Taylors Roadhouse

07/02/2025

In the early 1970s, Robert Plant, the charismatic lead singer of Led Zeppelin, became known not only for his powerful voice but for his introspective and philosophical views. In a 1970 interview, Plant shared his reflections on human nature, discussing his belief in the innate goodness of humanity and the potential for positive change. Speaking from his farm, where he was photographed by Michael Randolph, Plant eloquently expressed his thoughts on how the human race has often been divided by superficial constructs like class, creed, and color. He believed that humanity’s greatest strength lies in overcoming these divisions and tapping into the collective goodness that resides within each person.

Plant also expressed his admiration for other visionaries, notably John Lennon, whom he described as a figure of peace and reason. Plant praised Lennon’s unwavering pursuit of love and unity despite the public’s tendency to mock his eccentricity. Drawing a parallel between Lennon’s message of peace and the teachings of spiritual leaders like Jesus Christ, Buddha, and Muhammad, Plant reflected on the common thread of kindness and compassion that runs through the teachings of all great prophets. He compared the ridicule Lennon faced to the persecution experienced by historical figures who advocated for change and understanding.

During this period, Led Zeppelin was at the height of its success, revolutionizing rock music and captivating audiences worldwide. Plant’s reflections on peace and the goodness within humanity revealed a depth that extended beyond the stage. His words captured the ethos of the 1970s counterculture, embodying a spirit of love and unity that resonated with fans. The 1970s marked a defining era for both Plant and Led Zeppelin, cementing their place in history as not only musical innovators but also as advocates for peace and human connection.🎸❤️

07/02/2025

...and that's the way it was.
The hair remains the same.

"I was excited: David was rock-star thin with white skin, a long neck, a great face – if I could pull the haircut off, it would look fantastic" Suzi Ronson pictured here with husband Mick Ronson, discussing how she gave David Bowie the Ziggy Stardust hair-cut.

07/02/2025

Just one more time, ... for the good times !!

And then they were gone...

Jason Bonham speaks about the Celebration Day Concert at the O2 Arena in December2007:

"We did six weeks' rehearsal for one show, so I was thinking we must be doing more," But after joining Plant for a soccer game in England, Jason Bonham found out that would not be the case.

"On the way back I said Robert, 'I've got to ask you... are we gonna get the band back together?'". "And he said, 'I loved your dad way too much. It's not disrespect to you; You know the stuff better than all of us, and no one else who is alive can play it like you. But it's not the same. I can't go out there and fake it. I can't be a jukebox. I can't go out there and try to do it that way." Bonham adds that Plant also felt strongly about Zep's declaration shortly after his father's 1980 death that the band was indeed over.

"He told me, 'When your father left us, left the world, that was it for Led Zeppelin. We couldn't do what The Who did. It was too vital.'

"And I got it. I was absolutely fine with that. My dad and Robert, they' d known each other since they were, like, 15. It was a lot deeper for Robert. So I was OK with it. It was a great time, and to end it the way it did, with that great concert, was for the best. Robert said, 'We needed to do one more great concert, and then maybe put it to rest.

06/02/2025

What about that black dog
"My daughter's boyfriend, who played in a psychobilly group, started telling me that one part of Black Dog was wrong because there's a line in 5/4 in the middle of the other ones in 4/4. Well, this drove me crazy, so I took out the record, put it on my plate and said: "Listen, midget, this is not a mistake, this shows you what we were capable of!" "
ROBERT PLANT
"BLACK DOG's main riff composition is by John Paul
Jones. He wanted to write a piece with a complex riff and rhythm.
Initially Jones wanted to record the song around 3/16, but then he realized it would be too complicated to play it live.
During concerts Bonham has eliminated 5/4 rhythm variations to allow Plant and the group to be well synchronized. If you turn up the volume for the recordings you can hear Bonham beating the chopsticks whenever the riff is about to be repeated.
Page got that peculiar guitar sound by linking it to a D first. I. Box then to a mic channel, using the mixer mic amplifier to get the distortion. The guitar solo was built on four oversized Gibson Les Paul fills. "
Capito i nonnetti.🤘🤘

02/02/2025

28/01/2025

Mick Ronson of the Spiders from Mars, on playing with Bob Dylan
(w/Ian Hunter of Mott the Hoople)

"Actually, I never liked Dylan's kind of music before; I always thought he sounded just like Yogi Bear." Mick Ronson, who played on The Rolling Thunder Review Tour with Bob Dylan

18/01/2025

17/01/2025

Famous performance of '1984' in the Dick Cavett Show in 1974. This is not the best quality, but still..... I just had it converted when I noticed it was on ...

12/01/2025

Ah, ...a man after my own heart.

David Bowie, an iconic figure in the world of music and film, cemented his place in cinematic history with his performance in the 1976 science fiction film The Man Who Fell to Earth. Directed by Nicholas Roeg and featuring Bowie alongside actress Candy Clark, the film became a defining moment in both Bowie’s acting and artistic career.

In The Man Who Fell to Earth, Bowie portrayed Thomas Jerome Newton, an alien who arrives on Earth with a mission to save his dying planet. The role required Bowie to navigate through an emotional and existential journey, presenting a unique challenge for the musician-turned-actor. His portrayal of Newton, marked by a haunting and melancholic intensity, showcased his ability to channel his artistic expression into a powerful cinematic performance.

The film’s distinct visual style, directed by Roeg, complemented Bowie’s otherworldly presence on screen. The collaboration between Bowie and Roeg resulted in a film that was both visually stunning and intellectually stimulating, offering audiences a unique experience that blurred the lines between reality and fantasy. Candy Clark’s portrayal of Mary-Lou was equally compelling, providing a deeply human contrast to Bowie’s alien character, creating a dynamic interplay that elevated the narrative.

Released during the height of Bowie’s glam rock era, The Man Who Fell to Earth contributed significantly to his already established mystique. Bowie’s involvement in the project added a layer of complexity to his image, blending his musical prowess with a more introspective, artistic exploration of character. His portrayal of Thomas Jerome Newton would go on to be recognized as one of the most memorable performances of the decade, with Bowie’s otherworldly performance adding depth and intrigue to the film’s themes of isolation, longing, and self-discovery.

Moreover, the film’s enduring legacy lies not only in its artistic merits but also in its cultural impact. The Man Who Fell to Earth remains a cornerstone of Bowie’s multifaceted career, blending avant-garde cinema with his innovative approach to performance art. Through this collaboration, Bowie demonstrated that his artistic expression transcended music, offering a glimpse into a realm where creativity and imagination knew no bounds.