Joseph Capone, Artistic Director, Classics at the Point Theatre Ensemble

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Joseph Capone, Artistic Director, Classics at the Point Theatre Ensemble A theatre company that breaths life into the classics with
contemporary nuances into our every day!

10/07/2023

Self-reflection is not selfish-reflection.

Self-reflection for me is self-learning and how I have experienced throughout the many years lived as endless an opportunity of growth. I have had the feeling of life as a continuous streamlined-learning process of resilience!

We certainly do think the same way we did as a teenager. Nor do we think the same as when we are in our mid-fifties. If we are lucky enough to go far beyond those years we reflect entirely differently then ever before.

There is a wealth of knowledge gained through finding the subtext of wisdom by having lived a good long life. In some countries old age is revered and individuals are truly respected.

Yes, maturity for me is a time for magical thinking and lassoing your eagerness to still capture your dreams. It is your dreamscape period of resilience. Retaining it - regains your fortitude to live- on.

fyi
11/09/2022

fyi

Sign up for this $30 30-day challenge now!

18/08/2022

interesting

Big Life. Big Heart! Go Big!
24/06/2022

Big Life. Big Heart! Go Big!

"The view is better from a greater age. Suddenly, you see the entire line--where things were, where things are going, where they veered out of control. The long view. And I think the mistake we make--certainly the mistake I made--was to think too small, too safe. I think that life was meant to be big. I think that people were meant to be big. I don't mean through gesture or demands: I mean big of heart and impact. We are here for a very short run of the timeline, and if a mark isn't made, if people aren't helped or moved by what we've done, then we haven't mattered. Show up to matter, not to be liked. Show up to be big. Investigate your heart and the hearts of others to find out what the big thing needed at that time might be." --Marlon Brando/Interview with James Grissom/1990/

07/06/2022

Yummy 😋

Here we go! Great opportunity could be tight on your doorstep!
03/06/2022

Here we go! Great opportunity could be tight on your doorstep!

We are looking for creative, innovative, thought-provoking and entertaining independent films. We are especially interested in films made in Iowa and the Mid...

All classics have a point to be made. Otherwise they would never be a classic in the true sense of the word! Shakespeare...
02/05/2022

All classics have a point to be made. Otherwise they would never be a classic in the true sense of the word!

Shakespeare’s plays are truly classical and yet totally they reveal that Shakespeare’s expansive soul - is as if - he was alive today and his plays are just as relevant as today!

30/04/2022

Hello World! Wanting to tell you - I am well and keeping myself as healthy as is humanly possible. But things in this mad mad world keep on changing as rapidly - as is true - as is time itself. Time charms me and time allarms me - it’s the cherished moments that constantly remind me by that something from out-of-the-blue that something that is a surprising way of trickery. Whether with the weather conditions or by the economic state of affairs. And, all the endless issues of the world today - it is so exhaustive.

Enjoy each day. It’s all a God given gift. Cherish the perpetual now - because all of our tomorrows - aren’t ever granted forever -tomorrow is not a given consistency.

The perpetual now is all I can ever truly own.

I am grateful and humbled by each hour to be alive. I treasure my wife, my family and my friendships.

30/04/2022

Joseph Capone and Classics at the Point Theatre Ensemble

FYI
18/04/2022

FYI

FYI
18/04/2022

FYI

On this day in Tudor history, 15th April 1599, Elizabeth I's favourite, Robert Devereux, 2nd Earl of Essex, was sworn in as Lord Lieutenant of Ireland.

09/04/2022

Amen!

Interesting. I was once compared by a reviewer having the comic quality similar to Dick Shawn. The show was Boy Meets Sw...
07/04/2022

Interesting. I was once compared by a reviewer having the comic quality similar to Dick Shawn. The show was Boy Meets Swan at La Mama off broardway. A spoofing of Swan Lake. I had a musical number and got a great review.

