01/13/2025
When I took my niece to the on Saturday, we stumbled upon a small exhibition of Philip Guston paintings that stopped me in my tracks. While I trained to be a painter, I have not picked up a paint brush to create a picture in about 25 years. And rarely does it even occur to me to do so because the installation work we do for events is like painting; we just use different tools. At David Stark Design, we make dimensional, experiential “pictures” that people inhabit rather than flat ones that sit on a wall. 😉
On Saturday, though, I had the impulse to want to paint with a brush again. Why? These Guston works were not dissimilar to things we think about all the time in our work: Using everyday materials to convey meaning, embedding metaphor in iconography, embracing the idea that humor and seriousness co-exist, and owning that excellent craftsmanship matters.
If Guston’s paintings were not so finely crafted, they would be cartoons. Instead, his images are infused with emotion, grappling with personal issues of mortality, vulnerability, prejudice, evil, and human nature.
Seemingly simple, the paintings are so complex and luxuriate in their craft. When I was painting with brushes, I only could hope to achieve the tension that Guston achieved. As an event designer and as an organization, we hope to walk that line too. We constantly think about how to make something look simple even though we know it’s anything but, but it also needs to look luscious at the same time.
I want to thank The Met for a brilliant day of thought provoking inspiration. Days later, I’m still thinking about what I experienced on Saturday. This is a great example of why museums matter.
Swipe ◀️ to see images of the Guston paintings from the exhibition, and if you are in NYC, go check them out in person. That’s much better than experiencing them on Instagram.
📷 by 📱