The Spirit of the 80's

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The Spirit of the 80's https://www.facebook.com/1283406756/posts/10227528950431062/?d=n A celebration of the music of our youth. DON'T YOU forget about the 80's! WHO CAN IT BE NOW?

A chance to reunite with old friends and make new friends. Our event is open to any and all, especially those who graduated high school between the late 70's and early 90's. LET'S DANCE with an annual event in an inviting little village along the Lower Niagara River. We bring together a variety of bands to GET INTO THE GROOVE and play the music we loved to listen to on cassette tapes in our boom b

oxes, along with local musicians and reunited basement bands. Our goals are to keep the spirit of the 80's ALIVE AND KICKING, to have a totally epic and really, really fun weekend, and to raise money. Proceeds of this event have been used to establish a scholarship fund for students furthering their music education. We strive to generate enough funding to sustain an annual event, continue our scholarship fund and support music programs in Niagara county. JUST CAN'T GET ENOUGH

Since 2012, we have brought The Spoons, Images in Vogue, Forgotten Rebels, Stan Ridgway, The Toasters and The English Beat to the beautiful historic village of Lewiston, NY. Each and every show has been fantastic. Everyone has a terrific weekend, enjoying not just the music, but the company of friends, the incredible local food, and other area attractions. (The Forgotten Rebels enjoyed our renowned Lewiston Art Festival and the famous Haystack hot dog at The Silo; The English Beat had a wet and wild ride aboard the Niagara Jet Adventures jet-boat ride!) Folks are planning their vacations to come back in time for this event. We've brought old friends back "home" and attracted new friends from all over the country - across the globe, even! At the end of our first year we found we had unexpectedly brought in some money. Proceeds were donated to our Alumni Association and Music Boosters. Since then, our committee has worked to set up a Spirit of the Eighties Scholarship Fund, and we now consider our event a fundraiser. SWEET DREAMS ARE MADE OF THIS

The Spirit of the Eighties is organized by a handful of dedicated volunteers who were in junior and senior high school in the 1980's. We are amateur concert promoters, event coordinators, publicists and 80's Pop Culture Enthusiasts. We grew up on the US-Canadian border just a few miles north of Niagara Falls. We loved the music of our youth, listening to 102.1 CFNY The Spirit of Radio out of Toronto and later, 97.7 Hitz FM out of Saint Catherines. We saw live music weekly, piling into vans and great big cars from the 70's, traveling all over western New York, southern Ontario, eastern Ohio and northern Pennsylvania. We really LOVED the music. We called the radio stations, befriended the deejays, hung out by tour buses and waited for autographs. We had the t-shirts, the buttons, the stickers on our cars. We had our checkered shoes, skinny ties, safety pins and copious amounts of Dippity-Do. We WERE the Spirit of the Eighties! When planning future events, first we talk about the bands we haven't heard from in a while, who we'd love to see come out of the woodwork - bands like The Fixx, The Box, Platinum Blonde. We also discuss bands some of us have forgotten about like The Pursuit of Happiness and Living Color, and bands we know will draw a crowd like 54-40 and The Violent Femmes. We start looking into where they are now and what they've been doing. We typically look for a band that plays venues with a capacity between 300 - 1200. These are the bands that might be in our price range. It also helps if they going to be within a few hundred miles of WNY and they are already have the documents needed to work in the US, but this isn't always a deal-breaker. Stan Ridgway rarely plays anywhere in the east but he flew all the way from California especially for our event last year. LIVIN ON A PRAYER

We need supporters! Like and follow us on Facebook. Share our website. Tells your friends about us. Know any 80's music fans? Know anyone who likes the music we like? Know anyone who might want to invest in our project? Introduce us!!! We need volunteers! We do all of this ourselves - even the dirty work. We plan the event which means searching for investors, backers and sponsors. We promote it by hanging posters, contacting media, networking. We attend other area events wearing our t-shirt and handing out flyers. We hold smaller scale fundraiser parties in the months before the event. We prepare the park, set up tents and tables and pound fence posts. We man the stations and work all night. We pick up bottles and take out the trash. Then we show up in the morning and tear it all down. We do it because we love it and believe in it. If you do to, perhaps you'd like to help. We need backers! Having some money left over after our first event got us thinking that this could be a wonderful fundraiser, but as our event has grown, so have our production costs. We work really hard to raise the money needed to put on our event and we're proud to say we have been able to at least break even each year and we have gotten some donors to help us keep the scholarship alive. We still need to raise money to get the next event rolling. If you love the music of the 80's.....
if you want to keep the Spirit of the 80's alive.....
if you want to support live music in a small town.....
if you would like to see our scholarship fund grow.....
please consider backing our project. MONEY FOR NOTHING

