04/18/2024
This Week's "Wednesday Warehouse" of gratitude celebrates the profound impact of Martin Katz' master classes. I had the very great honor of both singing and playing collaborative piano on two of his master classes during my undergrad years at William Jewell College. Martin Katz is arguably one of the greatest Collaborative pianists of all time, so it was particularly nerve-wracking to sing and play piano on these occasions.
I don't remember at all what I sang, interestingly; but I do remember two of the pieces I played : "Beau Soir" by Debussy and "Im Abendrot" by Schubert. The first time, Maestro Katz kindly acknowledged the difficulty of participating in one of HIS master classes as both singer and pianist, and he asked me which experience made me the most nervous. Without hesitation I replied : "piano - absolutely." The audience laughed a bit, and he began talking about pianists who don't see themselves as equals in the interpretive process and therefore do not invest themselves as deeply in preparation for collaborative work as they might for a solo piece. He spoke about the "Chamber Music" aspect of Art Song performances and how my nervousness was an indication of the responsibility I was placing on myself as a pianist. He said, "believe me singers, THIS is the type of pianist you should seek." His words meant so much to me! Mind you, these were technically "voice master classes" and geared toward the instruction of singers ; but Martin worked with singers and pianists as equal partners in a story-telling dialogue together. The Schubert piece I played (sadly, I don't remember the singer) had one of those piano parts that sounded (and looked on the page) far easier to play than it really was. It was an almost static piano part with big tall rolled left hand chords supporting a delicate countermelody in the right hand - and all in support of the sung tune. He took time to help me voice those chords in a shimmering, vibrant way that lended extra energy and forward motion to the whole performance. Not only did I improve, but by heeding his instruction I helped the singer improve. That master class was a total game-changer for me, not just as a pianist ; but also as a conductor, singer, musician, and composer.
This linked 12-minute video shows Martin Katz as clinician for a Carnegie Hall master class. He definitely works with the pianist as an equal partner, and really helps the singer become aware of the pianist's role in the story-telling. Watching this brought back a flood of memories from my own experiences at these events. Master Classes are golden opportunities for musicians. It really is an amazing experience to work with top caliber artists like Martin, who function daily on a higher musical plane than most of us can only begin to imagine. We just had a master class at MU this evening - our second of three for this academic year. I have made it a priority to provide at least one such opportunity for my students every year. I was astounded by how few students took the opportunity to attend and observe this rare event. So, I'm posting this as a reminder to all of you out there - that sometimes you are given a chance to rub elbows with greatness, but You have to be ready to recognize and grab those opportunities with both hands before they pass you by. Treasure and set aside time for the moments when extraordinary events become open to you. So many people moved heaven and earth to go see the eclipse last week because the opportunity won't present itself again for 20 years. It was a rare experience, indeed - but it had no real power to impact anyone personally. A human connection can and will do that, so let me encourage you to prioritize those possibilities for Yourself. You won't regret it, and it just might change your life.
Collaborative pianist Martin Katz coaches Soprano Emma McNairy and pianist Brent Funderburk on Debussy's "Spleen" from Ariettes oubliées.Visit http://bit.ly/...