We love working with creatives & love projects that speak to our values even more.
David Lee Pereira’s ‘Rainbow Warriors’ mural is part of Merri-bek’s Renuwall initiative to beautify public spaces, engage the arts community in meaningful public artwork, & encourage creative & cultural exchange.
David’s 21m(w) x 5m(h) mural speaks to the narratives & history of LGBTQIA+ people, acknowledging Merri-Bek as an inclusive space for all. As Queer artist & Queer-led agency, together, our aim was to create something for local residents & visitors to take pride in, & represent the evolution of Queer culture & stories, to promote inclusion, acceptance, wellbeing, & pride.
Throughout his career, David has used his practice to study & develop a thorough respect & understanding of the natural environment & as such, he has a vested interest in botanical symbolism, alongside gender equality & queer visibility.
The mural depicts a scattered bouquet of tulips, with individual petals splayed out towards the edges of the wall. Amongst the stems & petals are assorted ephemera of queer identity; including matchboxes & statement pins, carefully selected & photographed in still life by the artist. These items represent statements of belonging, Queer empowerment, & Queer organisations that assist the community & express the history of LGBTQIA+ issues & people.
‘Rainbow Warriors’ advocates visibility & sharing of Queer stories & celebrates of Queer history. Vibrant red Tulip flowers represent the resilience & brilliance of their self-identity, symbolised with delicate blooms which flourish in the face of oppression. The simple imagery of a fallen bouquet with petals strewn around evokes a complex response, giving the viewer a certain sense of discomfort or dismay meant to trigger a deeper reflection on the themes. Overall, the mural is a visual representation that stands in solidarity with LGBTQIA+ communities as an impactful & vital thread in the history & tapestry of
Boonwurrung, Ugar and Erub artist @amina.briggs is best known for her portfolio of work exploring themes of culture, identity, and racism.
The design for this expansive underpass mural features flowing water along the length of the wall, figuratively symbolising a connection to nature as it reflects the flow of pedestrian traffic on the footpath. Moreover, it references water associations with both Malcolm Creek and Hume Council, whose symbol bears a resemblance to a Pisces—a water sign.
Traditionally, water is a powerful symbol in First Nations culture; providing sustenance, safe passage, and vital resources. In contemporary culture, water also represents community values; displaying resilience and promoting interconnectedness. Essentially, water is a life source for sustaining all living beings. Its presence is crucial for survival, allowing communities to thrive and perpetuate the cycle of life.
In connection with the Hume Stolen Generations Marker and the First Nations significance of possum skins, the mural depicts possums swimming joyfully alongside fish. In reality, possums are not natural swimmers, but the inclusion is symbolic of a connection to country and exchange of cultures. This adds a sense of intentional irony and absurdity, a visual relief meant to engage passers-by in a more thoughtful response. The duality of this design subtly prompts viewers to consider the harsh realities of the Stolen Generation era; one marked by unnatural circumstance, displaced people, abuse, and death. The mural serves as a reflection of this somber history, establishing a meaningful connection between the artwork and the Hume Stolen Generations Marker.
Commissioned by @humecitycouncil @discoverhume
Video by @theawokenelk
#justanotheragency #justanothermural #streetart #aminabriggs #aitkenboulevard #humemurals #firstnationsmural
Revolver Upstairs is one of Australia’s most respected nightclubs and the late night DJ spots showcase Melbourne’s best DJs as well as frequently hosting interstate Australian and international touring DJs.
Since 2012 Just Another has organised local, national and international artists to paint the Revolver ‘Smokers Paradise’ laneway every three months. Showcasing a range of different styles by emerging and established artists from across the globe.
This month we had the pleasure of working with @refined.signs.murals to transform the smokers paradise into a retro dream of shapes and gradients. Pop down to Revs to check it out in person.
#justanother #justanotheragency #justanothermural #refine #refinedsign #mural #streetart #revolverupstairs #revolversmokerslane #revolversmokersparadise
Proudly born and bred in Ballarat, urban mural artist @cax_one spent many years honing his craft in this regional city and has many fond memories of the times spent growing up in Sebastopol - so who could be better suited to transform this massive wall on the side of Total Workwear. �
This site-specific mural, with strong references and ties to the area, is a design full of nostalgic references for Cax, that many local residents would recognise too. Yellow, blue, and gold tones feature throughout the design, symbolising the local connection to “The Burra.” Amongst the design, there are also smaller nods to the rich history of Ballarat as a mining town, built on the hard work and investment of its factory workers and laborers.
