstances and restrictions and most can be experienced outside and on your own. Nevertheless 2G required.

✨ Since December last year, Andreas Gehrke’s photo series reveals the shifted, faulty, and discordant seams of Museum Is...
06/12/2021

✨ Since December last year, Andreas Gehrke’s photo series reveals the shifted, faulty, and discordant seams of Museum Island. Here are some more captations of his ongoing series 'Bauensemble' for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔. ✨

03/12/2021

Sonora part II by Miguel Buenrostro for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Vol. 2. SONORA is a series of musical encounters / Sonic interventions with musicians on Museum Island, Berlin. Dive into some more Sonora constellations > the full performance is available on 's bio πŸ–€

Improvisation on the boat of with the musical contributions of
Francisco Lara Alvarez , Gato Luis Lincheo Luis Gato Lincheo &

From Last Sunday Guerilla Architects' dΓ©rive for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔. Stroll around again this upcoming Sunday Dec 5th from ...
01/12/2021

From Last Sunday Guerilla Architects' dΓ©rive for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔. Stroll around again this upcoming Sunday Dec 5th from 2pm - Look for the nomadic festival center around Museum Island and get your β€žSpottedβ€œ Map. πŸ—žπŸπŸš§

present selected works from the street space collection, which were provided by the district Mitte in the context of the exhibition. The Spree Island as an overall museum is open around the clock as part of the urban space.

For π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔, present selected works from the street space collection, which were provided by the district Mitte...
26/11/2021

For π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔, present selected works from the street space collection, which were provided by the district Mitte in the context of the exhibition. The Spree Island as an overall museum is open around the clock as part of the urban space.

FΓΌr π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 prΓ€sentieren Guerilla Architects ausgewΓ€hlte Werke aus der Straßenraum-Sammlung, welche durch den Bezirk Mitte im Rahmen der Ausstellung zur VerfΓΌgung gestellt wurden.
Die Spreeinsel als Gesamt-Museum ist als Teil des stΓ€dtischen Raums rund um die Uhr geΓΆffnet.

The event will take place at 14h and the mobile festival center will be parked at the collums of the Alten Nationalgalerie, kind of in the triangle of the Berliner Dom, Altes Museum and Alte Nationalgalerie.

Foto: Leon Klaßen, © Guerilla Architects 2021

Draussenstadt

New photos of the 'Bauensemble' series by Andreas Gehrke . The artist explored Museum Island as a transient terrain of...
23/11/2021

New photos of the 'Bauensemble' series by Andreas Gehrke . The artist explored Museum Island as a transient terrain of grand gestures and workmanship - of playful surfaces, materials, and readymade objects in the ubiquity of constant transition. We'll reveal some more soon!

Bauensemble new series for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Edition 2 ✨ Andreas Gehrke continued to explore Museum Island provincializing...
16/11/2021

Bauensemble new series for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Edition 2 ✨ Andreas Gehrke continued to explore Museum Island provincializing Berlin through close contact through its eclectic architectural patterns & diverse textures.

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Digital exhibition,
Dec 2020 – ongoing

'Untitled (Anonymous Visitor)' work by and has now transited to Berlin πŸ•ŠπŸ•ΈThe bronze sculptures with traces of an ospre...
26/10/2021

'Untitled (Anonymous Visitor)' work by and has now transited to Berlin πŸ•ŠπŸ•ΈThe bronze sculptures with traces of an osprey’s foot in Dakar will be installed for OWNED BY OTHERS Vol. 2, stay tuned!

