11/13/2024
A veteran of the Buffalo theater scene, Lara Haberberger highlights her writing & directorial skills with the authorized World premiere of SHYLOCK, presented by ART/WNY. She graciously took time away from rehearsals to answer some questions about this timely adaptation of Shakespeare’s Merchant of Venice.
Q: What inspired you to adapt Merchant of Venice?
When I was working on my BA in theater at University at Buffalo, many years ago, I had stage managed The Merchant of Venice. For the most part, I loved the character of Portia. She was smart, passionate, and wily. The Quality of Mercy monologue is one of my personal favorites. So when I was picking shows to work on in grad school, I gravitated towards Merchant. One of the challenges I faced while working on the adaptation was that I only was give two actors to work with. I actually found it quite interesting to have one actor play Shylock while the other one was everyone else the cast. It provided great acting challenges for both performers.
Q: Why did you choose the particular setting for this adaptation?
While working towards my MFA in Directing, I was asked by a professor on how as a director would you handle one of Shakespeare’s more problematic plays like Taming of the Shrew, Measure for Measure, and The Merchant of Venice. I knew that Merchant was anti-semantic, so I thought about setting in a concentration camp. In my research for the play, I found out that the Nazi’s actually loved this play. During the Third Reich, only German playwrights were allowed to be produced with two exceptions: Shakespeare and Shaw. I found that very interesting.
Q: How relevant is your adaptation to current socio and geo political issues of the day?
A recent community theater production of the Diary of Anne Frank in Fowlerville, MI was protested by Neo-Nazi's. Facism is on the rise in the US and around the world. We as artists have a sacred duty to reflect the horrors that are happening right now. Theater is an immediate art form which should be used to sound the alarm.
Q: How important is it to reinvent theater classics like Shakespeare for younger audiences?
There is a reason why we are still producing the Bard's work 400 years after he died. The language is poetry, the plots are incredible, and the characters are so human. I think one of the issues with Shakespeare's work is that it is taught to high schoolers as literature, so students don't get to see the works brought to life. I am aware that plays are literature, but they are meant to be staged not just studied in books. They language can be so hard to understand in a book, but when an actor speaks the lines with clarity and passion, it can be appreciated so much better.
SHYLOCK opens November 21st and runs until Dec 14th
Thursdays & Fridays @ 7:30 Saturday @ 5 pm
(No show on Thanksgiving)
Online tickets www.artofwny.org