New episode alert! On the Rarified Heir Podcast today, we talk to Adam Shawn, son of former minor leaguers, comedian, actor & monologist Dick Shawn. A truly talented comedian, Shawn is best known for his roles as L.S.D in Mel Brooks, “The Producers” as well as films like “It’s a Mad, Mad, Mad, Mad World” which he co-starred with my mom, Edie Adams. But there is much more to talk about. Another child of a celebrity, talking to a child of a celebrity. Listen in on all podcasting platforms or www.rarifiedheirpodcast.com

17/02/2022

Make Valentine's Day Last A Little Longer
with
LOVE LETTERS
by A.R. GURNEY •
directed by Joe Capone
Sunday, February 20, 2022
Doors Open 2:30 PM •
Showtime 3:00 PM

Celebrate Valentine's Day a little longer this Sunday! Hudson Valley actress, Peggity Price and her husband, TSC Executive Director Brian Keeler, will be performing Love Letters by A.R. Gurney as part of our "Local Produce Readers' Theatre" play reading series!

Love Letters: Andrew and Melissa sit side by side at tables and read the notes, letters and cards — in which over nearly 50 years, they discuss their hopes and ambitions, dreams and disappointments, victories and defeats – that have passed between them throughout their separated lives. Love Letters was a finalist for the Pulitzer Prize for Drama.

Local Produce is a nine play series with monthly performances from October through June. Series Passes which help support the programs are still available for $35, which includes admission to all remaining plays. Single tickets are $5 and are available in advance on our website and at the door. Doors open at 2:30 PM and showtime is 3:00 PM.

Go ahead and get your tickets for these upcoming Local Produce shows, too!

Love Letters • Sunday, 2/20/2022 • by A.R. Gurney, directed by Joe Capone

Last Gasp of the Liberal Class • Sunday, 3/20/2022 • by Robert Lyons

The Village Cidiot • Sunday, 3/27/2022 • by Lauren Letellier

TRACES/fades • Sunday, 4/10/2022 • by Lenora Champagne

Suffocation Theory • Sunday, 5/15/2022 • by David Rabe / performed by Bruce DuBose

Ex-Gay Bar • Sunday, 6/26/2022 • by David Simpatico

Local Produce Readers' Theatre is presented by The Stissing Center and Oblong Books and Music, and sponsored by Sugar Hill Farm, Big Rock Market,
Ronnybrook Farm, and Black Sheep Hill.

Click for all Local Produce Tickets!
The Stissing Center’s Covid Policy:
The health and well-being of our guests is of paramount importance to us. The Stissing Center is presently requiring all attendees, staff, crew, and volunteers 5 years of age and older to present proof of full vaccination and to wear a mask for all in-person events. Children under the age of 5 must wear a face mask. Proof can include a completed CDC vaccination card, a photo/copy of the completed CDC card, or the New York State Excelsior Pass or Excelsior Pass Plus. Please bring Photo ID.
# # #
The Stissing Center is a DBA of Pine Plains Memorial Hall, Inc. (PPMH), a 501(c)(3) non-profit charitable organization based in Pine Plains, New York.

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Sunday, February 20 • Showtime 3:00 pm • Doors open 2:30 pmJoe Capone directs LOVE LETTERS by A. R. GurneyThis performan...
01/02/2022

Sunday, February 20 •
Showtime 3:00 pm •
Doors open 2:30 pm

Joe Capone directs

LOVE LETTERS
by A. R. Gurney

This performance stars Peggity Price and Brian Keeler, back for the third time in front of a TSC audience.

This is the fourth offering in the Local Produce Readers’ Theatre series presented by The Stissing Center and Oblong Books.

https://thestissingcenter.org/

Upcoming Events An Important Message From The Stissing Center The health and well-being of our guests is of paramount importance to us. As Covid continues to keep us all guessing what’s next, please check back often for our most current event schedule and updates. Click here to receive our

08/01/2022

Happy New Year!
&
Wishing all - Good Health and Always Resilience Throughout 2022!

Happy Holidays!
24/12/2021

Happy Holidays!