❝π‘ͺπ’“π’π’”π’”π’Šπ’π’ˆ 𝒃𝒐𝒓𝒅𝒆𝒓𝒔 𝒂𝒏𝒅 π’ƒπ’‚π’“π’“π’Šπ’†π’“π’” π’ƒπ’†π’•π’˜π’†π’†π’ π‘©π’†π’“π’π’Šπ’ 𝒂𝒏𝒅 π‘«π’‚π’Œπ’‚π’“ π’†π’‚π’”π’Šπ’π’š 𝒐𝒏 π’•π’‰π’†π’Šπ’“ π’π’Šπ’π’† 𝒐𝒇 π’‡π’π’Šπ’ˆπ’‰π’•, π’Žπ’Šπ’ˆπ’“π’‚π’•π’π’“π’š π’ƒπ’Šπ’“π’…π’” π’“π’†π’Žπ’Šπ’π’… 𝒖𝒔 𝒐𝒇 π’‰π’π’˜ π’‡π’“π’†π’†π’…π’π’Ž 𝒐𝒇 π’Žπ’π’—π’†π’Žπ’†π’π’•, π’“π’†π’ˆπ’‚π’“π’…π’π’†π’”π’” 𝒐𝒇 π‘ͺ𝑢𝑽𝑰𝑫-19, π’Šπ’” π’„π’π’Žπ’‘π’“π’π’Žπ’Šπ’”π’†π’… 𝒇𝒐𝒓 𝒕𝒐𝒐 π’Žπ’‚π’π’š 𝒑𝒆𝒐𝒑𝒍𝒆 𝒂𝒕 𝒕𝒐𝒐 π’Žπ’‚π’π’š π’•π’Šπ’Žπ’†π’”.❞

1. Saturday, October 23rd and Sunday, October 24th- 12-17 uhr Camera Obscura room is open for everyone to come and β€œPla...
23/10/2021

1. Saturday, October 23rd and Sunday, October 24th- 12-17 uhr

Camera Obscura room is open for everyone to come and β€œPlay with idea of being inside the Camera”
You can do whatever you want inside the camera: its a time for You and the Camera - while being removed from your comfort zone(s): You can dance, You can sing, You can read your favorite poem or section of the book, You can express your feelings in anyway you wish, You can express your views on the current state of local and global affairs, You can do whatever your heart and mind desires..

Meeting point: Schiffbauerdamm 19, 10178 Berlin

𝑨𝑩𝑢𝑼𝑻

Camera will always see You and listen to You

When you are Inside Camera Obscura- there are no boundaries, only the light is the limit!! There will be a wide-view GoPro recording from inside the Camera Obscura throughout the whole day. At the end of your time inside the camera, I would like to record a short interview with you.

Each Participants would be given a time slot on first come first serve basis. You can reserve your time slot by emailing: [email protected]

Camera Obscura Boat Beams Light Back to Berlin
Saturday, October 23rd and Sunday, October 24th-
Around 19.00 uhr
Limited spaces
Please reserve your spot by emailing:
[email protected]

Join artist Maciej Markowicz for boat cruise on the Spree river with projection of the Camera Obscura boat images back into Berlin' Riverscapes. Spaces are limited to 8 persons so please reserve on time. This action will be also very scenic when following the boat on the sides of the river banks.

There will be Fresh Ginger/Lemon/Honey tea for those who fancy warm Special Captain Camera drink.

19/10/2021

Pleased to announce you the second chapter of 'Monuments for Whom?' by Miguel Buenrostro , Raul Walch and Arijit Bhattacharyya - Join us this Sunday 24th around Museum Island - Evening Screening + Discussion & beginning of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 2.

Our cities are paved with monuments. Some are cast in bronze, others carved from stone. Monuments for whom? All over the world, as protests against racism have renewed attention on legacies of injustice, colonialism, and mass murder, people have been toppling statues which have stood for more than a century.

This was 'Tarbik Tropicana' for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 1:𝑨𝑩𝑢𝑼𝑻Not far from Museum Tropicana, you can find the Pergamonmuseum an...
16/10/2021

This was 'Tarbik Tropicana' for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 1:

𝑨𝑩𝑢𝑼𝑻

Not far from Museum Tropicana, you can find the Pergamonmuseum and in it the Ishtar Gate. It was constructed more than 2,600 years ago by the order of King Nebuchadnezzar II in the city of Babylon, what is today on Iraqi territory.

