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In Search of the Form

Strona główna
Polska
Wroclaw
In Search of the Form

Dane kontaktowe, mapa i wskazówki, formularz kontaktowy, godziny otwarcia, usługi, oceny, zdjęcia, filmy i ogłoszenia od In Search of the Form, Planowanie imprez, Ulica Braniborska 59, Wroclaw.

04/12/2018

Fragments from a speechy by the AT student Małgorzata Dębska "But why Białystok? - the expectations and reality of a puppet directing student"

03/12/2018

Fragments from the speech by the AST student Katarzyna Hora: "If only days were longer - thoughts about teaching and learning theatre directing"

02/12/2018

Arkadiusz Klucznik's speech "The evaluation of the schemes and methods of puppetry education on the filed of puppetry department in Wrocław" at the Conference

01/12/2018

Fragments from a speech by Kata Csató from Univeristy of Theatre and Film Arts in Budapest

30/11/2018

Fragments from a master lecture by Magda Podsiadły at The Conference

29/11/2018

Shots from Philipp Schulte's speech "Embedded Theory" given at our Conference

28/11/2018

Fragments from Daniel Arbaczewski's speech at our Conference

27/11/2018

Excerpts from "The Performer, the object, and the secret in between" by Yael Rasooly at the International Conference IN SEARCH OF THE FORM in Wrocław

26/11/2018

Excerpts from a speech given by Simone Thiis during International Conference IN SEARCH OF THE FORM in Wrocław

26/11/2018

The Conference is over, but our guest Yael Rasooly is now leading a workshop for students of AST 🎭

25/11/2018

Our Conference ends with many thoughts and questions. Thanks to all participants and speakers for this inspirational time! See you soon!

25/11/2018

Today's speakers in action!

24/11/2018

Listening, learning, discussing! 👨‍🎓👩‍🎓

24/11/2018

6 speakers, many discussions, endless thoughts - the first day of the Conference is over!

24/11/2018

The break is on - we're Just about to start the next part of our Conference. Come over!

23/11/2018

NIKOS KOTOWICZ
(Gdańsk)

The language of theatre and movie

25th November 2018
16:30 - 17:00

I graduated PWST w Krakowie filia we Wrocławiu as an actor puppeteer, after that i studied directing in Warsaw Film School. I directed many short movies (5-7 minutes) and now i am working on a documenatry movie

My presentation will be a comparison between the language which we use in theatre and in movies. How do we build screenplay, how do we create scenes, how do we cooperate with actors and what kind of tools are necessary to create our thoughts. I would like to show differences, common things and reasons why do we choose either to make theater or movie

23/11/2018

AGNIESZKA BŁASZCZAK
(The National Academy of Theatre Arts in Kraków, Branch in Wrocław, Wrocław)

Puppetry in the age of digital media

25th November 2018
16:00 - 16:30

Puppetry theatre director and freelance filmmaker fascinated with visual arts, digital technologies and epic performances. Educated at The Academy of Theatre Arts in Krakow, Department in Wroclaw. Co-funder and member of independent visual arts and puppetry collective The Mad Nomad Lab. Used to work as assistant director to Janni Younge and Neville Tranter.

The paper will refer to the traditional puppetry's condition in the world when digital technologies are taking over almost every aspect of life. It will also introduce the audience to a new term “digittry” which I created from terms “digital” and “puppetry” as my current research project. Trough analysing and exploring both parts of the term I propose to find new way of creating stage performance with puppetry in digital environment. The paper will present teortical ideas as well as current digital practices in puppetry.

23/11/2018

MAGDA PODSIADŁY
(The Institute of Archaeology and Ethnology PAS, Warszawa)

A mask in a ritual performance. Nuna people in Burkina Faso

25th November 2018
15:00 - 16:00

Born in Wroclaw, Poland, in 1961. Journalist, spent her childhood in West Africa (Conakry, Guinea), a doctoral student at the Institute of Archaeology and Ethnology of the Polish Academy of Sciences (IAE PAN). She is interested in francophone African culture, publishes texts on professional and traditional theater.

