Prepping the film camera for tomorrow's wedding shoot. I know it's been a while. Truth be told, I'm shooting a lot less than I used to but weddings still get me excited especially when it'll be shot in my favourite medium 🎞️.
This camera has been with me for more than 10 years. It's already showing its age and years of "abuse" but like analogue film, it simply refuses to die. True, the features are not even half what an average digital camera has these days but it has that old school allure that no modern camera can give. It's unparalleled!
A lot of you may not know this - my wedding series has always been presented as a video I call Cinematic Stories which is always presented in Cinematic 16x9 wide format. This dates back to the time before Instagram came to this world, where DVD reigned supreme. My style of photography is very heavily influenced by cinematography and some of you may describe it as "Wong Kar Wai"-ish.
That style of (16x9 wide) presentation also weighs heavily on the way I frame my moments and subjects - it's almost always in landscape format. Photographers who have worked with me before will notice this peculiarity. Rarely do I take photos in portrait format. The plus side of this habit is also that it makes framing and snapping critical moments extremely quick because I don't have to decide between portrait and landscape. It's always just one. As the saying goes - less is more, but not always as you're about to see.
When it comes to Instagram Reels, that is where the tricky part comes in - it's optimised for portrait (9:16) format which makes the way I shoot and present my Cinematic Stories particularly challenging. So, this is why I have never dabbled in Reels until lately. While not all my photos can be presented as a reel, a majority of them do fit quite snuggly although still not optimal in my opinion.
Here's one taken for Lawrence & Lorraine filmed mostly in @kodakprofessional Portra 160 & TRI-X 35mm analogue films.
#preweddings_thegaleria
Take a wild guess what this thing is
It's all starts with something very raw! Then we finish it to something very different. Welcome to our world of 3D Printing x Paint Brush Artist. #handmade_thegaleria #bts_thegaleria
From yesterday's wedding at Pollen Singapore at Gardens by the Bay for a wedding couple who lives just a few doors from my home studio (yes literally neighbours)
The Passing / 过
Two people. One afternoon. A guessing game of clouds...
...and the hours in between.
The Passing. A film by Jef Tan & Brian Ho
Parallel Lines - http://www.youtube.com/philipscinema
Starring/Cast: Benny Ong, Phyllis Tan
Wardrobe: Hansel
Make-up & Styling: Sharon Tan (A Touch of Colors)
Mandarin Translation: Chan Wee Guan
Production Manager: Lesley Chew
Clouds Animation by Omens Studios
- Producer: Ellen Xie
- Effects/Animation/Compositing: Donny Yuniarto
- Modelling/Texturing: Shi Wei
Voice Recording: Jason Chong (Red Light Studios)
Music: "Soul Talk" by Stobierski Thomas
Cinematography & Editing: Brian Ho
Camera Assistants: Douglas Ng, Joey Yu, Luvin Lim
Props: Artison Asia
Story & Screenplay: Eran Husni, Jef Tan & Brian Ho
Directed & Produced by Jef Tan & Brian Ho
The Passing/过 Teaser
Two people. One afternoon. A guessing game of clouds…
…and the hours in between.
The Passing. A Film by Jef Tan & Brian Ho
租来的幸福 MV
Artist: Tao Ran [陶然]
Lyrics: Huang Bi Ru
This would be my debut music video production in a capacity of a cinematographer and also my first time dabbling with motion picture. I only did the music video portion of it while snippets from the film footage were actually taken from When Night Fa11s, a short film directed by Derrick Lui.
Music: Bang Wenfu
Director: Derrick Lui
Director of Photography (When Night Fa11s): Lim Beng Huat
Director of Photography (music video): Brian Ho
Production & Set Director: Michael Wee