Pannonica JazzClub

01/11/2024

01/11/2024

01/11/2024

Bellissima serata grazie a tutti!!!!alla prossima!!..⭐️🖤

28/10/2024

https://giornaledellumbria.com/michele-sperandio-sea-quartet-allumbro-per-festeggiare-halloween/

Giovedì 31 ottobre, nella sera di Halloween, al ristorante Umbrò di Perugia, il quartetto del batterista Michele Sperandio presenta il suo ultimo album: “Sea Quartet” Il nuovo progetto del batterista marchigiano presenta un repertorio con un filo conduttore molto chiaro: il mare. Così il conc...

20/10/2024

05/10/2024

Roberto Gatti Trio

05/10/2024

Pannonica Jazz Club ringrazia Roberto Gatti Trio per l’emozionante serata!!
Tanto jazz e talento e tantissima partecipazione!!!..grazie a tutti vi aspettiamo al prossimo evento 🖤⭐️

02/10/2024

Grazie 🖤⭐️

Continua la rassegna musical jazz “I Colori dell’Anima”, promossa dall associazione culturale Pannonica Jazz Club di Perugia, che in estate ha viaggiato in varie location cittadine: il ristorante Umbrò, il residence Domus Volumnia, il cinema Méliès e l’Arci di S. Erminio. Venerdi 4 ottobr...

02/10/2024

Prosegue la rassegna I colori dell’anima del Pannonica jazz club in programma per venerdì 4 ottobre alle 20 nei locali di Umbrò, a Perugia. Donne e jazz Nata principalmente dall’idea di un gruppo di donne, Pannonica jazz club è un’associazione di promozione sociale che ha lo scopo di diff...

01/10/2024

Continua la rassegna musical jazz “I Colori dell’Anima”, promossa dall associazione culturale Pannonica Jazz Club, che in estate ha viaggiato in varie location perugine: il ristorante Umbrò, il residence Domus Volumnia, il cinema Méliès e l’Arci di S. Erminio. Venerdi 4 ottobre, alle ore ...

27/09/2024

RED - La vita è una danza nel cratere di un vulcano, figlio cacciato e ribelle che vuole far vedere al padre tutta la sua bravura nel creare fuoco e lava.
La lava che risplende contro il suolo buio appare come un’immensa costellazione, come il sangue del pianeta, il sangue del vulcano che ogni tanto trabocca dal vaso secondo leggi che non finiremo mai di scoprire. Una fantasia creativa di giallo – blu – arancione – rosso – bruno come il cuore e la musica di questi giovani talenti con il latin jazz nelle vene… Come la Terra ci ricorda che è viva, in costante movimento e mutamento, così la musica sanguigna e passionale del Roberto Gatti Trio ci trasporta in atmosfere eteree, in cui i vecchi universi vengono distrutti lasciando spazio a nuove stelle…
ROBERTO GATTI TRIO
04 OTTOBRE 2024 ORE 20.00
Vi aspettiamo ⭐️🖤

07/09/2024

Grande successo del concerto di ieri sera grazie al trio Mirabassi per la bellissima performance e per aver coinvolto il pubblico con simpatia e bravura…a presto per altre serate
Stay Tuned 🖤⭐️
Pannonica Jazz Club

19/08/2024

INDIGO - Nessun giorno è uguale all’altro, ogni mattina porta con sé un particolare miracolo, il proprio momento magico. Non sappiamo di preciso cosa sia la magia, ma siamo sicuri che inizia sempre quando non te ne vuoi più andare dai luoghi, dai pensieri, dalle atmosfere… come quelle in cui si entra accompagnati dalla musica di Chiara Viola Trio e allora la magia diventa un ponte che ti permette di passare dal mondo visibile a quello invisibile sentendo le emozioni di entrambi i mondi…⭐️🖤

03/11/2023

Ray Charles & Buck Owens

1970

02/11/2023

The original LP from the store.
(for auction details and complete description of the LP : click on the link below).

MILES DAVIS & JOHN COLTRANE - LIVE IN NEW YORK
Recorded in New York City on July 13, 1957 (track 3), May 17, 1958 (tracks 1, 2, 4) & April 2, 1959 (track 6) and Juan-les-Pins, France, on July 27, 1963 (track 5). It was released by the Bandstand label.

Link to the Vinyl :
https://www.ebay.com/itm/155851832550

This copy is a Japanese mono pressing (1987).
Cover : NM+
Audio : EXC+ (VG++)
Visual : NM+

Track Listing :
"Bye, Bye Blackbird" (Mort Dixon, Ray Henderson)
"Four" (Miles Davis)
"It Never Entered My Mind" (Richard Rodgers, Lorenz Hart)
"Walkin'" (Miles Davis)
"Milestones" (Miles Davis)
"So What" (Miles Davis)

Musicians :
Miles Davis - trumpet
John Coltrane - tenor sax (tracks 1, 2, 4, 6)
George Coleman - tenor sax (track 5)
Bill Evans - piano (tracks 1, 2, 4)
Red Garland - piano (track 3)
Wynton Kelly - piano (track 6)
Herbie Hancock - piano (track 5)
Paul Chambers - bass (tracks 1 to 4, 6)
Ron Carter - bass (track 5)
Philly Joe Jones - drums (tracks 1, 2, 4)
Art Taylor - drums (track 3)
Jimmy Cobb - drums (track 6)
Anthony Williams - drums (track 5)

29/10/2023

Nina Simone In a motel room in Buffalo, New York. December 1964.