An exclusive interview with the famous 95-year-old funnyman, and a review of his new book 'All About Me'

24/12/2021

So inspiring and such an important message for all those who are into creatively on all levels.

Events In My Lifetime.
15/12/2021

Events In My Lifetime.

Hope2022
15/12/2021

Hope
2022

A hopeful beginning of what’s to come!
19/09/2021

A hopeful beginning of what’s to come!

05/08/2021
Very fascinating article!
01/05/2021

Very fascinating article!

Mainstream science has been catching on to the fact that non-physical aspects of the human being are not only real, but they can be grown and developed into powerful tools for personal development and use. Non physical phenomena, like intuition, remote viewing, telepathy, and precognition (to name a...

Very interesting and very serious life changing ideas!
11/03/2021

Very interesting and very serious life changing ideas!

Paroles puissantes d'Anthony Hopkins :
"Laisse partir les gens qui ne sont pas prêts à t'aimer !
C'est la chose la plus difficile que tu auras à faire dans ta vie, et elle sera aussi la plus importante : arrête de donner ton amour à ceux qui ne sont pas prêts à t'aimer.
Arrête d'avoir des conversations difficiles avec des gens qui ne veulent pas changer.
Arrête d'apparaître pour les gens qui sont indifférents à ta présence.
Arrête d'aimer les gens qui ne sont pas prêts à t'aimer.
Je sais que ton instinct est de tout faire pour gagner les bonnes grâces de tous ceux qui t'entourent, mais c'est aussi l'impulsion qui te volera ton temps, ton énergie et ta santé mentale, physique et spirituelle...
Quand tu commences à te manifester dans ta vie, complètement, avec joie, intérêt et engagement, tout le monde ne sera pas prêt à te trouver à cet endroit de pur sincérité...
Ça ne veut pas dire que tu dois changer ce que tu es.
Ça veut dire que tu dois arrêter d'aimer les gens qui ne sont pas prêts à t'aimer.
Si tu es exclu(e), insulté(e) subtilement, oublié(e) ou facilement ignoré(e) par les personnes à qui tu offres ton temps, tu ne te fais pas une faveur en continuant à leur offrir ton énergie et ta vie.
La vérité, c'est que tu n'es pas tout le monde...
Et que tout le monde n'est pas pour Toi...
C'est ce qui rend ce monde si spécial, quand tu trouves les quelques personnes avec qui tu as une amitié, un amour ou une relation authentique...
Tu sauras à quel point c'est précieux...
Parce que tu as expérimenté ce qui ne l'est pas...
Mais plus tu passes de temps à essayer de te faire aimer de quelqu'un qui n'en est pas capable...
Plus tu perds de temps à te priver de cette même connexion...
Il y a des milliards de personnes sur cette planète, et beaucoup d'entre elles vont se retrouver avec toi, à leur niveau, avec leur vibration, de là où elles en sont...
Mais ...
Plus tu restes petit(e), impliqué(e) dans l'intimité des gens qui t'utilisent comme un coussin, une option de second plan, un(e) thérapeute et un(e) stratège à leur guérison émotionnelle...
Plus de temps tu restes en dehors de la communauté que Tu désires.
Peut-être que si tu arrêtes d'apparaître, tu seras moins recherché(e)...
Peut-être que si tu arrêtes d'essayer, la relation cessera...
Peut-être que si tu arrêtes d'envoyer des textos, ton téléphone restera sombre pendant des jours et des semaines...
Peut-être que si tu arrêtes d'aimer quelqu'un, l'amour entre vous va se dissoudre...
Ça ne veut pas dire que tu as ruiné une relation !
Ça veut dire que la seule chose qui tenait cette relation était l'énergie que TOI et TOI SEUL(E) engageais pour la maintenir à flots.
Ce n'est pas de l'amour.
C'est de l'attachement.
C'est vouloir donner une chance à qui n'en veut pas !
La chose la plus précieuse et la plus importante que tu as dans ta vie, c'est ton énergie.
Ce n'est pas que ton temps puisqu'il est limité..

