26/11/2023
NOW THIS IS A REVIEW!!
If you havent yet seen the show, this week (Nov 30th to Dec 2nd) is your last chance to see it at the Moresby Arts Theatre (MAT). Get your tickets through the Ticket Bilum app, Waterfront Foodworld or the MAT Box Office.
Now read below this awesome review from an attendee and you'll know why you shouldnt miss the show!
//A review by Nelson Iolana Kokoa//
Dear Friend at Moresby Arts Theatre
"Dear Friend," the latest musical spectacle at the Moresby Arts Theatre, unfolds with the elegance of a 1930s European perfumery, where the intoxicating scent of romance blends seamlessly with the charm of mistaken identities. Directed by the dynamic duo of Natalie Pidik and Jacob Ilave this production boasts an impressive collaboration with backstage management by Jasmine Kuliniasi, music direction by Sevese Tupou, and costumes curated by the talented Kerri Woods . As the curtains rise on the 5th musical production orchestrated by this powerhouse team, the stage is set for a captivating journey through love, laughter, and the allure of a bygone era.
The narrative centers around the feuding perfume clerks, Amalia and Georg, portrayed by the stellar duo of Amara Haaksman and Nabieu Lansana, respectively. The daytime sees them begrudgingly navigating the challenges of working together, while the nighttime reveals a tender side as they exchange beautiful love letters with their secret admirers. The seamless transition between the contrasting facets of their characters becomes the heartbeat of the production, creating a tapestry of emotions that resonates with the audience.
Amara Haaksman, in her role as Amalia Balash, emerges as the undeniable star of the show. Having made her debut at the Moresby Arts Theatre in the Bottoms Up Musical as Portia in 2022, Haaksman's performance is nothing short of extraordinary. Her vocals transcend the boundaries of the theater, reaching into the hearts of the audience with a classic Broadway voice that commands attention. The depth of her acting, coupled with an impressive vocal range, allows the audience to feel every emotion, establishing a profound connection between performer and spectator. It's a testament to Haaksman's consistent and awe-inspiring talent, leaving the audience in perpetual admiration.
Opposite Haaksman, Nabieu Lansana steps into the role of Georg Nowack, marking his biggest role in a musical to date. Lansana, who made his musical debut as William Shakespeare in the Bottoms Up Musical, delivers a performance characterized by wonderful acting and a tangible on-stage chemistry with Haaksman. What sets Lansana apart is his meticulous attention to detail in every movement, from hand gestures to facial expressions. His portrayal of Georg is nuanced, creating a character that feels authentic and relatable. As an actor and creative director, the appreciation for Lansana's intentional storytelling through physicality is evident, adding a layer of depth to the overall experience.
Lois Ilave, taking on the role of Ilona Ritter, brings a refreshing energy to the stage. Having been absent from major musical roles due to a busy schedule, Ilave's return is met with enthusiasm. Her portrayal of the sassy Ms. Ritter is a testament to her vocal and acting prowess, embodying the character with flair and conviction. Ilave succeeds in capturing the essence of Ilona, injecting a vibrant energy into the ensemble dynamic.
Emmanuel Wanya Neuendorf, portraying Steven Kodaly in his first significant role in musical theatre, navigates the challenges of his character with commendable skill. Despite limited experience, Wanya's solo vocal performances stand out, characterized by an R&B tone that adds a unique flavor to the Broadway numbers. As a Gen Z would say it, "he ate!"
Surprisingly, I found myself unwittingly rooting for Kodaly and Miss Ritter, played by Lois Ilave, when I shouldn't have. Wanya's nuanced performance, combined with Ilave's charisma, creates a chemistry that blurs the lines between right and wrong, challenging the audience's preconceived notions. It's a testament to Wanya's acting prowess that he manages to elicit sympathy for a character who, by all accounts, is a self-absorbed and morally ambiguous individual.
The role of Mr. Maraczek is expertly brought to life by the seasoned Godfreeman Kaptigau. With a history of notable roles at the Moresby Arts Theatre, including Alexander Hamilton in The Revolution Musical and Lonny in the Rock of Ages Musical, Kaptigau's performance is a masterclass in seasoned expertise. His chemistry with every character on stage highlights the depth of his experience, solidifying his status as a veteran performer.
Arpad Lazlo, played by Russel Kitau (Junior Russel), undergoes a remarkable transformation from his debut as an extra in Bottoms Up. Kitau's vocal performance as the innocent Arpad is extraordinary, though a suggestion to sell his innocence more explicitly in the beginning could enhance the audience's understanding before Act 2. Nonetheless, Kitau's progression from a smaller role to a significant character is a testament to his growth and talent.
Graham J. Ainui embodying Ladislav Sipos, contributes a solid performance to the ensemble. While delivering a great overall performance, Ainui is encouraged to explore more memorable moments and refine chemistry with Georg to deepen the portrayal of their friendship.
Andrew Asaph Kuliniasi in the brief role of Viktor, steals the spotlight with a scene that leaves a lasting impression. Despite having only one scene, Kuliniasi's ability to make it memorable speaks volumes about his exceptional acting skills. As an award-winning playwright and seasoned actor, Kuliniasi's performance is nothing short of captivating.
The ensemble, a vital component of any musical production, delivers a mesmerizing performance. Their collective stage presence and business command attention, making each member memorable in their own right. The attention to detail in every line and movement showcases the dedication of the ensemble to their craft.
Behind the scenes, the backstage crew, under the direction of Jasmine Kuliniasi, deserves applause for a job well done. Despite minor technical glitches in lights, sound, and props, their resilience and capability shine through, a testament to Kuliniasi's leadership. The lighting direction by Hananiah M. Dickson and sound direction by Jonathan Joku contribute to the overall immersive experience, enhancing the visual and auditory elements of the production. The set, a visual feast, deserves special mention for its intricate details, from the opening and closing of the shop to the vintage props that transport the audience to the 1930s. The glamorous costumes, delivered by Kerri Woods, further elevate the aesthetic, creating a visually stunning backdrop for the unfolding drama.
In conclusion, the casting choices by Natalie Pidik and Jacob Ilave prove to be the backbone of the success of "Dear Friend." The meticulous selection of talent results in an extraordinary show that beckons audiences for a return visit. As someone accustomed to gracing the stage, experiencing this musical from the audience perspective was a rare and delightful treat.
Don't miss the opportunity to witness the magic unfold from November 30th to December 2nd, 2023. "Dear Friend" promises an enchanting evening of theater, a symphony of emotions, and a journey back in time to the golden age of musicals.
