01/08/2023
Unfortunately we had to cancel the exhibition, but Sara can be contacted directly for enquiries about her art.
SARA ABBOTT
Liz Clarke
Sara Abbott is an artist, sought after for her pastels, oil, water colour, charcoal – or a mixture of everything.
When you look at her work you don’t automatically think flower, dog, cat etc. They may well be there, but configured in a way that the onlooker is asked to think – and think again.
Visiting her in her heritage Stanford home is like tiptoeing through layers of well-burnished history, not only hers, but those who dared to dream before her, from farmers to moonshine whisky makers.
It’s a great setting for her. Whereas the fragile ghosts of history may have gone (although she says they haven’t), the fragility and fleeting nature of inspiration lives on with ethereal images of horses, wild, gargoyles, mystical characters, and animals of all shapes and sizes floating, or just dashing heaven-wise.
We are looking at a working sketch of a horse standing in a suitcase. It's different “You see I look for stories behind what is obvious. It’s that searching that dictates the way I do things. It’s almost as though there is an alternative energy at play. When that side of me is free, I’m never quite sure what is going to happen next. It’s not like clockwork. It either happens or it doesn’t.”
There’s a quintessential edginess that tells you that trying to understand all of that is not the point. It just is.
However, when Sara touches on the commercial side of art, there’s a touch of unexpected practicality.
“There’s a limited market for the big works that take an age – people just don’t have the money anymore – so going for smaller work that’s affordable is a better idea.
Is there anything she would like to paint and hasn’t so far?
“When there is, something inside me switches on a button!” Well that's what I hope
Several of Sara’s latest works will be on show at ETHOS