C'est ton énergie !
Ce que tu donnes chaque jour est ce qui se créera de plus en plus dans ta vie.
C'est ceux à qui tu donneras ton temps et ton énergie, qui définiront ton existence.
Quand tu te rends compte de ça, tu commences à comprendre pourquoi tu es si impatient(e) quand tu passes ton temps avec des gens qui ne te conviennent pas, et dans des activités, des lieux, des situations qui ne te conviennent pas.
Tu commenceras à réaliser que la chose la plus importante que tu peux faire pour ta vie, pour toi-même et pour tous ceux que tu connais, c'est protéger ton énergie plus farouchement que n'importe quoi d'autre.
Fais de ta vie un refuge sûr, dans lequel seules les personnes "compatibles" avec toi sont autorisées.
Tu n'es pas responsable de sauver les gens.
Tu n'es pas responsable de les convaincre qu'ils doivent être sauvés.
Ce n'est pas ton travail d'exister pour les gens et de leur donner ta vie, petit à petit, instant après l'instant !
Parce que si tu te sens mal, si tu te sens dans le devoir, si tu te sens obligé(e), tu es la racine de tout ça par ton insistance, en ayant peur qu'ils ne te rendent pas les faveurs que tu leur as accordées...
Il est de ton seul fait de réaliser que tu es l'aimé(e) de ton destin, et d'accepter l'amour que tu penses mériter.
Décide que tu mérites une amitié réelle, un engagement véritable, et un amour complet avec les personnes qui sont saines et prospères.
Puis attends... juste pour un moment...
Et regarde à quel point tout commence à changer..."
Anthony Hopkins

23/01/2021
20/12/2020

Joseph Capone, Artistic Director, ClassicsAThePoinTheatrEnsmble.

20/12/2020

JOSEPH CAPONE
AEA/SAG/AFTRA/DIRECTOR/PLAYWRIGHT/
THEATRE EDUCATOR/

MFA - YALE DRAMA

As an actor I have worked with: Meryl Streep, John Lithgow, Mercedes Rhule, Mary Stuart Masterson, Kristen Steward, Rip Torn, Joe Chaikin, Bruce Dern, Elizabeth Ashley, Christopher Loyd, Irene Worth, Henry Winkler, Ben Gazzarra, Kathleen Widdoes, Ron Leibman, Carmen de Lavallade, Alvin Epstein, Christopher Durang.

Recipient of New York State Council on the Arts Decentralization Grants 2001, 05, 06, 07, 08, 09, 10, 11.

Artistic Director of the Classics @ the Point Theatre Ensemble 2001 to present and

CO-ARTISTIC DIRECTOR OF AMERICAN RENAISSANCE THEATRE COMPANY NYC
2015 to 2020

Commissioned Works:
Director, actor and playwright of "Sebal's Star" an original play about Sebal Ludington Ogden, the female Paul Revere. Full scale production was presented at Columbia-Greene Community College, Hudson, NY.

Director, actor and playwright of "Sebal's Star" an original play about Sebal Ludington Ogden, the female Paul Revere. Presented as a staged reading at the Catskill Public Library and the Palenville Public Library.

Director and Playwright, "Thomas," An original play about Thomas Cole, presented at The Catskill Point Park, New York.

"Thomas" was presented at Columbia-Greene Community College, Hudson, NY.

Grants:
Director, "Amadeus," Catskill Point Park, New York.

Commissioned Works:
Director, "On Golden Pond," Columbia-Greene Community College, Hudson, NY.

Grants:
Director, "Cat on a Hot Tin Roof, Tennessee Williams, Catskill Point Park, N Y.

Director, "Three Sisters," Anton Chekhov, Beattie Powers House, Catskill, New York.

Director and Actor, "Our Town," Thornton Wilder, Catskill Point Park, Catskill, N Y.

Director, The Seagull, Anton Chekhov, Catskill Point Park, Catskill, New York.

Commissioned Works:
Director, Rosencrantz and Guildenstern are Dead, Tom Stoppard, Marist College,
Poughkeepsie, New York.