What became a major tourist attraction in Berlin is still remembered in Iraq as one to the most famous pillars of cultural heritage in the region. The artist from Baghdad, and as a member of the artist group running the cultural center started a collaboration with the project Owned by Others. Zaid Saad and his collaborators traveled from Baghdad toward Babylon to visit the former site of the Ishtar gate. This voyage is almost impossible to make for any non-Iraqi person and especially during the corona crisis. This voyage culminated with the production of a documentary video to share with the visitors of Museum Tropicana that unveils the status of this historical site. Furthermore, the video is a form of reminder from the artists of Tarkib that the physical Ishtar Gate present in Berlin is beyond the reach of most Iraqi citizens.

Zuzanna Czebatul's 'Dazed Squatting' for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Edition 1 with the iteration of her large-scale sculpture 'Twis...
14/10/2021

Zuzanna Czebatul's 'Dazed Squatting' for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Edition 1 with the iteration of her large-scale sculpture 'Twister' (2018) and 'Dirty Boots'.

Czebatul’s most recent sculptures have been conceived during a time that sees monuments of colonial violence torn down and demolished across the world, and gives rise to the formation of transnational solidarity opposing the recent anti-LGBT+ politics in Poland targeting q***r activists for putting rainbow flags on public monuments throughout the country. In this light, Czebatul’s passionately entangled obelisks become an emblematic symbol for the desire of transmitting and monumentalizing pleasure and sexuality as acts of resistance.

𝑨𝑩𝑢𝑼𝑻

Zuzanna Czebatul’s (*1986, Miedzyrzecz) work has as its core the structures and aesthetics of power embedded in political ideologies It examines power relations through artifacts and decor. As a sculptor, Zuzanna concentrates on the visual seductiveness of contemporary and archaic objects and architectural elements, as well as the language of interior and graphic design. Using comparative methodology, the artist reveals the kinships and conflicts between them. Her work is influenced by the aesthetics of ancient sculptures, modern forms of display, as well as the club culture of the nineties. Zuzanna lives and works in Berlin. She graduated from the StΓ€delschule Frankfurt in 2013, and later attended the MFA Program at Hunter College, New York as Fulbright Fellow. Zuzanna has had solo exhibitions at GGM1 Municipal Gallery Gdansk; CCA FUTURA Prague; CCA Zamek Ujazdowski Warsaw; MINI/Goethe–Institut Curatorial Residencies Ludlow 38, NYC and at the CAC Synagogue de Delme. This year her works will be included in group exhibitions at CAN NeuchΓ’tel, Trafostacija Szczecin and PikDeutz Cologne; early 2021 she will have solo exhibitions at Exile Vienna and Kunstpalais Erlangen, and participate in the Athens Biennale.

www.zzzzcccczzzz.com

.c.miller's ceramics 'Berliner Unwillen' has been exhibited at Museum Tropicana, inviting visitors to contemplate on pas...
12/10/2021

.c.miller's ceramics 'Berliner Unwillen' has been exhibited at Museum Tropicana, inviting visitors to contemplate on pasts and futures together. For π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 One, Miller’s miniature sculpture scrutinized the power and limitations of the public rejection of the Berlin Palace.

𝑨𝑩𝑢𝑼𝑻

ZoΓ« Claire Miller is an artist and organizer based in Berlin, Germany. She co-founded the in 2013 and the Society for Matriarchal World Domination in 2019. Much of her political work takes place within the framework of the bbk berlin (professional association of visual artists Berlin), for which she is a spokesperson. [...] Zoë’s art in the media of sculpture, installation and performative drawing is primarily collaborative and engages with the female body, sensuality, tactility, feminist /q***r theory and the combined use of negative and positive space. In past exhibitions she has explored themes such as female ma********on as a metaphor for creative production; the emancipatory potential of lost knowledge surrounding contraceptive and abortive herbs; the disintegration of the body as a pleasurable experience; and the water cooler as a site of resistance via gossip. Formally, she aims to produce new shapes or images that better reflect how entities, bodies and materials can be activated in a non-patriarchal manner: allowing things to drip, dribble, spread, pool, be a mist, or a smell, and showing bodies as sites of pleasure. She is interested in interspecies relationships and dissolving the boundaries of proprietary modes of production in order to negate the historical clichΓ© of the lone creative genius / the contemporary spectre of neoliberal, competitive modes of production.

