Temple University Dance Department

Temple University Dance Department The Dance Department values dance as a performing art manifested artistically, culturally and person https://linktr.ee/conwelldancetheater
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Congratulations to Madeline Shuron, BYR '26!!!This Dance MFA student has earned a prestigious Fulbright Scholarship! We ...
04/26/2024

Congratulations to Madeline Shuron, BYR '26!!!
This Dance MFA student has earned a prestigious Fulbright Scholarship! We couldn't be more proud :)

Temple University’s representation within the Fulbright U.S. Student Program has historically been strong. On four occasions, the university has been recognized by the U.S. Department of State’s Bureau of Educational and Cultural Affairs as a Fulbright U.S. Student Program Top Producing Institut...

Last performance of the semester!This Friday Only!FREEConwell Dance Theater @ 7:00 PM
04/23/2024

Last performance of the semester!
This Friday Only!
FREE
Conwell Dance Theater @ 7:00 PM

Enjoying the reenactment process of Noverre's ballet and we get to perform it Tuesday in the Chapel. Tomorrow the explor...
02/26/2024

Enjoying the reenactment process of Noverre's ballet and we get to perform it Tuesday in the Chapel. Tomorrow the exploratory seminar begins!

We are delighted to announce Eiko Otake’s upcoming talk and screening, Carrying Fukushima, at Dance Studies Colloquium, ...
02/08/2024

We are delighted to announce Eiko Otake’s upcoming talk and screening, Carrying Fukushima, at Dance Studies Colloquium, Thursday February 15th at 3:00pm (EST) in Conwell Theater (Temple University). This event is supported by the Institute of Dance Scholarship, AIR (Arts Interdisciplinary Research), and the Dance Department at Boyer College of Music and Dance.

Direct link: https://youtube.com/live/N8huBla8f2Q?feature=share

A Body in Fukushima is the title of the extensive and expanding collaborative project between Eiko and photographer/historian William Johnston. Eiko first invited Johnston to collaborate on creating photograph works in Fukushima in 2014, 10 years ago. It was at the time Eiko began conceiving her first solo project, A Body in Places, which started with A Body in a Station at 30th Street Amtrak train station in Philadelphia in November 2014 along with the first Fukushima photo exhibition at the Pennsylvania Academy of Fine Arts (PAFA) which also produced her performances at Philadelphia Station.

In 2014, Eiko and Johnston made two extended visits to the irradiated areas surrounding the Fukushima Daiichi nuclear reactors, where all residents had been evacuated. They returned to the area again in the 2016 and 2017 summer and found much of the places they had visited in 2014 have been radically changed. New sea walls were built, and many workers were brought in to clear houses and buildings and decontaminate the fields and roads. The only places that were left untouched by bulldozers were shrines and forests. Eiko danced in these places that remain highly irradiated, embodying bitter grief, anger, and remorse. In 2019, they visited Fukushima for the fifth time.

“Carrying Fukushima”In this presentation Eiko Otake will share her trajectory and reflections with projecting videos as she prepares to screen her feature-le...

Thursday, February 1st at Dance Studies Colloquium, Temple University in Philadelphia Merián Soto and Viveca Vázquez Fen...
01/29/2024

Thursday, February 1st at Dance Studies Colloquium, Temple University in Philadelphia

Merián Soto and Viveca Vázquez
Fenomenal! Rompeforma 1989-1996
Screening and Discussion in Conwell Theater, 3-4:30pm

Dance artists, Merián Soto and Viveca Vázquez will co-host a screening of their award-winning film ¡Fenomenal!, Rompeforma 1989-1996, a documentary which shares the archives of the Latinx festival, Rompeforma, Maratón de baile, performance, & visuales, held in Puerto Rico, and featuring the work of dozens of Latinx dance and performance artists from Puerto Rico, the US, and beyond. Following the film Soto & Vazquez will engage in an in-depth conversation on the process of creating the documentary.

Announcing a Three-day Exploratory Seminar to take place on February 26 - 28, 2024 in The Conference Room, Rock Hall, Bo...
01/14/2024

Announcing a Three-day Exploratory Seminar to take place on February 26 - 28, 2024 in The Conference Room, Rock Hall, Boyer College of Music and Dance, Temple University in Philadelphia. It will not be live streamed so requires live attendance for anyone interested.

