Nothing will hush a crowd like the swoosh of a sword! This was a demo at a recent international festival at Rivermont Collegiate.
Shinobu — Loyal Retainer and Akumabarai — Demon cutting!
Spring has been absolutely gorgeous here in the Quad Cities. It’s perfect for some iaido practice in front of the historic Joseph Bettendorf Mansion!
Spring has been absolutely gorgeous here in the Quad Cities. It’s perfect for some iaido practice in front of the historic Joseph Bettendorf Mansion! Please forgive the hasty retreat and stumble into jodan no kamae.
Spring has been absolutely gorgeous here in the Quad Cities. It’s perfect for some iaido practice in front of the historic Joseph Bettendorf Mansion!
Springtime has been fantastic here in the Quad Cities! How about some iaido in front of the historic Joseph Bettendorf Mansion?
In the tatehiza technique Oroshi (our dojo’s namesake) an attacker attempts to grab the handle of your sword, presumably preventing you from drawing while someone else attacks. You move to trap his hand and break his wrist before cutting into the edge of his chest armor. Digging the tip into the wound, you push him across, finish him with a downward cut, and put your sword away demonstrating awareness and dignity.
Running through some tatehiza last night. :-)
Migi — At first glance, it looks so simple: just turn and cut. It took me about ten years to feel like I could do it without completely blowing it…. I’m coming up on thirty years in training (this spring) and, I really feel like I’m starting to get it.
Sword drawing techniques like these two were designed to be done in light armor. Each technique has a scenario. In the first, someone sitting to your right attempts to grab the handle of your sword. Catching and trapping his hand, you step out and break his wrist. Closing the distance, you draw and cut the weak point in his armor (his right shoulder). Twisting the blade and slicing under the armor, you push cut across his chest, which pushed him over to your right. You adjust and make a final downward cut. In the second technique, someone grabs your scabbard from behind, attempting to push it forward so you cannot draw it out. You stand and twist the scabbard, breaking his grip before creating space to draw, turning and thrusting into the attacker. As he falls, you make a final cut and resheath your sword, standing with dignity.
Max Roach performing Muso Jikiden Eishin Ryu, ukenagashi (receiving the flow).
Muso Jikiden Eishin Ryu, Seiza No Bu: Migi
Muso Jikiden Eishin Ryu, Seiza No Bu: Yaegaki (front view)
Max Roach, of the Bettendorf, Iowa location demonstrating some Muso Jikiden Eishin Ryu Shoden waza tonight. Seiza No Bu, Yaegaki (side view).
Leading a beginners class through Yaegaki tonight!
Security camera footage of Muso Jikiden Eishin Ryu: Kotekki Nukiuchi.
Security camera caught ukenagshi lesson!
Jo Suburi: Teaching Tsuki Jodan Gaeshi, Partnered Exercise
Suwari Waza Kokyu Ho- Don't let the Pigeon Drive the School Bus!
William Learns Ikkyo with Uncle Max
Jo Suburi (Tsuki Series) 1-5