Cax specifically chose to design the cloud as a bright pink and purple blob to represent his strong association with “Hubba Bubba” bubblegum, a staple from his childhood tradition of going to the old corner store on Albert Street for a sweet, chewy, treat. Another childhood memory is the BMX, based on his very first bike. Cax originally learned how to ride on the nearby streets and paths, and there is now a strong, growing BMX community in the Sebastopol area who can also identify with this element and call the mural their own.
Another addition is the Murnong Daisy. The local indigenous community farmed these native flowers for the yams attached to their roots and including it is the artist’s way of showing appreciation to their heritage, tradition, and resourcefulness, paying respect to the land, pre-colonisation.
This mural was commissioned by the @ballaratneighbourhoodcentre and the State Government of Victoria as part of the Spotlight Sebastopol initiative.
#justanotheragency #justanothermural #streetart #streetartballarat #welcometosebastopol #caxone #ballaratneighbourhoodcentre #sebastopol #spotlightsebastopol #caxonemural
David Lee Pereira and Amina Briggs were all too keen to jump straight on the tools for 2024, tackling two walls along the rail corridor in Ferntree Gully. The two artists collaborated to create a cohesive design that spanned across both walls, and represented themes of environmental consciousness and First Nations heritage.
As a foundation for the mural, Amina painted traditional Boonwurrung symbols in the form of diamonds; these symbols represent the Boonwurrung mob and challenge the misconception that Aboriginal people only use dot motifs in their artwork. Diamonds are of great significance to the Boonwurrung because of their connection and representation of the Boonwurrung land; sharp lines show both a resemblance to the Yarra River (Birrarung: River of Mists) and the lines seen within rocks and tree barks.
David’s work overlays Amina’s traditional diamond motif, figuratively and literally building upon layers of history and expressing the evolution of Ferntree Gully itself. The Maidenhair Fern has been selected as an endemic species of the Dandenong ranges which recognises and pays respect to the Land that came long before us. Scattered amongst the foliage are plastic zip ties which have been used by the artist to represent the impact of our own presence on the natural landscape. This statement of environmental awareness is important for David particularly, as someone fascinated and constantly inspired by the natural environment.
Waa, the Australian Raven, serves as the protector of the waterways in Melbourne. The train lines themselves are a modern representation of waterways, flowing through Melbourne as a means of transportation. Historically, waterways held immense importance for Amina’s Boonwurrung ancestors, providing sustenance, safe passage, and essential resources. Water remains a cornerstone of significance for the Boonwurrung people, and so Waa symbolises the spirit of safe passage for both passengers and conductors on the metropolitan railw
It was an absolute pleasure working with Chuck Mayfield and Creative City Ballarat on the Art Incubator Mural.
In December 2023, Chuck Mayfield transformed a 22m (w) x 14m (h) wall in Field Street, Ballarat. At the heart of the mural, depictions of Bunjil and Waa breach the water’s surface, referencing Lal Lals Falls from the Bunjil origin story, and representing Waa as the protector of the waterways. The water itself is symbolic of the local lakes, creeks, rivers, and has nostalgic ties to the YMCA pool which locals will remember being on this site.
The mural shows Bunjil’s transformation visually from head to tail; through time and motion, becoming more magical and vibrant with a sensational yet refined colour palette, carefully selected after council consultation. Bunjil’ s plumage transitions from natural earthy browns to brightly illuminated colour against a glowing sky. Light comes from his chest to signify his turning into a star. Waa has similar supernatural elements to signify his identity as a deity spirit. Subtle streams of abstract colour and pattern emulate from behind the birds to represent the spirit of creativity and culture evolving from the Ballarat community, driving the culture and community forward into the future.
Both spirits of Bunjil and Waa were included after consultation with Traditional Owner, Bonnie Chew to represent key elements of timelessness, and the ever present history of tradition and storytelling lore. Although these symbols will have different meanings to everyone, they are a common presence in the environment experienced by all. The eagle and crow are symbols that connect us in a way that transcends our differences and even time. They are from ancient indigenous mythology, and can still be seen flying overhead in Ballarat today.
References to colonial history merge with the sky, the land, and the water to represent Ballarat as we know it now, and the symbiotic relationship between the land and all people who live th
Time Blind, Clock exhibition at Revolver Upstairs.