Actually, money for all this stuff:
Band fees & costs - We'd love to get Echo & the Bunnymen or The Cure, but that's going to take a LOT of backing! We try to hire bands based on our projected crowd. Light & Sound Engineer - Our guy is good and he's reasonable, but the time, skill and equipment needed to put on such an event does come with a price tag. Stage, tents, tables, fence & potties - We try to keep these costs as low as possible, but they do add up. Advertising, posters, printing - The greatest show on earth isn't going to get a crowd if no one knows about it. Tickets - We could make you print your own "tickets" on full sheets of paper, but how could we claim to keep the spirit of the 80's alive if we didn't give you a ticket stub?!

ON THIS DAY IN MUSIC HISTORY: 1.151967 - The Rolling Stones were forced to change the lyrics of "Let's Spend The Night T...
16/01/2025

ON THIS DAY IN MUSIC HISTORY: 1.15

1967 - The Rolling Stones were forced to change the lyrics of "Let's Spend The Night Together" to "Let's Spend Some Time Together" when appearing on The Ed Sullivan Show after the producers objected to the content of the lyrics.

Jagger ostentatiously rolled his eyes at the TV camera while singing the changed lyrics, resulting in host Ed Sullivan announcing that The Rolling Stones would be banned from performing on his show ever again. They would be back in '69...

1968 - The Byrds release The Notorious Byrd Brothers. The recording sessions for the Byrds' fifth album, The Notorious Byrd Brothers, were conducted in the midst of internal turmoil that found them reduced to a duo by the time the record was completed. That wasn't evident from listening to the results, which showed the group continuing to expand the parameters of their eclecticism while retaining their hallmark guitar jangle and harmonies.

They took more chances in the studio, enhancing the spacy quality with electronic phasing and washes of Moog synthesizer. But the Byrds did not bury the essential strengths of their tunes in effects, there's still tasteful 12-string guitar runs. The Notorious Byrd Brothers looks forward to the country-rock that would soon dominate their repertoire.

1969 - CCR releases Bayou Country. It's the first of three albums (all classics) the would release that year. At the heart of Bayou Country, as well as Fogerty's myth and Creedence's entire career, is "Proud Mary." A riverboat tale where the narrator leaves a good job in the city for a life rolling down the river, the song is filled with details that ring so true that it feels autobiographical.

Elsewhere on the album, "Born on the Bayou" is a magnificent piece of swamp-rock, "Penthouse Pauper" is a first-rate rocker with the angry undertow apparent on "Porterville" and "Bootleg" is a minor masterpiece, thanks to its tough acoustic foundation, sterling guitar work, and clever story. All the songs add up to a superb statement of purpose, a record that captures Creedence Clearwater Revival's muscular, spare, deceptively simple sound as an evocative portrait of America.

1990 - The Sundays released their debut album, Reading, Writing and Arithmetic. The Sundays' debut album builds on the layered, ringing guitar hooks and unconventional pop melodies of the Smiths, adding more ethereal vocals and a stronger backbeat. As evidenced by the lilting, melancholy single "Here's Where the Story Ends," it's a winning combination, making Reading, Writing and Arithmetic a thoroughly engaging debut.

1990 - They Might Be Giants released their third studio album, Flood. On their major-label debut, Flood, They Might Be Giants exchange quirky artiness for unabashed geekiness and a more varied and polished musical attack. Even with those faults, Flood has a number of first-rate songs, including "Birdhouse in Your Soul" and "Istanbul (Not Constantinople)". It's still a strong addition to their catalog, even if it isn't as weirdly intoxicating as its predecessors.

1992 - Johnny Cash, Bobby "Blue" Bland, Booker T. & the MG's, The Isley Brothers, The Jimi Hendrix Experience, Sam & Dave, and The Yardbirds are inducted into the Rock and Roll Hall of Fame.

