The Gingineers

The Gingineers The Worlds gingerest live sound team. Providing highly experienced, qualified and talented sound rei
(1)

Crack team of live sound technicians with a Ginger colour scheme.

Lock & load (Ω,)
13/07/2022

Lock & load (Ω,)

© 2011-2021 12 Gauge Microphones

All I need is the air that I breathe.. and someone to love me??
27/02/2022

All I need is the air that I breathe.. and someone to love me??

An old-style ‘figure of 8’ mains plug has exactly the right connection spacing to achieve a good 240V connection between...
19/08/2021

An old-style ‘figure of 8’ mains plug has exactly the right connection spacing to achieve a good 240V connection between pins 1 and 2 of a standard XLR.
Just saying, like.

24/06/2021

Breaking News: Live music and theatre industries launch legal action against Government to force the publication of Events Research Programme data

Today the live music industry body LIVE and a range of theatre businesses, including Andrew Lloyd Webber’s Really Useful Group, Cameron Mackintosh, Michael Harrison and Sonia Friedman, have
commenced legal proceedings against the Government to force it to hand over the report of Phase 1 of the Events Research Programme (ERP).

The ERP is the Government’s research into Covid-19 mitigations in sport, entertainment and business conferences settings. The music industry and theatre businesses have repeatedly called on the Government to outline the scientific basis for its decision to maintain restrictions on events.

Despite portions of the ERP economic impact assessment being leaked to the media this week, the Government refused calls from many MPs in a debate on Tuesday 22 June to release the report in
full. The live entertainment sector has spent the last few months participating in, and paying for, full capacity pilot events as part of the ERP – including The BRIT Awards at The O2 arena, an outdoor
festival event in Liverpool for 5,000 people, a snooker tournament at the Crucible Theatre in Sheffield and the Download festival for 10,000 people last weekend.

These events have been a huge success, according to the government itself in various press reports, showing that with proper precautions in place, live events at full capacity can go ahead safely.

But the Government chose to keep the live entertainment industry under severe restrictions from 21 June, while allowing parts of the economy that have not been subject to similar scientific studies,
including hospitality, public transport and retail, to operate. The Government has also refused to publish the results from the first phase of the Events Research Programme, despite saying that it
would do so on numerous occasions.

Mark Davyd CEO of MVT said: "Last week we called upon the government to release the results of the Events Research Programme. Without the data and evidence from this programme it is not possible to plan safe events that respond to the latest government position of creating Covid secure venues and gigs. The government has declined to release that information, has not provided a justifiable reason for the refusal to release, and cannot therefore engage with the sector to work on risk mitigations that might be required based on the contents of the report. This legal action is the inevitable outcome of the government's refusal to work with the sector to create evidenced based secure events, and we therefore reluctantly agree with the necessity to pursue it. The ball is firmly in the government's court; it is their refusal to work with the cultural sector that has resulted in this action."

Read More: https://www.iq-mag.net/2021/06/music-theatre-uk-govt-pilot-show-data/

29/01/2021

MUSIC VENUE TRUST OFFICIAL RESPONSE TO PRS FOR MUSIC ANNOUNCEMENT OF NEW ONLINE STREAMING TARIFF

PRS for Music have just announced, without consultation with Music Venue Trust or any other grassroots representative body, a new fixed Tariff for small scale online streamed events.

The live music industry, including grassroots music venues, artists and promoters, is in crisis mode and pulling together. The team at MVT have been in regular correspondence with the live team at PRS for Music throughout this crisis on how we can work together to ensure everyone at a grassroots level emerges from this crisis and we can all get back to work. At no time during those regular conversations across 8 months has anybody suggested that a new tariff for streaming would be created. We have not been consulted on such a Tariff, advised of it, or even notified of it prior to this press release being issued.

The principal financial beneficiaries of paid streaming during this crisis have been artists. The beneficiaries of charitable streaming, online broadcasts by artists to raise money for causes by donations from audiences, have included venues, crew, artists, and the wider community, including healthcare worker, food bank and homeless charities.

It is unclear from their press statement whether PRS for Music wishes to reduce the financial returns for artists seeking to pay themselves or on artists trying to support charities. We would strongly suggest that neither should have been advanced to the stage of an announcement of a Tariff without understanding the most basic fundamental economics of what streaming is actually doing during this crisis; how much money there is, where it comes from and who is receiving it.

It is extremely important to the grassroots sector that the songwriters whose work sit at the heart of our ecosystem are adequately and reasonable paid for their work. A fixed rate Tariff is not a mechanism by which that will be achieved, and the methodology and rate proposed by PRS for Music will not result in grassroots songwriters being paid for their work.

We remain available to discuss the realities of streaming during this crisis with PRS for Music if they wish to have an informed discussion on it. Unilaterally announcing ill conceived new Tariffs in a crisis is not such a discussion.

04/10/2020

Being the first to close and still no clue as to when we can open, this seasonal industry is losing its summer profits that allows them to get through the first quarter of next year. Even if we are allowed to open in December, 1 months profit won't be enough to keep us open in 2021. We need help

Make sure you use the right microphone for the job.. and point it the right way too 😉
05/08/2020

Make sure you use the right microphone for the job.. and point it the right way too 😉

Tattoo disasters
20/07/2020

Tattoo disasters

27/04/2020

Spread the word to save our venues.

The situation is dire, government support has been exhausted, and it now falls to artists, music fans, local communities and the wider industry to take action Put bluntly, without these venues the opportunities for artists and audiences to connect in a meaningful way at a local level will simply dis...

07/11/2019

Small Pond

Well this really tickled us.

04/11/2019

To anyone who says sound engineers aren’t well-balanced..

TRRRRRRRRRRRRRRRS!

17/10/2019
31/07/2019

Just heard of the sad passing of Paul Mcallum, main man from Wembley Loudspeakers. Lovely bloke and a godsend for people trying to keep a rig on the road under a tight budget.. he could fix/recone virtually any speaker you could think of, even ancient ones. Made huge numbers of PA systems sing once more. RIP.

18/07/2019
BBC Comedy

We have to save the redheads! Before it's too late!

04/07/2019
Viking Trance

It's that time of year again...

Festival Care Home

23/05/2019
The Drummer's Journal

The Drummer's Journal

"We'll treat it like our own, honest."
-
LOW EFFORT MEME WARNING ⚠️

22/03/2019
The worst volume control UI in the world

Pump up the volume!

A group of bored developers and designers has decided to start a thread on reddit to figure out who can came up with the worst volume…

04/03/2019

Core Inside Studio

I leave that here..!
Constan Taylor

27/02/2019

R.I.P

24/09/2018

StageHand Institute of Technology (S.H.I.T.)

17/09/2017
Ben Dorcy, Legendary Country Roadie, Dies at 92

Ben Dorcy, Legendary Country Roadie, Dies at 92

Ben Dorcy, the man who Willie Nelson deemed the world's first roadie, has died at the age of 92 after working more than six decades in the industry.

12/10/2016

Timeline Photos

26/09/2016

This just really turned me on. Phaw.

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Camp Ginger
Brighton And Hove

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