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Art Damage Presents A listing of experimental and noise shows in the So.OH/N.KY region, with other items of interest for Art Damage aesthetes

It is with great pleasure to learn that former Art Damage host "Satyr Oz" a/k/a Justin Patrick Moore has written a soon ...
06/03/2024

It is with great pleasure to learn that former Art Damage host "Satyr Oz" a/k/a Justin Patrick Moore has written a soon to be available book entitled The Radio Phonics Laboratory. The announcement from his Substack...

I have been very busy inside my secret workshop since this past fall when my book, The Radio Phonics Laboratory, was accepted for publication by the wonderful atelier of electronica, Velocity Press.

Now my book is finally ready to begin its escape from the lab and is available for pre-order.

It's due for release on June 14 but if you pre-order by March 14 you will get your name printed in the book and receive it first in April for those in the UK and Europe or early May for those of us in North America.

Pre-ordering is the best option for supporting my work, the efforts of Velocity Press, and getting a copy in your hands for summer reading. The price is £11.99 for the paperback (about $15.16 US) + shipping.

This book is the culmination of many seeds, some planted long ago when I first started checking out weird music from the library as a teenager and stumbled across the CD compilation Imaginary Landscapes: New Electronic Music and tuned in to radio shows like Art Damage. This is the culmination of many many hours of research, listening, reading and writing over for a number of years. Full details about the book are below. Thanks to all of you for supporting my writing and radio activity and other creative efforts over the years.

I would be grateful for any help you can give in spreading the word about the Radio Phonics Laboratory to any of your friends and family who share the love of electronic music, the avant-garde and the history of our telecommunications systems.

https://velocitypress.uk/product/radio-phonics-laboratory-book/

The Radio Phonics Laboratory explores the intersection of technology and creativity that shaped the sonic landscape of the 20th century. This fascinating story unravels the intricate threads of telecommunications, from the invention of the telephone to the advent of global communication networks.

At the heart of the narrative is the evolution of speech synthesis, a groundbreaking innovation that not only revolutionised telecommunications but also birthed a new era in electronic music. Tracing the origins of synthetic speech and its applications in various fields, the book unveils the pivotal role it played in shaping the artistic vision of musicians and sound pioneers.

The Radio Phonics Laboratory by Justin Patrick Moore is the story of how electronic music came to be, told through the lens of the telecommunications scientists and composers who helped give birth to the bleeps and blips that have captured the imagination of musicians and dedicated listeners around the world.

Featuring the likes of Leon Theremin, Hedy Lamarr, Max Matthews, Hal 9000, Robert Moog, Wendy Carlos, Claude Shannon, Halim El-Dabh, Pierre Schaeffer, Pierre Henry, Francois Bayle, Karlheinz Stockhausen, Vladimir Ussachevsky, Milton Babbitt, Daphne Oram, Delia Derbyshire, Edgar Varese & Laurie Spiegel.

Quotes

“From telegraphy to the airwaves, by way of Hedy Lamarr and Doctor Who, listening to Hal 9000 sing to us whilst a Clockwork Orange unravels the past and present, Moore spirits us on an expansive trip across the twentieth century of sonic discovery. The joys of electrical discovery are unravelled page by page.” Robin Rimbaud aka Scanner

“Embark on an odyssey through the harmonious realms of Justin Patrick Moore’s Radio Phonics Laboratory echoing the resonances of innovation and discovery. Witness the mesmerising fusion of telecommunications and musical evolution as it weaves a sonic tapestry, a testament to the boundless creativity within the electronic realm. A compelling pilgrimage for those attuned to the avant-garde rhythms of technological alchemy.” Nigel Ayers (Nocturnal Emissions)

“In this captivating exploration of electronic music, Justin Patrick Moore unveils its evolution as guided by telecommunication technology, spotlighting the enigmatic laboratories of early experimenters who shaped the sound of 20th century music. A must-read for electronic musicians & sound artists alike—this book will undoubtedly find a prominent place on their bookshelves.” Kim Cascone

The Radio Phonics Laboratory book is an exploration of the intersection of technology and creativity that shaped the sonic landscape of the 20th century.

As fb slowly dies, here is another platform that Art Damage now 'inhabits'...
10/02/2024

As fb slowly dies, here is another platform that Art Damage now 'inhabits'...