Director, Talk Radio, Eric Bogosian, Marist College, Poughkeepsie, New York.

Grants:
Director, The Cherry Orchard, Anton Chekhov, Beattie Powers House Summer Theatre. Project, Catskill, New York.

Commissioned Works:
Director, "The Glass Menagerie," Tennessee Williams, Scheaberle Studio Theatre, Pace
University, New York City.

Director, “Romeo and Juliet,” William a Shakespeare, Schimmel Center For The Arts, New York City.

Director, Writer, “In Isabella’s Garden,” Joseph Capone, Schimmel Center For The Arts, New York City.

Director, “Two Gentleman From Verona,” musical adaptation of William Shakespeare’s play. Adapted by John Guare and Galt McDermott. Schimmel Center For The Arts, New York City.

Director, “A Midsummer Night’s Dream,” William Shakespeare, Schimmel Center For The Arts, New York City.

Director, “Mary Stuart,” Dacina Mariani,
Scheaberle Studio Theatre, Pace
University, New York City.

Director, “Glass Menagerie,” Tennessee Williams, Columbia-Greene Community College, Hudson, NY.

Director, “A Doll’s House,” Henrik Ibsen, Columbia-Greene Community College, Hudson, NY.

Inspiring a nation can make for a much needed aspect in America’s culture!
18/11/2020

Inspiring a nation can make for a much needed aspect in America’s culture!

My thoughts on power and leadership, and a conversation on empathy, unity, and courage with Vice President Joe Biden, the 2020 Democratic Presidential Nominee.

very inspiring!
14/11/2020

very inspiring!

A new study reports the rhythm of your breathing can influence neural activity that enhances memory recall and emotional judgement.

27/09/2020
FYI
26/09/2020

FYI

Clean-Up Day October 3rd for Town and Village of Catskill residents. Residential Only - No Businesses.

26/08/2020

Alice Boughton (American photographer) 1866 (or 1867) - 1943
Portrait Photograph of Yeats, 1904
platinum print mounted on card
22.7 x 17.9 cm. (8.94 x 7.05 in.)
signed by the photographer (“Copyrighted by | Alice Boughton Apr. 1904 New York”) in lower left and signed by W.B. Yeats (“WBYeats | To Mrs Pope | Hennessy”) in lower right,
private collection

Catalogue Note
Alice Boughton (1876-1945) in Photographing the Famous (New York, 1928) wrote “William B. Yeats... was twice photographed by me... He looked the part of the poet with flowing tie and the long lock of hair over the forehead. He seemed shy and diffident, and I found it somewhat difficult to hold his attention. Once Jack Yeats... came into the studio, and when he saw a picture of William I had done, he said, ‘Oh, yes, I know that look of Willie's - when one says “Mr. Yeats will you have pudding or pie,” and he really doesn't care which.’”

John Quinn had arranged for Yeats to be photographed probably on 22 December 1903 and wrote to the photographer on 7 January 1904 stating that “Yeats received the three photographs which you sent him and was charmed by them”. Boughton’s images of Yeats were published in New York Herald on 17 January 1904 and Gaelic American on 5 March 1904.
Una Pope-Hennessy (1876-1945) was the eldest daughter of Sir Arthur Birch. Both she and her family were close friends of Lady Gregory. In 1910 she married Ladislaus Pope-Hennessy. In Spring 1905 she contributed to Masefield’s appeal to ‘friends of Mr. W.B. Yeats and appreciators of his work’ to contribute £1 towards the purchase of a Kelmscott Chaucer for the poet’s birthday. One year later Una Birch was described by Yeats to Lilly Yeats as one of three “really rich people I know sufficiently well [in London]” (a London exhibition of Dun Emer work was planned and Lilly Yeats was evidently seeking potential buyers). Correspondence survives between Yeats and Una Pope-Hennessy dating from 1910, 1911, 1912, 1921 and 1932. We can assume, therefore, that Yeats presented this to the recipient in the period 1910-1912.