Birthdays:

Captain Beefheart was born today in 1941. Born Don Vliet, Captain Beefheart was one of modern music's true innovators. The owner of a remarkable four-and-a-half-octave vocal range, he employed idiosyncratic rhythms, absurdist lyrics, and an unholy alliance of free jazz, Delta blues, latter-day classical music, and rock & roll to create a singular body of work virtually unrivaled in its daring and fluid creativity. While he never came even remotely close to mainstream success, Beefheart's impact was incalculable, and his fingerprints were all over punk, new wave, and post-rock.

Ronnie Van Zant, singer for Lynyrd Skynyrd, was born today in 1948. Before the band, was a great baseball player and dreamed of going pro one day, but it seemed his main love was music. The radio held his interest, any artists influenced him during those early years, one of them being country singer Merle Haggard. There would be other noteworthy influences later, like the Rolling Stones and Free.

When VanZant was 16, he became the lead singer for a group called Us. Things didn't work out as well as he had hoped, so he put together a band of his own, My Backyard, with Bob Burns, Gary Rossington, Allen Collins, and Larry Junstrom. The guys, some as young as 13, practiced every second that was possible. All of the practice paid off. Working under different names, like One Percent and Conqueror Worm, the fivesome performed in clubs. It was through their tongue-in-cheek name game that the band used Lynyrd Skynyrd for the first time. The name stuck and the rest is history.

R.I.P.:

1994 - Singer songwriter Harry Nilsson died in his sleep of heart failure after spending the previous day in the recording studio. Although he synthesized disparate elements of both rock and pop traditions, singer/songwriter Harry Nilsson was at heart a maverick whose allegiance belonged to neither. He's best-known for his versions of other people's songs (Fred Neil's "Everybody's Talkin'," Badfinger's "Without You," an entire album of Randy Newman songs), but he was a skilled composer and is recognized as a pop craftsman of the first order.

His initial series of albums in the late '60s made him a personal favorite of the Beatles, who found a natural affinity with his knack for catchy melodies, witty lyrics, and extraordinary vocal range. When John Lennon and Paul McCartney held a press conference in 1968 to announce the formation of Apple Corps, John was asked to name his favorite American artist. He replied, "Nilsson". Paul was then asked to name his favorite American group. He replied, "Nilsson".

1998 - Chicago blues vocalist, harmonica player, Junior Wells died at age 63. He was one bad dude, strutting across the stage like a harp-toting gangster, mesmerizing the crowd with his tough-guy antics and rib-sticking Chicago blues attack. Amazingly, Junior Wells kept at precisely this sort of thing for over 40 years; he was an active performer from the dawn of the '50s until his death in the late '90s.

2015 - American record producer, singer, musician and self-styled "Lord of Garbage", Kim Fowley died at the age of 75. He is best-known for his role behind a string of novelty and cult pop-rock singles in the 1960s, and for managing The Runaways in the 1970s. With Gary S. Paxton he recorded the novelty song 'Alley Oop', which reached No.1 on the charts in 1960 and was credited to the non-existent group the Hollywood Argyles.

2018 - Irish musician and singer-songwriter Dolores O'Riordan from The Cranberries died unexpectedly while she was in London for a recording session. An inquest at Westminster Coroner's Court later ruled that she died as a result of accidental drowning in a bath following sedation by alcohol intoxication. As lead vocalist of the Cranberries, Dolores O'Riordan was one of the most visible females in early-'90s alternative rock.

The Cranberries had the 1994 hit singles "Linger", "Dreams" and "Zombie" and the band's 1993 debut album Everybody Else Is Doing It So Why Can't We reached No. 18 on the U.S. Billboard 200 albums chart. (Photo credit should read JOEL SAGET/AFP via Getty Images)

On This Day In Music History was sourced, curated, copied, pasted, edited, and occasionally woven together with my own crude prose, from This Day in Music, Music this Day, Allmusic, Song Facts, and Wikipedia.

16/01/2025
16/01/2025
16/01/2025
16/01/2025

Fine Young Cannibals’ superb 2nd album “The Raw & The Cooked” was released via London Records 36 years ago today on 13th January 1989. The LP saw the band continue the UK chart success of their fab 1985 self titled debut & also crack the huge US market in spectacular fashion. “The Raw & The Cooked”was an unstoppably infectious affair that saw Fine Young Cannibal’s unique fusion of soul, new wave & pop reaching new heights of excellence. Not only the album top the US Billboard album chart, but it also served up 2 super catchy singles “She Drives Me Crazy” & “Good Thing”. The excellent promo videos for the singles both received heavy rotation on MTV which helped them both reach number 1 in the US singles chart. “The Raw & The Cooked” also spent 66 weeks on the UK album chart peaking at number 1 & both singles were Top 10 hits on the UK singles chart. The album was the most successful release ever for former members of The Beat David Steele & Andy Cox.

