When it comes to explaining how I became a DJ, I can honestly say that for me, it’s been a long journey that has shaped my entire life. I was born in 1972 in London in the old Hackney hospital and at the tender age of 5, my family moved out into the country; I didn't have a say nor did I really understand what was happening being only 5 years old. I grew up listening to main stream music and every Sunday I would religiously listen to the top 100 with my tape deck ready and my finger on the record button. I found myself staying in more and more, listening to different genres of music playing on the radio and from my Mum and Dad’s record collection rather than going out and playing with my friends. My music tastes became vast; from rock and roll to classical and everything in between.
Going back to listening to the top 100 on a Sunday, I could predict a tune that came in at 100 and I knew instantly which one was going to be a contender for No.1 and I was able to do this for some time. Then something changed, I was no longer able to predict the tracks that made it to No.1 – it made no sense as they had no weight, and it was at that point that I slowly realised that the charts were fixed. I lost interest then, so I took myself off to WH Smith to find some new music. I was scanning the tape stand, looking at the artistry on the covers, seeing what would stand out and there it was…Deep Heat Volume 1 tape double pack! The only reason I bought it was because of the psychedelic orange cover and when I got home I could not believe what I was hearing! I played it over and over again; I was blown away – it was so fresh and the energy I got from it is hard to describe; I was so used to pop music, but after that, I never listened to the top 100 on a Sunday again and carried on collecting Deep Heat compilation tapes. It was to be a few more years down the line that I was able to connect the dots and understand what this new sound was all about, and now looking back all those years ago, you could say it was fate.
As a young adult, I survived on my dole cheque once a fortnight and this allowed me to buy enough supermarket own-brand sausages, eggs, bacon, milk, cheese and bread and have just enough left over to be able to afford to go Raving for 4 days - go figure! This was a time when you went to a Rave in your groups, but it was like the Marine Corps moto ‘no one gets left behind’ and we would all chip in if someone had no money to come out; we literally left no one behind.
I held the Mic to start off with working at various clubs in Essex and then I met Desert Rat who was another DJ I listened to on the radio on regs and he was the first DJ that took me on as his MC and introduced me to the London scene circuit. It would have been about 14 years later that I finally returned to my hometown of London performing as an MC.
I was always very shy on the Mic and Desert always encouraged me, but deep down I knew it didn’t feel natural to me, so I started to learn how to DJ. I managed to buy a set of Sound labs turntables which were belt driven; I didn’t have a big enough table to fit them on, so I practised on the floor on my knees! It was Quest & Special A who helped me massively with beat matching which was a big breakthrough for me as from that point on I was learning to mix at a much faster pace and able to develop my own style of mixing. Big thanks to Mr Quest who let me have endless nights in his studio at a time when it was a 4-day weekend!
My first major milestone would be a winning a DJ competition at Bridewell in Kent sometime in the 90’s (for the life of me, I can’t remember the year and I wonder why!) I had my first contract with a manager, Gary Mac, and he always encouraged me to use the crossfader more and was always pushing me to be more creative on the mixer. I never really understood at the time what he meant, and it would be years down the line before it finally took its form. Gary used to frustrate me as he pushed me hard, but I love him like a brother and his advice and Special A’s advice never left me.
My Main DJ’S that I studied which helpt shape my mixing style over the years would be the following Roger and Wayne Johnston,Carl Cox & LTJ Bukem.
In the early days, I was playing at Oscar at Clacton Pier, the Ark in Southend, Slammer, Berwick Manor, Mindwarp, Eclipse, Nukcluas, Rocket Club, the Wax Club, Paradise Club and the Bass Box, and many more venues.
I turned my hand to the turntables and I started DJing on Dance Zone FM in Essex when I first started out mixing on Sound lab turntables. Apparently, I was so bad at mixing, the guys at the radio station would switch off the transmitter while I was playing and not tell me so as not to hurt my feelings! I think they saw my passion, and for the first time in a long time, I had focus and purpose that kept me off the streets.
As the years past, I found myself involved in organising events in London and Essex, most notably B.P.M & Solid Vinyl and I think I have played in most clubs in London playing for Raindance, Jungle Fever, We Are Legend and my DJing has taken me across Europe and even over the Atlantic. I had my own fully functioning recording studio hosting Internet radio stations for 4 nights a week at my studio in Colchester in around 2005. I have worked with various radio and internet stations including Drum and Bass Worldwide, Origin FM, Life FM, Cunningmindz, UK Rumble and then Kool FM which was a dream come true! I never said this to him, but I am going to say it now, Funky Flirt was the very first Radio DJ that I listened to on a regs, before I even picked up the mic all that time ago. It is artists like him and the people I have mentioned here that have given me the encouragement to become an artist in my own right and perhaps I can do the same for someone else - and maybe, just maybe, it might keep someone else off the streets too.
BootCamp - Midnight Blues Every Tuesday 23.00hrs - 01.00am
www.djviperdon.podomatic.com www.koollondon.com www.bootcampuk.net