www.zoemiller.eu

was one of the contributors of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Part I with 'The 3 Commandments of Postcolonialism'. For Sierra’s 2020 B...
11/10/2021

was one of the contributors of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Part I with 'The 3 Commandments of Postcolonialism'. For Sierra’s 2020 Berlin contribution to Owned by Others, he devised a two-part reckoning with the cultural and artistic possessions found on Museum Island. An engraved plate leaves a literal comment on the restitution of objects from colonial contexts and continues his interest in declarations and subversive reminders, that speak to public spaces, like those found in his Monument to Civil Disobedience in Reykjavik or his immaterial Conceptual Monument in Leipzig (both from 2012). His second contribution, the long-term project to complete an economic inventory that includes all the moveable and immoveable objects found here, mirrors the city’s undamped entrepreneurial ambitions. As long as housing, alternative culture, education, and facilities to organize care work are not insulated from the market, nothing should be spared. As a marketable asset, Museum Island must get its price tag.

𝑨𝑩𝑢𝑼𝑻

Santiago Sierra was born in 1966 in Madrid where he lives and works. Influenced by the formal language of the minimalist and conceptual art movements of the 1960s and 70s, Santiago’s work deals with global power relations and hierarchies of class as he vigorously examines the logics and futility of borders, work, or capitalism as a whole. He became well known for his performative actions in which marginalized individuals got paid to perform menial or pointless tasks. He has studied fine arts in Madrid, Hamburg, and Mexico City; solo exhibitions at Lisson Gallery, London (2008), Deichtorhallen, Hamburg (2013) among many others as well as a contribution to the Venice Biennale (2003) mark his successful and disobedient career.

More on www.santiago-sierra.com

Cinema Lada began as an open-air cinema at the Modern Art Museum, Addis Ababa, in 2015 initiated by and . It made a sec...
10/10/2021

Cinema Lada began as an open-air cinema at the Modern Art Museum, Addis Ababa, in 2015 initiated by and . It made a second appearance during the festival in the immediate vicinity of Hamburger Bahnhof – Museum fΓΌr Gegenwart – Berlin and will continue its journey during π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Part 2 this month!

𝑨𝑩𝑢𝑼𝑻

Cinema Lada will be an ambassador and an installation at the same time, bringing together African and European artists. The film program for Cinema Lada features works from a variety of international artists connected in that the artist features as the performer: an actor in the public domain and an interventionist in their own film confronting different realities and challenging the norms of public space.

Robel Temesgen was born in 1987 received his MFA in Contemporary Art from TromsΓΈ Academy of Contemporary Art and creative writing, University of TromsΓΈ, Norway in 2015 and a BFA in Painting from ASFAD, Addis Abeba University in 2010. His practice focuses on painting and encompasses elements of performance, installation, video and collaborative projects. Since 2010, Robel works as a Lecturer at the Department of Painting, Ale School of Fine Arts and Design, Addis Ababa University. His work has been exhibited in Ethiopia and internationally.

www.robeltemesgen.com

'ApariciΓ³n' series of temporary memorials on Museum Island Berlin by were also part of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 last year. The p...
09/10/2021

'ApariciΓ³n' series of temporary memorials on Museum Island Berlin by were also part of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 last year. The performance by Regina remembered the murdered women of the past, present and future – every three days as a living sculpture. The initiative started on November 25th, the International Day for the Elimination of Violence against Women, and has been continued throughout December.

𝑨𝑩𝑢𝑼𝑻

Regina JosΓ© Galindo is a visual artist and poet, whose main medium is performance. Galindo lives and works in Guatemala, using its own context as a starting point to explore and accuse the ethical implication of social violence and injustices related to gender and racial discrimination, as well as human rights abuses arising form the inequalities in power relations of contemporary societies.

www.reginajosegalindo.com

and 's 'Intervention by Sonder' (2013) remains highly topical in the face of a growing awareness for the shortcomings t...
08/10/2021

and 's 'Intervention by Sonder' (2013) remains highly topical in the face of a growing awareness for the shortcomings to reconcile β€œEast” and β€œWest” after reunification also at the cultural level. 'Fahnenflucht' was as well part of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Edition 1.