16/01/2025

Check out my “The Beat Goes On!” Spotify playlist! A special tribute to the late great Ranking Roger, Saxa & Everett Morton featuring fab Beat related music from across the last 4 decades!
http://open.spotify.com/playlist/0sKyWDjtlaXbbCGOJMaNjc
The playlist includes 50 scorchers from The Beat, Big Audio Dynamite, Dave Wakeling, Fine Young Cannibals, International Beat, General Public, Pato & Roger, The Clash, Special Beat, Ranking Roger, Smash Mouth, 2 Men A Drum Machine & A Trumpet, Gaudi & Rankin Jnr!

16/01/2025

Essex 2 tone supremos Death of Guitar Pop have lots of exciting stuff lined up for 2025. They will soon be releasing a new live album titled “Live At Shepherds Bush” & will be back on the road with their Double Lively tour in March & April. They have been booking up lots of festival dates for the summer including their own Skagate Weekender. Skagate will take place on 4th & 5th July at Olby’s in Margate & will feature appearances by Death Of Guitar Pop, The Sunny Coast Rude Boys, AKA The Syndicate, Section 8, Ska N Mash, Rookie Numbers & more. Last but not least, Death Of Guitar Pop will be writing & recording their 5th album this year.

Released on January 15, 1990, The Sundays' debut album "Reading, Writing and Arithmetic" emerged as a defining moment in...
16/01/2025

Released on January 15, 1990, The Sundays' debut album "Reading, Writing and Arithmetic" emerged as a defining moment in British indie rock. Led by Harriet Wheeler's distinctive ethereal vocals and David Gavurin's shimmering guitar work, the album perfectly captured the dreamy, jangle-pop sound that would influence countless bands to follow.

The album's standout singles - "Here's Where the Story Ends," "Can't Be Sure," and "You're Not the Only One I Know" - showcased the band's ability to blend melancholic lyrics with uplifting melodies. "Can't Be Sure" had already made waves as their debut single in 1989, reaching #45 on the UK Singles Chart and earning them immediate critical acclaim.

"Reading, Writing and Arithmetic" peaked at #4 on the UK Albums Chart and established The Sundays as one of the most promising bands of the early '90s. The album's sophisticated songwriting and atmospheric production by Ray Shulman helped create a timeless sound that continues to influence alternative rock artists today.

The Ramones launched their explosive 1980 European tour on January 15 at London's Old Grey Whistle Test, marking a pivot...
16/01/2025

The Ramones launched their explosive 1980 European tour on January 15 at London's Old Grey Whistle Test, marking a pivotal moment in punk rock history. With their signature three-chord sound and high-energy performances, they captivated audiences across the continent. The tour coincided with the release of their ambitious album "End of the Century," produced by Phil Spector. Despite mixed reviews of the album’s polished sound, live performances of hits like "Blitzkrieg Bop" and "I Wanna Be Sedated" resonated deeply with fans, redefining punk rock in Europe. This tour not only solidified the Ramones' legacy but also inspired a wave of local bands that extended their musical influence long after the last encore.

A very young Vince Clarke [1965]  (This little child will later co-found Depeche Mode, Yazoo and Erasure, among others)
15/01/2025

A very young Vince Clarke [1965]
(This little child will later co-found Depeche Mode, Yazoo and Erasure, among others)

Are we ready to make January 4th some sort of holiday yet?Happy birthday to:Joy Division & New Order’s Bernard Sumner (1...
04/01/2025

Are we ready to make January 4th some sort of holiday yet?

Happy birthday to:

Joy Division & New Order’s Bernard Sumner (1956)

REM’s Michael Stipe (1960)

Cocteau Twins Robin Guthrie (1962)

Prefab Sprout’s Martin McAloon (1962)

Portishead’s Beth Gibbons (1965)

The Pogues Cait O’Riordan (1965)

Ash’s Tim Wheeler (1977)

RIP Talk Talk’s Mark Hollis (1955 - 2019)

RIP Lorna Doom of Germs (1958 - 2019)

And remembering Japan and Dali’s Car bassist Mick Karn who died on this day in 2011 at the age of 52.