WHAT ARTDAMAGE IS INTO

Former Art Damage host (and current occasional Trash Flow Radio guest host) Justin Patrick Moore is a contributor to the...
02/12/2023

Former Art Damage host (and current occasional Trash Flow Radio guest host) Justin Patrick Moore is a contributor to these shortwave broadcasts on weekends, at the following times and frequencies:

This week via the ionosphere, the Imaginary Stations crew bring you WS10S featuring a celebration of the Ten inch single. This show will be beamed to Europe by Shortwave Gold on Sunday 3rd December 2023 at 1000/1400 hrs UTC on 6160 kHz and then on 3975 kHz at 2100 UTC. Expect 78, 45 and 33 rpm ten inchers too!

Then on early Monday 3rd December via the transmitters of WRMI we have the return of The Shortwave Music Library at 0300 UTC on 9395 kHz....

Roesing Ape at Burning Man, before the mud set in...
10/09/2023

Roesing Ape at Burning Man, before the mud set in...

Live noise-grill-wagon-podracer set at Mudding Man 2023 on D Street. Special thanks to camp Andas .

Wednesday, September 20, 2023DSGN CLLCTV @ 7:00 PMExperimental sonic pleasures await.Performances by:The Electric Nature...
02/09/2023

Wednesday, September 20, 2023
DSGN CLLCTV @ 7:00 PM

Experimental sonic pleasures await.

Performances by:
The Electric Nature
Electric State
Fever Spell
Pete Fosco
And a special collaboration set from Luke Tandy of Being and Joe Wang of Outdoor Horse Shrine

Vintage Art Damage classics in this collection....
30/08/2023

Vintage Art Damage classics in this collection....

This is music for the Legion of the Restless in the folded and quiet hours of the nigth. This is music to absorb the disturbing echoes of the day .... (from...

Another cover essay in Harper's penned by former Art Damage host "Helene Phlogiston" a/k/a Justin E.H. Smith (actually n...
15/08/2023

Another cover essay in Harper's penned by former Art Damage host "Helene Phlogiston" a/k/a Justin E.H. Smith (actually now going by his matrimonial name, Justin Smith-Ruiu).... https://harpers.org/archive/2023/09/my-generation/

In the recounting of his musical evolution, inclusive of the period (circa 2002) when hosting A.D....

"My friends and I eschewed anything with the most basic musical elements of melody, harmony, or rhythm in favor of “noise.” Some of us made a big show of listening to nothing but radio static for weeks at a time in order to cleanse ourselves. Some made cassette tapes of the harshest sounds that could be conjured and exchanged them by mail with cats from Japan, a mythical homeland with what seemed an infinite supply of inscrutable weirdos. We hated guitars, and anything that repeated, even in a novel way, the old tropes from what we saw as the already sclerotic tradition of rock and roll...

Then I went to New York for graduate school, and the Nineties were all about Morton Feldman and Pierre Schaeffer and other avant-garde opportunities for the display of marathon patience. With my new cohort of friends I sought out performances that might involve a pianist slamming down his instrument’s lid or shouting “Ha!” after a long silence, presumably according to instructions given on the sheet music. We were inspired by Theodor Adorno’s idea that if music is to be considered art, and is to be a veracious witness to its era, it must ipso facto be difficult. We ordered CDs from labels in Maastricht and Berlin that promised us “clicks and cuts,” “sonic rhizomes,” and something they called “glitches,” which were for a while hailed as the equivalent to turntable scratches, but unlike scratching vinyl, which made early hip-hop continuous with the deconstructive aesthetics of the cut-up, the manipulation of a damaged compact disc sounds like nothing but an error, like a new technology that has gotten stuck...."

Anthem for a forgotten cohort

New Nebulagirl....
29/07/2023

New Nebulagirl....

3 track album

hap-tip to Luke Tandy for the recording...
22/05/2023

hap-tip to Luke Tandy for the recording...

Presciently based on mechanism used to trigger explosions of Nord Stream pipelines, as described in Seymour Hersh, "How America Took Out the Nord Stream Pipeline" ... https://seymourhersh.substack.com

Lara Allen (of Manwitch, Caroliner, etc.) talks about her early years in Cincinnati, Uncle Dave Lewis, Art Damage, and m...
26/04/2023

Lara Allen (of Manwitch, Caroliner, etc.) talks about her early years in Cincinnati, Uncle Dave Lewis, Art Damage, and more........

In this episode, I talk to the magnificent Lara Allen about her late teenage years in Cincinnati and Minneapolis, her early experiences in San Francisco (fro...

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