The tanzpol publication “In the Gaps Between Us - Artistic Articulations on (Absent) Spaces” is printed!
Poetry by Tara Fatehi, Ulduz Ahmadzadeh, Sina Saberi and Ozi Ozar.
Drawings by Afsin Chizari.
Concept by Johanna Kasperowitsch.
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This year, tanzpol stages a festival of
contemporary dance and performance by focusing
on positions of Afghan and Iranian artists, who live in
different contexts in Europe. tanzpol places a
curatorial emphasis on the conditions and situations
of being in exile and explores the question: "How do
experiences of exile continue within an international
artistic field?"
Through dancing, laughing, singing, feeling,
speaking, celebrating, discussing and mourning
together in interactive formats, gatherings,
interdisciplinary concert-dance performances, three
workshops and three panel discussions, tanzpol
invites you to enter into dialog, listen and get to
know each other.
With Tara Fatehi, Pouya Ehsaei, Ali Moini, Roza
Moshtaghi, Cédric Cherdel, Raoni Mouzha Saleh,
Afrang Malekian, Ulduz Ahmandzadeh, Elnaz
Sheshgelani, Sepideh Khodarahmi a.o.
Curated by Ashkan Afsharian, Johanna
Kasperowitsch
Production Anika Bendel, Béla Bisom
Moderation Ozi Ozar, Elahe Hatami
Technical director Joshua Lee McKain
Design Afshin Chizari
Press Nora Gores.
Founded by Senate Department for Culture and
Social Cohesion and with funds from The Capital
Cultural Fund (Hauptstadtkulturfond) and Goethe-
Institut im Exil. With kind support of the Institut
français and the French Ministry of Culture,
International Theater Institute Germany (ITI),
Sophiensaele and Uferstudios Berlin.
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Video creadit: Afshin Chizari
Music: From the lips to the moon
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Ashkan Afsharian
(Curator)
Ashkan is a choreographer, curator and dancer/performer. His first contact with the performing arts was through acting/speech theater and drama studies at the University of Arak/Iran. In 2019 he completed the MA Choreography at the Inter-University Center (HZT) Berlin. In 2019 he received a research grant from the Berlin Senate. In 2020 he co-founded the exchange platform tanzpol. In 2021, he received funding from the Berlin Senate for one- and two-year festivals and series. Furthermore, in 2022 he received a research grant from the Fonds Darstellende Künste as part of #TAKE HEART.
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Johanna Kasperowitsch
(Dramaturgy tanzpol Festival)
Johanna is a dancer, dance scholar and co-founder of the tanzpol platform. She has been working there as a dramaturge and curator since 2020. She studied contemporary dance at the Center for Contemporary Dance (ZZT) at the Cologne University of Music and Dance and a Master's degree in Dance Studies at the Free University of Berlin. As part of her contemporary dance practice, she has been working as a freelancer since 2010 and has worked with numerous choreographers internationally. In 2022 she received the Research Award of the Society for Dance Research.
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ELAHE HATAMI
Elaheh Hatami holds a doctorate in dance studies and works as researcher, theorist and author. She is based in Berlin. She is the author of the book Glocal Bodies: Dancers in Exile and Politics of Place: A Critical Study of Contemporary Iranian Dance (Transcript, 2022). Currently, she works on establishing an Iranian dance archive in exile and is writing a monograph on the development of this archive project.
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
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OZI OZAR
Ozi Ozar is a Tehran-born queer artist based in Berlin and Frankfurt am Main. Ozi studied theater and film directing in Tehran and dramaturgy in Frankfurt. Ozi’s artistic approach revolves around comedy, interactive theater and the translation of social media functions into theater and vice versa, focusing on the discourse of identity politics, accessibility of education and queerness. As a multidisciplinary freelancer, Ozi has experience as a director, dramaturg, translator, graphic and web designer, performer and social media entertainer. Since the beginning of the Woman* Life Freedom Movement in Iran, Ozi has dedicated his social media to the revolution in Iran and has been part of the Woman* Life Freedom Collective in Berlin and co-curates the online gallery Voices of Iran in collaboration with international production houses. Ozi is part of the program team of Ballhaus Ost Berlin.
Founded by Senate Department for
Culture and Social Cohesion and with
funds from The Capital Cultural Fund
(Hauptstadtkulturfond) and Goethe-
Institut im Exil. With kind support of the
Institut français and the French Ministry
of Culture, International Theater
Institute Germany (ITI), Sophiensaele
and Uferstudios Berlin.
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
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ELNAZ SHESHGELANI
Elnaz Sheshgelani is a dancer, dance researcher, storyteller, director, puppeteer and educator. She holds a PhD in Performing Arts in which she creatively reconstructed and documented the gestural aspects of Persian dramatic storytelling. She has held workshops on her work and has applied it to performance in theatre productions around the world. Elnaz is a member of UNESCO’s International Dance Council (CID) and works as a dance educator internationally. She teaches Creativity and the Arts in Education at Victoria University in Melbourne and was a Visiting Fellow at the Institute of Postcolonial Studies (2022-2023).