Today in Spirit of the 80s History Jan, 4,1980 The Clash released their iconic album *London Calling* in the UK. This al...
04/01/2025

Today in Spirit of the 80s History Jan, 4,1980 The Clash released their iconic album *London Calling* in the UK. This album is often regarded as one of the greatest albums of all time, blending punk rock with reggae, ska, and rockabilly influences.

David Bowie's Last LetterI will die… I know there are only a few months left until the end of my earthly journey…What sh...
04/01/2025

David Bowie's Last Letter
I will die… I know there are only a few months left until the end of my earthly journey…
What should I do? Despair, sink into depression, reject the idea of death, and pretend the illness doesn’t exist?
Or should I decide to defeat death… I decide it with my soul because only the soul and the heart give me the inspiration to compose music, as I’ve done for 50 years…
I count the hours I have left, and as the doctors tell me, I can predict, within a certain margin, the date of my death. The release of my last work is scheduled for January 8, 2016, my 69th birthday.
I work day and night; I have the time to compose, perfect, perform, record in the studio, and make videos… I do it as quickly as possible because I don’t want my face to show the mark of death, which mockingly is cutting down my body without me being able to defend myself…
But I challenge you, death… To hell with it if I don’t challenge you!
I challenged and conquered the world of fans in the '70s with the pride of ambiguity… I loved men and women; I was a man, a woman, an alien, and finally, a celestial body.
What can you do, death, against my eternity, my genius, my madness, my creativity, my music that will live forever?
I am Lazarus, torn from the scars. I will die in the body, but I will live forever through my music.
I lived long enough to receive birthday wishes. I thought I wouldn’t make it to see my album released… I survived January 8… And you, my dear killer, lost!
Just think, if you hadn’t knocked on my door, I would have created 24 works; I would have managed to live to 100, and instead, thanks to you, I have 25!
You know… I will be free as a bird.

31/12/2024

Hey, internet friends! I have an odd request—I’m helping a friend get back on track and need old TurboTax software for the years 2018-2023. If you have any copies you’d be willing to share, I can come pick them up. Your help would be greatly appreciated !!!

🎉 **New Year's Eve 1989: U2's Unforgettable Dublin Concert!** 🎶As the 1980s drew to a close, U2 lit up their hometown wi...
31/12/2024

🎉 **New Year's Eve 1989: U2's Unforgettable Dublin Concert!** 🎶

As the 1980s drew to a close, U2 lit up their hometown with a powerful performance at the Point Depot on New Year's Eve. Blending alternative rock with socially conscious messages, this iconic concert featured classics like “With or Without You” and “Sunday Bloody Sunday.” The band's impactful lyrics and electrifying atmosphere left a lasting impression on fans worldwide and set the stage for their future evolution. A true celebration of music and activism, marking the end of an unforgettable decade! 🌟

* *

On this date in Spirit of the 80s history, Blondie played MTV’s New Year’s Eve Rock N’ Roll Ball (1981) Blondie  headlin...
31/12/2024

On this date in Spirit of the 80s history, Blondie played MTV’s New Year’s Eve Rock N’ Roll Ball (1981) Blondie headlined MTV’s inaugural New Year’s Eve special, delivering a dynamic performance that showcased their blend of punk and new wave, setting the tone for future celebrations.

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Our Story

A celebration of the music of our youth. A chance to reunite with old friends and make new friends. Our event is open to any and all, especially those who graduated high school between the late 70's and early 90's.