When I used to get blue years ago, James Baldwin would say the same thing to me each time: ‘This is the world you have made for yourself, Nina, now you have to live in it,’” Nina Simone muses in the opening lines of her 1992 autobiography, I Put a Spell on You.

Simone was recognized as a musical genius almost from birth. At just six months, her mother realized that her toddler could recognize musical notes on paper, and “it scared her,” Simone said. By the age of three, Simone was already playing complete songs on the piano — blues and gospel tunes at church. But it was really the works of Johann Sebastian Bach and other classical composers that captured the young pianist’s imagination as she began her formal piano lessons.

In 1950, Simone began studying at New York’s famed Juilliard music school and a year later auditioned for a scholarship to attend Philadelphia’s prestigious Curtis Institute of Music. She was rejected. Simone maintained it was racism pure and simple. “I knew I was good enough, but they turned me down. And it took me about six months to realize it was because I was Black. I never really got over that jolt of racism at the time,” Simone relayed in the documentary, “What Happened, Miss Simone?”

The truth of this matter is less certain. In fact, Curtis had accepted Black students to the piano department before 1951, including an 11-year-old prodigy, Blanche Burton-Lyles, who was recommended for early admission in 1944 and 10 years later became the first Black female pianist to graduate, according to the Institute. Nevertheless, the rejection crushed Simone, who vowed to re-audition and started teaching piano while taking her own piano lessons in Philadelphia.

It was an interaction with one of her students that altered Simone’s path forever. That student had a summer gig playing piano in Atlantic City that paid $90 a week. “90 dollars was double what I earned,” Simone later wrote in her autobiography, “I Put a Spell on You,” and so she ended up in Atlantic City in the summer of 1954, “figuring if one of my students could get a job as a pianist, so could I.”

Liz Fields / PBS
Photo by Alfred Wertheimer

27/10/2023

⭐️🖤

MILES DAVIS

(Mike)

25/10/2023

⭐️🖤

Gorgo :)
Miles Davis
By Roberto Polillo

25/10/2023

⭐️🖤

Oscar Pettiford, Miles Davis and Gil Coggins during Miles’ “Young Man with a Horn” session at the WOR Studios in New York City on May 9, 1952. (Photo by Francis Wolff)

25/10/2023

⭐️🖤

WKCR announces a special broadcast celebrating the 93rd birthday of American trumpeter Clifford Brown, broadcast on FM and HD radio and online for 24 hours on Monday, October 30th, 2023. The broadcast will preempt all regularly-scheduled Monday shows.

Clifford Brown's music has left an indelible mark on the world of jazz, and his virtuosity on the trumpet is a continuous source of inspiration for musicians and listeners alike. Perhaps most known for his collaborations with drummer Max Roach with the Clifford Brown and Max Roach Quintet–a group that is often heralded as one of the greatest and most innovative in jazz history–their recordings, including "Study in Brown" and "Clifford Brown & Max Roach," set new standards for small group jazz.

Listening to even a few seconds of Clifford Brown, you immediately are made aware of his technical brilliance, exquisite phrasing, and deep emotional resonance. His all-too-brief but illustrious career showcased his remarkable talent, making him one of the most celebrated figures in the history of jazz. His timeless compositions such as "Joy Spring," "Daahoud," and "Sandu," continue to be cherished by all that embrace jazz. A master taken from us too soon, we can only imagine the sounds he would have created had he been able to continue to make music even a few more years. Nonetheless, he remains one of the pioneers of the trumpet, and has been solidified as one of the greatest to ever play this music.

08/09/2023

Provided to YouTube by Universal Music GroupWhat Is This Thing Called Love? (Evening) (Live From Village Vanguard/1957/The Rudy Van Gelder Edition) · Sonny R...

06/09/2023

⭐️🖤

WKCR announces a 24-hour birthday celebration for Sonny Rollins’ 93rd birthday, broadcast on FM and HD radio and online all day on Thursday, September 7th!! 89.9 FM in NY and at https://www.wkcr.org ⭐️

04/09/2023

Mail a letter in New York City in the '50s and it may have been touched by the same fingers that throttled the chords to "Sweet Sue" and other classic jazz themes from the Jimmie Lunceford band. Guitarist Al Norris (September 4, 1908 - December 26, 1974), whose professional music career began in the late '20s, had put all the excitement of swinging music behind him by the '50s and was working for a Big Apple post office, not bandleader. Norris started out on violin at the age of 14 and picked up banjo along with an interest in jazz almost within the year. The former instrument was eventually vanquished in its early role as a timekeeper in jazz bands, and Norris became one of many instrumentalists who switched to guitar and a softer, sometimes even feathery, style of rhythm accompaniment.

Norris grew up in Buffalo, where he worked in a variety of local bands between 1927 and 1932. This is how Lunceford heard him, ever the talent scout, and the contact resulted in employment for pretty much the entire life of that band, give or take a few years spent assisting the political goals of Uncle Sam. It also resulted in a pile of recordings that is certainly respectable, although not capable of dwarfing the parcel backlog come Christmas time at the post office. When Norris does appear on recordings by other artists besides Lunceford, it is often in the context of a retrospective devoted to any of the other jazz instrumentalists who learned their trade in the Lunceford band. Norris started out playing banjo in the band in 1932, but two years later had switched to guitar with occasional features on violin. Following Lunceford's death in 1947, Norris worked in a group co-led by Ed Wilcox and Joe Thomas. When the guitarist decided to retire in the early '50s he was playing in a band fronted solely by Wilcox.

Al Norris died December 26, 1974.

Source: Eugene Chadbourne