Futures of Eighteenth-Century Dance Scholarship:
What is Pantomime in Pantomime Ballet?

Seminar I: Monday, February 26th, 9:30am -5:00pm
Seminar II: Tuesday, February 27th, 9:30am -5:00pm
Seminar III: Wednesday, February 28th, 9:30am -3:00pm

Ballet pantomime (1760-1810) or ballet en action has traditionally been considered the predecessor of classical ballet. Several important reforms took place in the late eighteenth century, such as the abandonment of masks, the development of expressive gesture, and the attempt to choreograph tragedies adapted from theater without words, all of which made ballet pantomime possible. Nevertheless, this period is one of the least studied in the history of baroque dance, which leads to many unanswered questions concerning the role of the passions, the degree to which dance used theatrical gesture and/or to which theater itself became choreographic, how this balance or imbalance between dance and theater correlated with the relation of dance to the musical score, and therefore how we can define the term action. Finally, how did pantomime ballet express bourgeois subjectivity while also possibly serving as a vehicle for political agency.

This three-day exploratory seminar will take place o Discussions of eleven invited scholars and performers whose work has made a significant impact on this subject together with a reenactment of scenes from Noverre’s Agamemnon Vengé (Franko, Omedilla, Lindorff, Hazebroucq and Temple dancers) and a graduate student round table.

I am pleased to announce the upcoming winter-spring season of the Dance Studies Colloquium taking place at the Institute...
01/08/2024

I am pleased to announce the upcoming winter-spring season of the Dance Studies Colloquium taking place at the Institute of Dance Scholarship in the Dance Department of Temple University. As usual all stand-alone talks will be live streamed and archived. More information soon on the Exploratory Seminar in late February.

Next week in Conwell Dance Theater:Fall Endings Showcase 2023Friday, December 8 @ 7:00 pm - FREE - no ticketsFeaturing R...
12/01/2023

Next week in Conwell Dance Theater:
Fall Endings Showcase 2023
Friday, December 8 @ 7:00 pm - FREE - no tickets
Featuring Repertory work and graduate student studio research.
Come on out for the last show of the semester!

11/12/2023

"My research is my walk." Leslie Parker Reflection/Response mini-residency. Leslie taught and spoke about her creative research A Call to Remember, and Black Dance Improvisation methodology.

Temple University Department of Dance presentsReflection/Response Artist Talk with Leslie Parker Friday, Nov 9, 2023, 2P...
11/07/2023

Temple University Department of Dance presents
Reflection/Response Artist Talk with Leslie Parker Friday, Nov 9, 2023, 2PM, Conwell Dance Theater, 5th floor Conwell Hall (1801 N Broad St) Free!
Minnesota-based dance artist and educator Leslie Parker, talks on her experimental and intersectional work combining autoethnographic research, methodology, and dance improvisation for performing identity in real-time as contemporary practice in dance. Parker speaks to over 20 years of experience performing and training in dances derived from the Black and African Diaspora with a multi-disciplinary approach and drawing from unique lived experiences of an individual by referring to the body as an embodied archive, a source for an amalgamation of collective and individual memories.
Leslie Parker

Photos from Eiko Otake's masterclass Nov 2, 2023.  Eiko Otake Sena Atsugah
11/06/2023

Photos from Eiko Otake's masterclass Nov 2, 2023. Eiko Otake Sena Atsugah

Temple University Department of Dance presentsEiko Otake: Delicious Movement, Time is not Even, Space is not Empty, a ma...
10/26/2023

Temple University Department of Dance presents
Eiko Otake: Delicious Movement, Time is not Even, Space is not Empty, a master class
Thursday, Nov 2, 2023. 11:10AM -12:40PM
Conwell Dance Theater, 5th floor Conwell Hall (1801 N Broad St)
Free! To register email [email protected]

The entire dance department is cordially invited to attend the third talk of the fall Dance Studies Colloquium season, T...
10/23/2023

The entire dance department is cordially invited to attend the third talk of the fall Dance Studies Colloquium season, Thursday, October 26, 2023, at 3pm (EST). Free and open to the public, this talk will take place at The Chapel of the Chaplains (TPAC Chapel), 8317 North Broad Street at Polett Walk, Temple University, Philadelphia. It will also be live streamed and archived.