𝑨𝑩𝑢𝑼𝑻

Peter Behrbohm (Berlin,1987) is a berlin based artist, designer, architect and film maker. His works dissect the infrastructures underlaying our physical surroundings – surgically intervene public in spaces and its routines or supply speculative societies and coming conflicts with obstacles and narratives. Radical fragments recuring from crashes that happened in other futures.

www.peterbehrbohm.net

took part in π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Part I with the 3 following projects: 'Sonora' investigating the soundscapes of the Museum...
07/10/2021

took part in π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Part I with the 3 following projects: 'Sonora' investigating the soundscapes of the Museum island, the exhibition 'Otros Nosotros - on Coloniality & Resistance' exploring the economic relationship between forms of domination in Latin America and de-colonial struggles. He organised as well the screening and discussion 'Monuments for Whom?' together with and .

𝑨𝑩𝑢𝑼𝑻

Miguel Buenrostro is a visual artist, documentarian, and researcher working between the US-Mexico border and Los Angeles, California, and currently based in Berlin. His work often shows multiple perspectives between coloniality / decoloniality, migration, memory and architecture. His media include cinema and performative gestures in public space. His work has been presented in the Biennale Architettura di Venezia (2016); Armory Center for the Arts (2017); Museo NumismΓ‘tico Nacional de la Ciudad de MΓ©xico (2018) Mexi-Cali Biennial (2019) and The New Bauhaus Museum, Weimar (2020); He has presented his lecture β€œDestruction of Memory” at Southern California Institute of Architecture in Los Angeles, California, and San Diego State University. Miguel is co-creator of β€œNuevo Norte” infrastructure for migrants, a practice which aims to rethink the cultural relationship between the city and migration. His recent performative work Disfuncionalista; On Coloniality and Architecture of repression was part of the Centenary Programme celebrating the anniversary of the founding of Bauhaus in Weimar, Germany.

www.miguelbuenrostro.net

took part in π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 1 with the 3 following projects: 'Sonora' investigating the soundscapes of the museum isl...
07/10/2021

took part in π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 1 with the 3 following projects: 'Sonora' investigating the soundscapes of the museum island, the exhibition 'Otros Nosotros - on Coloniality & Resistance' and the screening + discussion 'Monuments for Whom?' together with and .

𝑨𝑩𝑢𝑼𝑻

Miguel Buenrostro is a visual artist, documentarian, and researcher working between the US-Mexico border and Los Angeles, California, and currently based in Berlin. His work often shows multiple perspectives between coloniality / decoloniality, migration, memory and architecture. His media include cinema and performative gestures in public space. His work has been presented in the Biennale Architettura di Venezia (2016); Armory Center for the Arts (2017); Museo NumismΓ‘tico Nacional de la Ciudad de MΓ©xico (2018) Mexi-Cali Biennial (2019) and The New Bauhaus Museum, Weimar (2020); He has presented his lecture β€œDestruction of Memory” at Southern California Institute of Architecture in Los Angeles, California, and San Diego State University. Miguel is co-creator of β€œNuevo Norte” infrastructure for migrants, a practice which aims to rethink the cultural relationship between the city and migration. His recent performative work Disfuncionalista; On Coloniality and Architecture of repression was part of the Centenary Programme celebrating the anniversary of the founding of Bauhaus in Weimar, Germany.

www.miguelbuenrostro.net

Kasia Fudakowski’s short film 'A Call for the Palliative Turn' made with Jakob Gross was shot on location at Museum Isl...
06/10/2021

Kasia Fudakowski’s short film 'A Call for the Palliative Turn' made with Jakob Gross was shot on location at Museum Island in Berlin in February 2021 for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Part 1. You can still discover it on our website - Link in Bio

𝑨𝑩𝑢𝑼𝑻

Kasia Fudakowski’s (*1985, London) sculptural practice provides a totally independent view of artistic production in a social context. Both her sculptures, which often hover somewhere between figurative and abstract, and her sculptural practice-related performances and videos refer to her interest in the theory and philosophy of humour. Kasia focuses on the immediate, tense relationship between artist and audience, on patterns of expectation, representational ideals, theatricality, and the interpretation of objects as identities. Her fascination for the tremendous critical potential for humour as a comment on human failure, especially when it comes to social systems, is a crucial feature. Kasia has exhibited internationally at venues such as Modern Art Oxford; Museum of Contemporary Art, San Diego; , The Hague; ; , Bristol; ; , Prague; and , Hamburg. Upcoming projects include Made in Germany at ; and Bring Art into Life! at , Cologne. Kasia lives and works in Berlin.