* * *

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet and one of the foremost figures of 20th century literature. A pillar of both the Irish and British literary establishments, in his later years he served as an Irish Senator for two terms. Yeats was a driving force behind the Irish Literary Revival and, along with Lady Gregory, Edward Martyn, and others, founded the Abbey Theatre, where he served as its chief during its early years. In 1923 he was awarded the Nobel Prize in Literature as the first Irishman so honoured for what the Nobel Committee described as "inspired poetry, which in a highly artistic form gives expression to the spirit of a whole nation." Yeats is generally considered one of the few writers who completed their greatest works after being awarded the Nobel Prize; such works include The Tower (1928) and The Winding Stair and Other Poems (1929). Yeats was a very good friend of American expatriate poet and Bollingen Prize laureate Ezra Pound. Yeats wrote the introduction for Rabindranath Tagore's Gitanjali, which was published by the India Society.

* * *

Very little is known about pictorial Alice Boughton's life or childhood except that she was born in Brooklyn in either 1865 or 1866 and was the daughter of a prosperous New York attorney. After attending Miss Rounds' School, a private girl's preparatory school, she traveled to Paris and Rome to study painting. Upon her return to the United States, she continued her studies at Brooklyn's Pratt Institute.

Miss Boughton's interest in photography began when she was introduced to the the work of Gertrude Kasebier, an early twentieth-century photographic pioneer whose images celebrated motherhood. She opened her first studio in 1890, and it remained in business for the next four decades. Through Miss Kasebier, she was introduced to the Photo-Secession founded by Alfred Stieglitz and consisting of a liberal-minded group of photographers who shared similar views. Miss Boughton immediately embraced the ideals of the Photo-Secession, and was elected a fellow of the group in 1906. By this time, her photographs had been featured in the first exhibition of the Little Galleries of the Photo-Secession.

Like Mrs. Kasebier and other Photo-Secessionists, Miss Boughton specialized in a particular style - portraits of young women and children. Her works appeared in Stieglitz's Camera Work publication, and her tableaux vivant scenes were featured regularly in popular periodicals like Good Housekeeping and American Magazine. Tableaux vivant or "living pictures" were either costumed models or actors photographed in theatrical lighting. Miss Boughton later applied this style to her n**e studies of young women and girls.

Applying her painting background and understanding of light and composition, Miss Boughton shared the photographic philosophy of the nineteenth-century French master Nadar, who believed that knowing how to utilize light and reflect personality in photography were based upon feeling and could not be taught. Miss Boughton added that portrait photography was more challenging than portrait painting because the painter typically holds several sittings and therefore becomes familiar with the subject's various moods. However, the photographer works much more quickly and usually must convey personality and mood in a brief single sitting, which requires instinct and intuition.

As her reputation grew, Miss Boughton expanded her photographic repertoire to include celebrity portraits, which she detailed in her 1928 text, Photographing the Famous. Her famous sitters included poet William Butler Yeats, author Robert Louis Stevenson, playwright Eugene O'Neill, psychologist and philosopher William James and his writer brother Henry James. She once admitted that of all her famous sitters, she found the pompous Henry James to be the most terrifying. After closing her studio, Alice Boughton spent her later years in the comfortable seclusion of her beloved Long Island home, which is where she died on June 21/22, 1943.

Amadeus
23/08/2020

Amadeus

CLASSICS AT THE POINT THEATRE COMPANY PRODUCTIONSCATSKILL, NEW YORK CATSKILL POINT PARKESTABLISHED SUMMER 2002 to presen...
23/08/2020

CLASSICS AT THE POINT THEATRE COMPANY

PRODUCTIONS

CATSKILL, NEW YORK

CATSKILL POINT PARK

ESTABLISHED SUMMER 2002 to present

Joseph Capone
Artistic Director
Catskill, NY

FYI
01/06/2020

FYI

Washington Post Executive Editor Marty Baron delivers a special address honoring the Harvard Class of 2020 on May 28, 2020.

24/05/2020

Address

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