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
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ULDUZ AHMADZADEH
Ulduz Ahmadzadeh is a choreographer, dancer, researcher, educator, and artistic co-director of the Vienna-based contemporary dance company ATASH عطش. Her artistic work breaks with Western aesthetics, developing a significant South and West Asian-influenced contemporary dance language and addresses socio-political issues and cultural hierarchies. She works at the intersection of dance, performance, video, installation, documentation and activism. Her most recent works tour internationally have been produced in collaboration with Tanzquartier Wien and Brut.
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
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AFRANG NORDLÖF
Afrang Nordlöf Malekian is an artist with a master’s in Arts from the Dutch Art Institute in Arnhem. In his practice, he works with history’s unnoticed creators and puts history into use as a form of documentation and aspiration that calls for improbable and impossible futurities. It examines how narratives and hierarchies disappear, return, and transform in the most unexpected ways. Afrang Nordlöf Malekian is represented in institutions such as Moderna Museet, the Public Art Agency Sweden, and the Arab Image Foundation Library. He has exhibited at venues such as the 10th Berlin Biennale, Moderna Museet, West Den Haag and Tensta konsthall.
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
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SEPIDEH KHODARAHMI
Sepideh Khodarahmi’s roots are acting, dance, contemporary circus, drag, mathematics, street-dance, mime, iranian drag, queer. Busy balancing between making and performing. Sometimes teaching. Dealing with cake-sitting, drag, sticky mess, power, intimacy, high energy, acceleration, destruction Construction, existential humor, erotic, ass shaking, movement. In their work, sensuality is a recurring element and method. Name-Dropping: Marina Abramovic, Unga Klara, Hooman Sharifi, JUCK and Swedish Royal Dramatic Theatre to brag about a few workplaces. Graduated from Academy of Music and Arts in Gothenburg, Department of Mathematics at Stockholm University, Broadway Dance Center, Mime School at Amsterdam Academy of Theatre and Dance.
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Founded by Senate Department for
Culture and Social Cohesion and with
funds from The Capital Cultural Fund
(Hauptstadtkulturfond) and Goethe-
Institut im Exil. With kind support of the
Institut français and the French Ministry
of Culture, International Theater
Institute Germany (ITI), Sophiensaele
and Uferstudios Berlin.
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
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MAN ANAM KE ROSTAM BOVAD PAHLAVAN
26th of May, 8 p.m., Festaaal Sophiensaele, plus Artist-Talk
27th of May, 8 p.m., Festsaal Sophiensaele
In this work, Ali Moini and his life-size puppet interact through a block and tackle. Through karabiners and pulleys connected by a complex system of ropes, the performer and the metal puppet form an interdependent triad. Thus, each dance movement finds its echo in a dismantled and chaotic version in the movements of the metal, initially fleshless puppet. Here the mechanism does not just function as a translator but also as the manipulator of the life between the performer and his double. Even the meaning of the respective roles fade. The efficiency of the development of the actors on stage can vary to the extent that their identities and classifications – between being object and subject, actor and observer, follower and leader and between authenticity and unreliability – get lost.
Concept & interpretation: Ali Moini
Composers: 9T ANTIOPE / Sarah Bigdelishamloo & Nima Aghiani
Scenography: Julien Peissel + Ali Moini
Machinery: Julien Peissel
Lights: Stéfane Perraud
Stage management: Samson Milcent & Florian de Sépibus
Dramaturgy consultant: Thibaud Croisy
Costume: Valentine Solé
Sound management: ongoing
Production: Selon l’Heure
Executive production: Latitudes Prod. – Lille
With the support of Fondation d’entreprise Hermès in the New Settings Program and DRAC Ile-De-France with the Aide au Projet. Co-production: Festival Montpellier Danse, La Passerelle Scène Nationale de St Brieuc, La Filature Scène Nationale de Mulhouse.
Accueil: Espace Pasolini, Centre National de la Danse (within the framework of augmented residences).
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ALI MOINI
Iranian-born choreographer and performer, Ali Moini studied dramatic arts and musical composition in Iran before graduating in choreographic creation from Forum Dança in Lisbon. Based in France, he created the soli My Paradoxical Knives, Talking in/to Myself, and Man Anam Ke Rostam Bovad pahlavan. Collaboratively, he co-created Lives with Fred Rodrigues and the group piece Gaugemancy. He choreographed James Carles’ solo Psaume #3 in 2019. His latest piece, ± (plusminus), premiered in 2021 at the NEXT International Festival. Since 2020, his company, Selon l’Heure, collaborates with Latitudes Prod., Latitudes Contemporaines’ production office in Paris.
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#tanzpol #tanz #tanzpolfestival #berlin #uferstudios
#uferstudiosberlin #tanzberlin #hztberlin
#performanceberlin #tanzpolberlin #festival
#contemporary #contemporarydance
#contemporarydanceberlin
#contemporarydancefestival #dance #performance
#danceartist #performancefestival #symposium #workshop #danceclass