direct link: https://www.youtube.com/watch?v=57d8SFpEHwU

Mariem Guellouz, UFR Sociétes et Humanités, Université Paris-Cité:“Contemporary Dance in the Arab World: Fieldwork from Tunisia”

This lecture presents the results of fieldwork research conducted in Tunisia from the period 2010 to 2019, and questions the place and function of contemporary dance in the Arab world. Contemporary dance as a genre is commonly anchored in the history of post-industrialized countries that have lived through social change determined by Western experiences and perspectives (ex., the notion of the ‘postmodern’), and a historical framing of contemporaneity that relies on notions of progress linked to colonial wars, technological revolutions and a progressive globalization of cultures. From these socio-historical assumptions, an anthropological and semiotic question should be asked: is the practice of contemporary dance in the Arab world an importation of a Western exogenous genre? Does the “contemporary” claim its legitimacy as an exogenous practice, and can it aspire to function with a universality that is recognized globally? What does it mean to be an Arab contemporary dancer in countries where the relation to the body, sexuality, work and leisure are radically different from the countries that inspired the notion of “contemporary” aesthetics in dance? I propose to answer these questions in relation to my dance fieldwork in Tunisia. I aim to analyze how contemporary dance can write its own history in Tunisia, and by deconstructing the universality of contemporaneity, I propose a new definition of contemporary dance as a specific dance genre in the Arab world.

Mariem Guellouz is an Associate Professor of sociolinguistics at Université Paris Cité and a researcher at the CERLIS (centre de recherche sur les liens sociaux-CNRS). She is also an artist and a performer. She analyses activist discourses in Arab social movements as political performances and their relationship with poetics, aesthetics, and artistic creations. She is interested in the effects of orientalist/colonial discourses on the artistic practices of Arab countries.

You are cordially invited to attend the second talk of the fall Dance Studies Colloquium season, Thursday, October 12, 2...
10/09/2023

You are cordially invited to attend the second talk of the fall Dance Studies Colloquium season, Thursday, October 12, 2023, at 3pm (EST). Free and open to the public, this talk will take place at the Chapel of the Chaplains (TPAC Chapel), North Broad Street and Polett Walk, Temple University, Philadelphia. It will also be live streamed and archived.

Direct link: https://youtube.com/live/TVnlg5Kjyp8?feature=share

Laura Katz Rizzo, Dance, Temple University
“Performing Witchcraft: Feminist Art Practice and Embodied Research Processes”

Abstract:
In this presentation I will describe my interdisciplinary, multi-modal, creative, feminist praxis of dance research; and the creative process I have developed for embodied, self-reflexive, somatic, meaning making. I will examine how the concepts of performing witchcraft, and spell casting, and in their correspondent interconnections with dance and choreography, have enabled me to utilize the choreographic craft as a recursive form of inquiry for understanding the world around me. With it, I articulate a personal voice to create meaning and craft narrative using formal structures borrowed from occult ritual and theatrical stagecraft. In this talk, I speak from a personal, poststructuralist, and feminist stance to describe how this holistic approach has challenged my ways of thinking, being, seeing, and dancing, and helped me recognize, question, and transgress overarching ideological paradigms within the field of dance, in myself, and in society at large. Both in content and form, my work has led me toward processes of integration and synthesis (rather than deconstruction). Thus, my identities as dancer, teacher, choreographer, scholar, artist, mother, woman, and witch, have become more fully aligned, bound, balanced, and integrated. Connectivity has therefore emerged as a significant motif central to my work’s meaning, appearance, and to the processes of its making, as evidenced in examples drawn from my choreography and installations.

Dance Alumni! We want to present your work in Conwell Dance Theater!Submission Deadline - Sept 20, 2023Concert Dates - F...
08/03/2023

Dance Alumni! We want to present your work in Conwell Dance Theater!
Submission Deadline - Sept 20, 2023
Concert Dates - Feb 23 & 24, 2024
Details and submission form can be found here: https://sway.office.com/H9eIsQxSZ1H7KKgZ?ref=Link

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1700 North Broad Street
Philadelphia, PA
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