In the culture of the Nuna people in Burkina Faso mask has a primary role in saveing the identity of this community. One of the most important manifestations of the mask tradition is the festiwal that ends the rite of initiation, called the Great Exodus Masks. In this ritual performance composed of all elements of the theatrical show sacrum mixed with profanum, and masks reveal the extraordinary power of transformation.

23/11/2018

DANIEL ARBACZEWSKI
(Lublin)

Methodology of directing of performances for babies

25th November 2018
14:00 - 14:30

Actor, director, pedagogue of theater. He graduaded of Department of Puppetry State Drama School in Wroclaw, and also School of Theater Education on Theatre Institute in Warsaw. For sixteen years he was an actor of ensamble of Andersen Theatre in Lublin. He cooperates with many theaters from whole country and abroad (Palestine, Mexico, Belgium, Greece and others).

The subject of the presentation is the methodology of the director's work during artistic creation and organization as well in performances for little babies. We will focus on building of space for playing and creation of acting tasks for actors. On the basis of own experience, the lecturer will present the scope of the issue, the original methods of work and share the difficulties that arose during such productions.

23/11/2018

SIMONE THIIS
(Aasgardstrand)

Performances for children and youth. Are there any limits for what we can talk about?

25th November 2018
13:30 - 14:00

Simone Thiis is an actress and director educated in Norway and Denmark, and she runs her own company in Norway. (Theater Nova) She has played in several monograms about strong women like Virgina Woolf, Frida Kahlo and Doris Lessing and she made several children performances in Norway and abroad with difficult teams. The last few years she has cooperated with theatres in Zimbabwe, Poland and TPO in Italy. In 2012 she won a prize for best children performance in Norway and in 2014 her performance in Poland was nominated as one of the most important culture happenings in Lublin.

How to talk about serious problems with children using theatre as an entrance. Simone Thiis will tell about her work and experiences in Norway and Poland where she has been directing theatre for children and youth which touches serious problems of societies.

23/11/2018

YAEL RASOOLY
(Tel Aviv)
The Performer, the object, and the secret in between

25th November 2018
12:30 - 13:30

Born in 1983 in Jerusalem, Israel, Yael was trained primarily as a classical singer and went on to study theatre design in London. She began developing her unique theatrical language at the School of Visual Theatre in Jerusalem, where she specialized in directing, puppetry and design, and graduated with excellence. Since 2006, Yael has been creating independent theatre works and performs at leading international festivals throughout Europe, the United States, South America and the Far East. Yael’s theatrical language is based on a multidisciplinary approach, combining different forms of theatre, puppetry, visual art and music.

In this artist talk, Director performer and puppeteer Yael Rasooly will discuss the various and diverse aspects of her training, practice and performance. Through presenting her own work, as well as a glimpse into her inspirations in the field of contemporary adult puppetry, Yael will raise issues at the heart of being an independent theater creator- finding the deep source of motivation for a project, the process of creation and working methods, partnerships in creation, the transition from the art student life into the "real" professional world, forming an international platform to present your work as well as to sell it, the festival circuits, carving your own path in a multidisciplinary discipline, and yes, to dare to dream up your personal artistic path and pursue that direction with personal conviction.

23/11/2018

KATA CSATÓ
(University of Theatre and Film Arts, Budapest)

The presence of directing in the theatre training for puppetry arts

24th November 2018
17:00 - 17:30

Puppet theatre director, actress, cultural manager and professor of puppet theatre acting and directing for puppet theatre. In 2001 she enrolled at the ATB in Białystok and graduated in 2006 with a degree in both specializations: puppet theatre acting and directing. Since 2008 she has been pursuing a doctoral degree in liberal arts (DLA). Since 2004 she has been acting and directing independently in Hungary and abroad. Since 2010 she is teaching puppet theatre acting and directing at the University of Theatre and Film Arts in Budapest.

