Reethaus

Kontaktinformationen, Karte und Wegbeschreibungen, Kontaktformulare, Öffnungszeiten, Dienstleistungen, Bewertungen, Fotos, Videos und Ankündigungen von Reethaus, Bühne und Veranstaltungsort, Köpenicker Chaussee 3a, Berlin.

24/06/2025

“I wanted to make listening experiences similar to sitting by a river, an experience of continual change and constancy at the same time,” says self-described non-musician and master of ambient Brian Eno. Having come to prominence in the early seventies as a founding member of British band Roxy Music, he went on to pursue a series of solo albums and collaborations.

It was in thinking through the music for his exhibitions that Eno arrived at many of the innovations he is known for today. Our next Open Haus invites listeners to step into this resonant oeuvre with Music for Installations — a six-hour compendium of generative compositions, curated by as part of our Transmissions series.

Book your ticket now, or join Friends of Reethaus for an annual pass, via our link in bio.

14/05/2025

“Music is always teaching me that there is a natural balance that brings together opposites. Focus and letting go: they must go together. It is so difficult to conceptualize in theory, but in music you can do it, you can feel it.” – Mohammad Reza Mortazavi

On May 9, Mohammad Reza Mortazavi opened our 2025 Live at Reethaus series with a spellbinding solo performance in the inner chamber of the Reethaus. For 45 unbroken minutes, rhythm moved like breath; expansive and alive. We’ll hold this encounter closely.

Photography by .

08/04/2025

On May 3 and 4, during Berlin Gallery Weekend, Reethaus unveils a special Open Haus edition: Ambient Fields (Infinity Sessions) offers a hierophanic journey through the sonic world and archives of Popol Vuh, the German pioneers of ambient music and progressive electronica.

Ambient Fields (Infinity Sessions) draws on Popol Vuh’s vast and visionary archive—from the Moog-led experiments of the seventies to soundtracks for Werner Herzog’s films, and the devotional Hosianna Mantra—to honor this gentle trailblazer of kosmische musik. In the words of Popol Vuh founder, Florian Fricke, “For us, at the end of the sixties, the Moog synthesizer was an opportunity to create sounds that we had never heard before, that we carried around inside of us, in our unconscious, in our dreams.”

Use your Friends of Reethaus annual pass to join us for this event. Individual tickets are also available—find them at the link in bio.

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Courtesy Edition of Popol Vuh, Mixdown by Guido Hieronymus, Roland Appel, Jan Krause.

Ambient Fields (Infinity Sessions) has undergone a custom spatialization process by MONOM to adapt it to the omnidirectional sound space of Reethaus.

06/04/2025

The Reethaus was designed for profound encounters — with arts, with ideas and with each other.

Photography by

13/03/2025

Our next Spatial Futures listening experience by , on March 30, takes the harp beyond its usual domains to produce an immersive liquid environment that glissandoes from the eerie to the celestial.

In the original composition Weaving Rain, Eve Matin loses the usual rules of music to transform the harp into an extension of the natural world, working with MONOM founder William Russell to create a dynamic, liquid middle heaven that ripples in four dimensions.

A classically trained harpist of Persian and Peruvian heritage, Matin has in recent years devoted herself to wide-ranging musical research in order to expand the technical and expressive possibilities of the harp. Drawing from diverse traditions, from jazz to Persian traditional singing and dance, Matin draws the harp out beyond the concept of an instrument that is plucked, adding tapping, bending and strumming to its sensous repertoire, among many other maneuvers.

At MONOM, Russell created a spatial and digital environment that responded to Matin’s harp, inviting her to “play the space” with him. As the recording environment reacted to the harp with various sounds of water, it simultaneously informed Matin’s playing. With Weaving Rain, we invite you into this meditative experimental watershed.

You can purchase or use your existing Friends of Reethaus annual pass to attend this event, or you can book individual tickets available at the link in bio.