Throwback on 's contribution for the first edition of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 with 'Untitled (Anonymous Visitor)' made together ...
05/10/2021

Throwback on 's contribution for the first edition of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 with 'Untitled (Anonymous Visitor)' made together with : To resurrect the presence of birds like the osprey or the purple heron on Museum Island, they use taxidermies from Berlin’s Museum of Natural History to produce bronze sculptures with traces of an osprey’s foot in Dakar [...] Crossing borders and barriers between Berlin and Dakar easily on their line of flight, migratory birds remind us of how freedom of movement, regardless of COVID-19, is compromised for too many people at too many times.

𝑨𝑩𝑢𝑼𝑻

Jeewi Lee (*1987, Seoul) is a South Korean-German artist, based in Berlin. Her work predominantly deals with traces that question our visual perception. The trace bears witness to time while also reflecting its history and own production process. For Jeewi, it exist as residue of past lives, a visual allegory for lived experience, place, memory, and the body. The artist carries out intensive research on materials and their properties by transforming or combining them. This leads to her exploring the poetic context of the individual materials. Jeewi studied painting at the Berlin University of the Arts (UDK) and at Hunter College University in New York. She graduated in 2014 with a master in fine arts at the UDK and since 2018 holds an MFA from the postgraduate program Art in Context. She has received various grants and scholarships including , CAA Berlin and from Kunstfond Foundation. In 2020 she received artist residencies, such as Thread from the Josef & Anni Albers Foundation in Senegal and in Israel. Jeewi has exhibited in numerous group shows and solo exhibitions and was part of the Festival of Future Nows at the (2014) and the Hamburger Bahnhof Museum (2017). Other exhibitions include , the Korean Embassy Berlin, (2020) and sculpture park .schwante (2020).

Her work on www.jeewi.de

π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 1 was marked by a fruitful collaboration with Arijit Bhattacharyya through the lecture performances 'Pir...
04/10/2021

π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 1 was marked by a fruitful collaboration with Arijit Bhattacharyya through the lecture performances 'Pirates, Prawns & Invaders', 'Bridge of Spice' as well with the screening and discussion 'Monuments for Whom?' made in collaboration with & . Learn more about the projects on our website 🌴

𝑨𝑩𝑢𝑼𝑻

Arijit Bhattacharyya (*1994, Kolkata) is an artist and independent curator currently living and working in Weimar, Germany. His practice revolves around contentious narratives of resistance through social engagements, design interventions, and lecture performances. His artistic discourse is deeply rooted in the dissecting trajectories of sociopolitical history and its implications in cultural practices. As a curator, he is invested in artistic negotiations that investigate methods of social agitation. Arijit’s major works have been part of institutions like Khoj International Artists’ Association , Photo Kathmandu , Kochi Biennale , UNITAR Jeju, and to name a few.

www.studioarijit.com

Fort the first edition of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔, wished you 'Greetings from Berlin!' with his Post Card Series and Stand at M...
03/10/2021

Fort the first edition of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔, wished you 'Greetings from Berlin!' with his Post Card Series and Stand at Museum Tropicana! While the troubled Humboldt Forum opened digitally on Dec 16th 2020, Bartholl summoned dark clouds over the prestigious building with his project 'Dark Clouds' using an augmented reality filter for Instagram.