How can you teach directing in puppet theatre for adult in the academic way in 2018? How can it be possible to motivate the new generation who want to learn about the process of directing in puppet theatre through their university studies? What is teacher’s real focus point? What is the difference between directing in the theatre training for puppetry arts and other arts? What kind of teacher should teach directing in puppet theatre? What does an exam mean for a student in theatre academy? I'm looking for answers to this and similar questions in my presentation.

23/11/2018

MAŁGORZATA DĘBSKA
(The Aleksander Zelwerowicz National Academy of Dramatic Art in Warszawa, The Puppetry Art Department in Białystok, Białystok)

But why Białystok? - the expectations and reality of a puppet directing student

24th November 2018
16:30 - 17:00

Graduate of Institute of Theatre and Media Art of Adam Mickiewicz University in Poznań, student of second year of The Theatre Academy in Warsaw Puppetry Department in Białystok

As someone who is in the middle of the process of education I would like to present the master - student relationship and what is its place in contemporary culture and how it translates into artistic process and individual creativity after the educational process finishes.

23/11/2018

KATARZYNA HORA
(The National Academy of Theatre Arts in Kraków, Branch in Wrocław, Wrocław)

If only days were longer - thoughts about teaching and learning theatre directing

24th November 2018
16:00 - 16:30

Student of fourth year at Academy of Theatre Arts, branch in Wrocław. During her studies, she prepared few plays for children, which has been played at theatre festivals in Poland and were appreciated by public. Since few years, she works a lot with children, leading all kind of workshops, and also leading an intergenerational theatre group. Permanently connected with "Stefan Batory's Theatre" where she work as a director, scriptwriter and sometimes an actress.

It is a speech about learning theater directing. It is prepared by student and will be about students. This lecture main aim is to poin out the most important problems, issues and thoughts. Is it even posible to teach someone how to direct? How to do it in most efficient way? What new can we propose, to make theater growing up? We know its often hard to find answers for those questions, but the most important thing is to ask them and start to make a conversation.

23/11/2018

PHILIPP SCHULTE
(Hessian Theatre Academy, Frankfurt)

Embedded Theory

24th November 2018
15:00 - 15:30

Dr. Philipp Schulte studied Applied Theater Studies in Bergen (Norway) and at Gießen University (Germany), where he did his PhD 2011. Since 2007, he is head of the office of the Hessian Theater Academy in Frankfurt and worked as a freelance dramaturge in Germany, the UK and the Netherlands

How to overcome an obsolete division of theory and practice in art education? How to include current theories about objects and the non-human fruitful into the curriculum of a puppet theatre department? As a teacher for art theory at directing, acting and scenography departments of different European theatre academies in my presentation I intend to compare different approaches of establishing spaces where aesthetic practices can be discussed and reflected on from theoretical perspectives.

23/11/2018

JACEK MALINOWSKI
(The Aleksander Zelwerowicz National Academy of Dramatic Art in Warszawa, The Puppetry Art Department in Białystok, Białystok)

How to find and clean real diamond?

24th November 2018
14:30 - 15:00

Professor of The Theatre Academy in Warsaw Puppetry Department in Białystok, Stage Director, Main Manger and Artistic Director of Puppet Theatre in Bialystok.

I would like to present my perspective on the education strategies.

23/11/2018

ARKADIUSZ KLUCZNIK
(The National Academy of Theatre Arts in Kraków, Branch in Wrocław, Wrocław)

The evaluation of the schemes and methods of puppetry education on the field of puppetry department in Wrocław

24th November 2018
14:00 - 14:30

Actor, director, workshop leader and culture manager. Working in cooperation – as a director – with many Polish and foreign theatres: in Turkey, Slovakia and Finland. Working permanently as a guest teacher in Bilkent University in Ankara and cooperating as a lecturer and workshop leader in Turkey, Ukraine, Georgia, Indonesia and Papua.