28/01/2025

Last Sunday, we immersed ourselves in the high-altitude Himalayan gorge of the Upper Mustang with recordings by , featuring the vocalizations of Patti Smith. It was a true pleasure to host you—extending a warm welcome to all our new Friends of Reethaus.

Looking ahead to February, Open Haus continues as a monthly program with another excursion into the recordings of the Tibetan Ta***ic Choir—soon to be released.

Photos: Alexey Dechevoi

22/01/2025

In 2016 artist Stephan Crasneanscki and producer Simone Merli, founders of , traveled to Mustang to find the world’s highest-elevation temples. There, they captured field recordings of the air as it whipped and crackled through the valley. Khandroma is composed from these takings, a study of the transmutations of the wind. Patti Smith adds her windpipe to that of the high mountain canyons in a series of haunting vocalizations that layer onto this musique concrète of the wind.

Khandroma was commissioned and issued by Ubi Kū, a new imprint founded by dedicated to the relationships between Buddhist cultures, music, and sound; and curated by .

Join us for a unique listening experience at our first Open Haus of the year on January 26. Purchase tickets via the link in our bio, or get our new annual pass and become part of Friends of Reethaus.

06/11/2024

“Here and now, between the debris of things and nothingness, we live in the suburbs of eternity.” —Mahmoud Darwish, poet

Thank you for joining us last Friday for Here and Now by Walid Ben Selim, accompanied by Gloria Huyghe on the harp, at the Reethaus. We hope you enjoyed this special live performance in which sang the verses of the Palestinian writer Mahmoud Darwish, who, for Ben Selim, is “the most powerful poet of the last century”.

17/10/2024

“Every musical instrument is an architecture. But architecture is also an instrument.” —Anri Sala, Reethaus, October 2024

Thank you to those who joined us last weekend for Ravel Ravel Revisited Redux by Anri Sala, curated by as part of the ongoing series “Transmissions” at the Reethaus.

Next at the Reethaus, on October 27, will be presenting a rare work by Yves Klein: his Monotone-Silence Symphony. As always, these Open Haus events are free when you register at flussbad.com.

09/10/2024

Hand-drawn markings and notes by Anri Sala, as part of the creative process behind his reconstruction of Ravel’s Concerto for the Left Hand in D Major.

Join us this weekend for a bespoke audiovisual setup, combining a self-playing Spirio grand piano together with an orchestra spatialised by . Following the presentation of the work and an intermission, Sala will be in conversation with Stephan Crasneanscki of , curators of the ongoing series “Transmissions” at the Reethaus.

Limited tickets available, link in bio.

Images: Courtesy of the artist Anri Sala, 2024.

04/09/2024

We look forward to seeing you at the at Reethaus during Berlin Art Week, when we present SILT, a site-specific audiovisual installation by the artist collective of Iida Jonsson, Ona Julija Lukas Steponaitytė and Ssi Saarinen. Alumni of the Sandberg Instituut in Amsterdam, the group is interested in how landscapes and their depictions unveil national identity, historical memory, and power dynamics.

Their works have been presented at the Venice Biennale, Kunsthal Charlottenborg, KIN Museum, De Thomas and Whitechapel Gallery. The collective shares professional backgrounds in cinema, applying cinematic tools to their practice in the art space.

21/08/2024

In 2012 a lake appeared suddenly outside of Likančiai, Lithuania. The body of water is fallout from a Soviet-era drainage project that sought to make land more suitable for agriculture. With the disrepair of the artificial system, water has started to accumulate and begun to emerge unexpectedly, creating accidental landscapes. For the 13th edition of , from Sept. 13-15, Reethaus presents a portrait of the surge in Silt — a site-specific audiovisual installation by , , and .ssi_, the work explores the landscape by perspectives proper to the study and depiction of emergencies: first-person documentation, forensic diving, and helicopter flyover. The polyphonic soundtrack by —spatialized by for the Reethaus—lends reality to this latter-day natural feature.

Book your ticket via the link in our bio.

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Köpenicker Chaussee 3a
Berlin
10317

Webseite

http://www.flussbad.com/

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