DON'T YOU forget about the 80's! LET'S DANCE with an annual event in an inviting little village along the Lower Niagara River. We bring together a variety of bands to GET INTO THE GROOVE and play the music we loved to listen to on cassette tapes in our boom boxes, along with local musicians and reunited basement bands. Our goals are to keep the spirit of the 80's ALIVE AND KICKING, to have a totally epic and really, really fun weekend, and to raise money. Proceeds of this event have been used to establish a scholarship fund for students furthering their music education. We strive to generate enough funding to sustain an annual event, continue our scholarship fund and support music programs in Niagara county. JUST CAN'T GET ENOUGH Since 2012, we have brought The Spoons, Images in Vogue, Forgotten Rebels, Stan Ridgway, The Toasters and The English Beat to the beautiful historic village of Lewiston, NY. Each and every show has been fantastic. Everyone has a terrific weekend, enjoying not just the music, but the company of friends, the incredible local food, and other area attractions. (The Forgotten Rebels enjoyed our renowned Lewiston Art Festival and the famous Haystack hot dog at The Silo; The English Beat had a wet and wild ride aboard the Niagara Jet Adventures jet-boat ride!) Folks are planning their vacations to come back in time for this event. We've brought old friends back "home" and attracted new friends from all over the country - across the globe, even! At the end of our first year we found we had unexpectedly brought in some money. Proceeds were donated to our Alumni Association and Music Boosters. Since then, our committee has worked to set up a Spirit of the Eighties Scholarship Fund, and we now consider our event a fundraiser. SWEET DREAMS ARE MADE OF THIS The Spirit of the Eighties is organized by a handful of dedicated volunteers who were in junior and senior high school in the 1980's. We are amateur concert promoters, event coordinators, publicists and 80's Pop Culture Enthusiasts. We grew up on the US-Canadian border just a few miles north of Niagara Falls. We loved the music of our youth, listening to 102.1 CFNY The Spirit of Radio out of Toronto and later, 97.7 Hitz FM out of Saint Catherines. We saw live music weekly, piling into vans and great big cars from the 70's, traveling all over western New York, southern Ontario, eastern Ohio and northern Pennsylvania. We really LOVED the music. We called the radio stations, befriended the deejays, hung out by tour buses and waited for autographs. We had the t-shirts, the buttons, the stickers on our cars. We had our checkered shoes, skinny ties, safety pins and copious amounts of Dippity-Do. We WERE the Spirit of the Eighties! WHO CAN IT BE NOW? When planning future events, first we talk about the bands we haven't heard from in a while, who we'd love to see come out of the woodwork - bands like The Fixx, The Box, Platinum Blonde. We also discuss bands some of us have forgotten about like The Pursuit of Happiness and Living Color, and bands we know will draw a crowd like 54-40 and The Violent Femmes. We start looking into where they are now and what they've been doing. We typically look for a band that plays venues with a capacity between 300 - 1200. These are the bands that might be in our price range. It also helps if they going to be within a few hundred miles of WNY and they are already have the documents needed to work in the US, but this isn't always a deal-breaker. Stan Ridgway rarely plays anywhere in the east but he flew all the way from California especially for our event last year. LIVIN ON A PRAYER We need supporters! Like and follow us on Facebook. Share our website. Tells your friends about us. Know any 80's music fans? Know anyone who likes the music we like? Know anyone who might want to invest in our project? Introduce us!!! We need volunteers! We do all of this ourselves - even the dirty work. We plan the event which means searching for investors, backers and sponsors. We promote it by hanging posters, contacting media, networking. We attend other area events wearing our t-shirt and handing out flyers. We hold smaller scale fundraiser parties in the months before the event. We prepare the park, set up tents and tables and pound fence posts. We man the stations and work all night. We pick up bottles and take out the trash. Then we show up in the morning and tear it all down. We do it because we love it and believe in it. If you do to, perhaps you'd like to help. We need backers! Having some money left over after our first event got us thinking that this could be a wonderful fundraiser, but as our event has grown, so have our production costs. We work really hard to raise the money needed to put on our event and we're proud to say we have been able to at least break even each year and we have gotten some donors to help us keep the scholarship alive. We still need to raise money to get the next event rolling. If you love the music of the 80's..... if you want to keep the Spirit of the 80's alive..... if you want to support live music in a small town..... if you would like to see our scholarship fund grow..... please consider backing our project. MONEY FOR NOTHING Actually, money for all this stuff: Band fees & costs - We'd love to get Echo & the Bunnymen or The Cure, but that's going to take a LOT of backing! We try to hire bands based on our projected crowd. Light & Sound Engineer - Our guy is good and he's reasonable, but the time, skill and equipment needed to put on such an event does come with a price tag. Stage, tents, tables, fence & potties - We try to keep these costs as low as possible, but they do add up. Advertising, posters, printing - The greatest show on earth isn't going to get a crowd if no one knows about it. Tickets - We could make you print your own "tickets" on full sheets of paper, but how could we claim to keep the spirit of the 80's alive if we didn't give you a ticket stub?!