Presentation of the ideas and methods of education in wroclaw school – starting form acting studio of puppet theatre of wroclaw (satl) till present time of the puppetry department of the national academy of theatre arts. Puppetry subjects – classical and contemporary – in teaching programee. New ideas, new subjects. Puppet theatre directing line – new line of teaching

23/11/2018

ROSARIO PERRICONE
(Antonio Pasqualino International Puppet Museum of Palermo, Palermo)

From the Wooden top the Virtual Pupo. Conservation and new forms for the fruition of the intangible cultural heritage

24th November 2018
12:30 - 13:30

Rosario Perricone, is the Director of the Antonio Pasqualino International Puppet Museum of Palermo (Italy). A Professor of Cultural Anthropology, Museology and Museographical Displaying at Palermo’s Fine Art Academy; an expert of the history of folk traditions, theatre and visual anthropology at the University of Palermo; President of the Association for the Conservation of Folk Traditions and the Association Festival of Migrant Literatures; Director of the Ignazio Buttitta Foundation. He adopts a scientific, multidisciplinary and trans-cultural approach for the study and promotion of traditional theatrical practices, combined with a sound experience in the organization of inter/national events, deep knowledge of the cultural contexts of the different performing arts. He has coordinated and managed projects aimed at a wide fruition of cultural heritage and puppet theatre, helping the exchange between practitioners and audiences, traditional masters and contemporary artists also through the use of new technologies.

The Opera dei Pupi is Sicilian traditional puppet theatre. It originated in Southern Italy and Sicily during the XIX century and underwent a deep crises in 1950-60s. The efforts made by the Association for the Conservation of Folk Traditions – Antonio Pasqualino International Puppet Museum of Palermo (Italy) to conserve and restore the related items, engage the puppeteers in the challenge of the difficult dialogue with the contemporary world and the younger generations, conceptualize and organize innovative projects – also using the more updated technologies, have been awarded many times: in 2001, Sicilian Opera dei Pupi has become a UNESCO Masterpiece of the Oral and Intangible Heritage of Humanity; since 2014 the Association is a UNESCO accredited NGO and in 2017 the Museum has received the ICOM award as “Museum of the year”. Some of these projects will be focused on as an example of strategy for the safeguarding of puppet heritage, a strategy that combines the tangible and intangible aspects of this wide world: from the conservation of the biggest collection of pupi from Palermo, Catania and Naples to the restoration projects; from the traditional techniques for the construction of pupi to the “construction” of a virtual puppet through augmented reality.

23/11/2018

We invite you tomorrow! 🎙️👩‍🎓👨‍🏫
You can`t miss it!

- What time?
We start at 12:00.

-Paid entry?
No fees!

-Where?
Second floor, room 235.

The National Academy of Theatre Arts in Kraków, Branch in Wrocław
ul. Braniborska 59, Wrocław

-Will there be a coffee?
Oh yes! 😎

Adres

Ulica Braniborska 59
Wroclaw
53-680

Strona Internetowa

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Widea

Małgorzata Dębska - "But why Białystok? - the expectations and reality of a puppet directing student"

Fragments from a speechy by the AT student Małgorzata Dębska "But why Białystok? - the expectations and reality of a puppet directing student"

KATARZYNA HORA - "If only days were longer - thoughts about teaching and learning theatre directing"

Fragments from the speech by the AST student Katarzyna Hora: "If only days were longer - thoughts about teaching and learning theatre directing"

ARKADIUSZ KLUCZNIK "The evaluation of the schemes and methods of puppetry education on the filed of puppetry department in Wrocław"

Arkadiusz Klucznik's speech "The evaluation of the schemes and methods of puppetry education on the filed of puppetry department in Wrocław" at the Conference