𝑨𝑩𝑢𝑼𝑻

Aram Bartholl (*1972, Bremen) uses sculptural interventions, installations, and performative workshops to question our engagement with media and public economies linked to social networks, online platforms, and digital dissemination strategies. Aram’s work creates a sometimes bizarre confrontation with our own ignorance of global platform capitalism and renegotiates network activities as political forms of participation on an analog level, using the potential of public space. A purposeful contextualization of aesthetics, codes, and communication patterns that users are familiar with from YouTube, Instagram, and video games employs the logic of the Internet while at the same time undermining it. Bartholl has exhibited at MoMA in New York, , and Palais de Tokyo in Paris among many others. He is professor of art and digital media at Hamburg University of Applied Sciences and lives and works in Berlin.

More on www. arambartholl.com

For π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 and since December 2020, Andreas Gehrke continues his digital exhibition and photographical research...
02/10/2021

For π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 and since December 2020, Andreas Gehrke continues his digital exhibition and photographical research 'Bauensemble' in which he explores Museum island as a transient terrain of grand gestures and workmanship – of playful surfaces, materials, and readymade objects with unconventional functions.

𝑨𝑩𝑢𝑼𝑻

Andreas Gehrke was born in Berlin in 1975 and has been working as a freelance photographer since 1999. In addition to countless publications for renowned German and international magazines, he has produced complete book projects for the , Sauerbruch Hutton Architects and the Neufert Foundation, among others. Empty spaces, wastelands, peripheral areas and their transformation processes are recurring motifs in the works of Andreas. They have been exhibited in galleries such as Pierogi in Leipzig or PS1 in New York. In 2013, he founded the publishing platform , where he publishes his own monographs as well as exceptional photographic works by colleagues who are friends of his.

More on www.andreasgehrke.de

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Last October 2020, for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 I, realised 'Untitled (Anonymous Visitor)' together with : the two artists have ...
01/10/2021

Last October 2020, for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 I, realised 'Untitled (Anonymous Visitor)' together with : the two artists have turned to the migratory birds passing by their confinement home in Casablanca.

𝑨𝑩𝑢𝑼𝑻

Aliou Diack was born in 1987 in Sidi Bougou in the Mbour region of Senegal and currently lives and works in Dakar. Fascinated by his environment and the exploration of β€œmΓ¨re nature” from an early age, his first encounter with art started at the age of ten, when he moved away from his family to Dakar, to study. To sate his nostalgia for the green flora, wild fauna– the nature near his village, he started to reproduce and create his own environment by drawings and paintings. From 2009 to 2014 Aliou studied fine art at Γ‰cole Nationale des Arts de Dakar (ENA). He creates multilayered land- scape by combining patches of color with concrete lines and scattering of pigments. The latter are made of dead plants and trees and are often used for medical purposes. Since 2014, Aliou has participated in numerous international exhibitions and art fairs and attends artist residencies, such as (2018) and Thread from the Josef & Anni Albers Foundation (2016, 2017). He participated in exhibitions at (2019), Le ManΓ¨ge Gallery from Institute FranΓ§ais Dakar (2019), Biennale of Contemporary African Art OFF (2018), Agit’art Laboratory Dakar and Art-Paris at Grand Palais (2017).

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Sonora part II by Miguel Buenrostro for π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 Vol. 2. SONORA is a series of musical encounters / Sonic interventions with musicians on Museum Island, Berlin. Dive into some more Sonora constellations > the full performance is available on @mig_bnrstr's bio πŸ–€ Improvisation on the #cameraobscura boat of @maciejmarkowicz with the musical contributions of Francisco Lara Alvarez @flaraalvarez, Gato Luis Lincheo Luis Gato Lincheo & @iomismito

Pleased to announce you the second chapter of 'Monuments for Whom?' by Miguel Buenrostro @mig_bnrstr, Raul Walch @raulwalch and Arijit Bhattacharyya @arijitbh - Join us this Sunday 24th around Museum Island - Evening Screening + Discussion & beginning of π‘Άπ’˜π’π’†π’… π’ƒπ’š 𝑢𝒕𝒉𝒆𝒓𝒔 2. Our cities are paved with monuments. Some are cast in bronze, others carved from stone. Monuments for whom? All over the world, as protests against racism have renewed attention on legacies of injustice, colonialism, and mass murder, people have been toppling statues which have stood for more than a century. #ownedbyothers #museumisland #monumentsforwhom #filmscreening #publicdiscussion

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